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Betrayal

Apr 5, 2019 Deep dives into the work of Bob Fosse and Buster Keaton and a mash note to Aki Kaurismäki lead this week’s highlights.

Feb 18, 2019 The Swiss actor will be remembered for a range of characters spanning from heaven to hell.

Jan 31, 2019 Trailblazer Elaine May altered the landscape of comedy and screenwriting, and in the three films she directed in the 1970s—A New Leaf (1971) , The Heartbreak Kid (1972), and Mikey and Nicky (1976)—she brought a fresh, often uncomfortable perspective to the portrayal of...

Jan 25, 2019 Deep into Cristian Mungiu’s 2007 drama 4 Months, 3 Weeks and 2 Days, we sit in on a leisurely dinner-table chat that appears to be unrelated to the film’s main event, an illegal abortion conducted in a seedy hotel. After...

Jan 22, 2019 Elaine May is a writer and filmmaker and actor and improviser, but beyond that, she is an artist whose career-long quest for truth has driven her to create work that has taken many forms but always sought to cast aside...

Jan 15, 2019 In Notorious (1946), love assumes different shapes and presentations—as a wound, a weapon, a promise, a curse. For Ingrid Bergman as the lusciously complex and raw-nerved Alicia Huberman, it’s all these things. As the film begins, Alicia is on the...

Dec 18, 2018 Half a century before Julien Duvivier made his 1946 film Panique, the French social psychologist Gustave Le Bon published his influential study of mob behavior, The Crowd: A Study of the Popular Mind, in which he argued that recent upheavals in...

Dec 14, 2018 “It’s sad to say, but women do not have much importance in westerns,” observed Anthony Mann, a master of the genre, in a 1957 Cahiers du cinéma interview. Made that same year, Samuel Fuller’s Forty Guns begins with a whopper...

Dec 11, 2018 Note: The terms black and white were part of the way racial categories were referred to in South Africa under apartheid. Other terms, like nonwhite and non-European, were also used to mark racial segregation. In the following essay, the term...

Nov 18, 2018 This sensuous, sprawling epic, which Ingmar Bergman intended to be his swan song, offers an effortless summing up of the themes—among them family, identity, and mortality—he'd spent a career exploring.

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