Collective

Dec 30, 2024 — Ring in 2025 with this selection of highlights from our past year in publishing.

Dec 17, 2024 — A remarkable breakthrough in Hong Kong action cinema, this rip-roaring spectacle represents the peak of Hung’s commitment to ensemble-oriented filmmaking.

Dec 9, 2024 — The festival is making more than seventy films and artworks freely accessible worldwide through December 30.

Dec 3, 2024 — Absent from so many critics’ best-of-2024 lists, A Different Man wins Best Feature.

Oct 31, 2024 — The BAM series focuses on filmmakers who “turn the visual language of the silents to new purposes.”

Oct 23, 2024 — This month brings new books on Brian De Palma, Tobe Hooper, unhappy writers, and classic documentaries.

Sep 26, 2024 — Steeped in Catholic guilt and erotic tension, Guiraudie’s eighth feature draws comparisons with Pasolini’s Teorema.

Sep 24, 2024 — Emerging out of the mass death, cultural ferment, and semiotic tumult of the 1990s, this trio of deliriously profane films glares at American youth culture and gives zero shits if it looks back.

Sep 4, 2024 — The festival launched RaMell Ross’s Nickel Boys and brought in a slew of critical favorites fresh from their premieres in Venice.

Aug 30, 2024 — Martin Scorsese and Edgar Wright discuss overlooked British films and cinematographer Mark Lee Ping-bing talks about working with Hou Hsiao-hsien.