The Criterion Collection
The Daily
Oct 17, 2023 — She left the movies twice but returned to deliver memorable performances in The Hustler, Carrie, and Twin Peaks.
May 31, 2017 — Long difficult to see, this transgressive silent masterpiece draws on a wide range of aesthetic influences to push against the boundaries of film form.
The Daily
Oct 7, 2017 — We begin with Angelo Muredda, writing for Cinema Scope: “Joachim Trier makes a sterling if somewhat noncommittal bid for post-horror with Thelma, a slow-burn supernatural thriller about a Norwegian teen (Eili Harboe) who goes away to college (and away from...
Mar 9, 2012 — The cinematographer tells us how he and Louis Malle went about shooting Vanya on 42nd Street in a decrepit Manhattan theater.
Essays
Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...
Jun 17, 2021 — The first real lesbian kiss in a film is an honor that rightfully belongs to Mädchen in Uniform. It’s true that a year earlier, in 1930, Marlene Dietrich played a tux-clad chanteuse who snogs a woman in a nightclub audience...
Mar 10, 2020 — In the fall of 1966, an unusual proposal reached the desk of Melbourne I. Feltman, vice president of Consolidated Book Publishers in Chicago. In a letter dated October 24, sent from the Maysles Films office in Midtown Manhattan, David Maysles...
Jul 14, 2015 — Carroll Ballard’s film is a work of rapture, a mesmerizing adventure that envelops the viewer in the beauties of the natural world.
The Daily
Oct 17, 2024 — Featuring a Robert Kramer retrospective, this year’s Viennale opens with Leos Carax and closes with Mati Diop.
The Daily
Dec 6, 2017 — “There’s topical, there’s timely, and then there’s The Post, which feels less like a historical thriller set in 1971 than it does an exhilarating caricature of the year 2017,” begins David Ehrlich at IndieWire. “While Steven Spielberg’s latest film rivetingly...