The Criterion Collection
Essays
Nov 26, 2001 — Peter Weir’s first film to be released in America insists on the tangible power of spiritual life.
Jun 26, 2000 — Kevin Smith writes about his third feature as a sort of penance/valentine for the woman who made him grow up.
Essays
Dec 9, 1985 — Movie thrillers may come and go, but after half a century, Alfred Hitchcock’s The 39 Steps still reigns supreme. And not only for the sheer, breathless excitement of the story; the seamless construction; the chilling, beautifully realized atmosphere; and the...
The Daily
Jan 31, 2025 — As an Australian classic turns fifty, we’re also reading about Leos Carax and Catherine Breillat.
The actor and producer praises Anthony Hopkins’s performance in The Silence of the Lambs, shares why Badlands has one of cinema’s best car chases, and celebrates an Australian favorite, Breaker Morant.
The writer and director of the cult classic The Babadook shares her love for fellow Australian filmmaker Peter Weir’s The Last Wave, talks about her repeat viewings of Mulholland Dr., and selects spine-tingling Japanese horror classics Kuroneko and Onibaba.
Starting out as a leading figure in Australia’s 1970s film renaissance, this acclaimed director went on to achieve critical and commercial success in Hollywood.
Essays
Jun 16, 2026 — The debut in 1998 of Lisa Cholodenko’s first feature film, High Art, was a triumph. The intense mastery of its form and the freshness of its narrative created waves of excitement—from the Sundance Film Festival, where it won the Waldo...
The Daily
May 1, 2026 — A new month begins with a Visconti restoration, a new issue of Senses of Cinema, and a deep backgrounder on Backrooms.
The Daily
Apr 9, 2026 — Film at Lincoln Center and the Museum of Modern Art introduce New Yorkers to some of the most exciting new voices in cinema.