All About Our Friendship

Oct 16, 2020 — This week we’re reading Jacques Rancière on Pedro Costa, J. Hoberman on Pietro Marcello and Jack London, and Sasha Frere-Jones on Jóhann Jóhannsson.

Dec 12, 2019 — Almost from the moment it arrived on screens in early 2006, Kelly Reichardt’s Old Joy was celebrated as a new milestone for American cinema, even an expression of independent filmmaking’s delayed arrival at maturity. In relating its deceptively simple tale...

Nov 16, 2019 — Greg Mottola’s irresistible first feature, the dysfunctional-family odyssey The Daytrippers, is one of the great stories of 1990s low-budget independent filmmaking. Shot for $60,000 on Super 16 mm in just seventeen days—with up-and-coming cast members like Parker Posey, Liev Schreiber, Hope...

Oct 29, 2019 — Matewan opens in the pitch-black darkness of a West Virginia coal mine. A miner lights the carbide lamp on his helmet. The small open flame he wears provides the only flicker of light in this cramped space next to a...

Jun 6, 2017 — Combining sardonic humor with poignant characterizations, this cult comedy explores the discontents of two high-school graduates adrift in strip-mall America.

Feb 4, 2014 — When François Truffaut was a twenty-three-year-old film critic, in 1955, he read an autobiographical first novel by a seventy-four-year-old writer, Henri-Pierre Roché. “The book overwhelmed me,” he later recalled, “and I wrote: If I ever succeed in making films, I...

Jun 12, 2024 — This summer, we’re bringing back one of our favorite seasonal themes with a hard-boiled Neonoir collection. Plus: Pop Shakespeare, Times Square, and Columbia Screwball.

Jul 14, 2026 — On October 30, 1992, the Provisional Irish Republican Army set off two bombs as part of an ongoing campaign against British rule in Northern Ireland. One, a small explosive planted alarmingly close to the prime minister’s residence at 10 Downing...

May 5, 2021 — Many lucky enough to have worked with her remember the star who broke through in Moonstruck.

Apr 8, 2021 — If I wanted to do justice to my memory of Bertrand Tavernier, I would have to tell half my life. That’s why I prefer to start with his films—and with the one I perhaps like the best. In Coup de...