The Criterion Collection
Jul 13, 2015 — “I think that in a few years, in ten, in twenty, or thirty years, we shall know whether Hiroshima mon amour was the most important film since the war, the first modern film of sound cinema.” That was Eric Rohmer,...
Jul 6, 2015 — The Killers (1946) is exemplary film noir from Robert Siodmak, who, on the strength of three films—this, Phantom Lady (1944), and Criss Cross (1949)—stands beside his fellow European exiles Fritz Lang and Otto Preminger as one of noir’s crucial directors....
May 19, 2015 — Charlie Chaplin’s intensely emotional drama is a dream film about show business, history, and death.
Mar 16, 2015 — Director and star Robert Montgomery suffuses his moody 1947 New Mexico–set noir with palpable postwar anxiety and expressive fatalism.
Mar 11, 2015 — More than thirty years after his death in 1977, Roberto Rossellini is remembered by your average film buff as the father of Italian neorealism (Rome, Open City, 1945; Paisan, 1946; Germany Year Zero, 1948) and of actress and model Isabella...
Nov 20, 2014 — The two writers chat about Nehme’s new novel.
Oct 21, 2014 — There were plenty of advantages to living in Paris in the early 1970s, especially if one was a movie buff with time on one’s hands. The Parisian film world is relatively small, and simply being on the fringes of it...
Essays
Aug 25, 2014 — Love and death tango in Bob Fosse’s glittering ode to his own mortality.
Essays
Feb 28, 2014 — Other first films exude the sparkling joy of filmmaking that one feels in Breathless, but how many can boast its sure-handedness?
Features
Dec 22, 2013 — The author reflects on his interactions with the great filmmaker.