A Walk to Remember

Oct 28, 2017 — We begin with a few translations. Asymptote lives up to its own billing as “the premier site for world literature in translation” with the presentation of Adam Kuplowsky’s renderings in English of some observational work by Yasujiro Ozu. “These three...

Oct 23, 2017 — “Meet the new hotshots of American filmmaking,” offers the Observer, stacking four profiles on one page. Tim Lewis gets Dee Rees talking about Mudbound (“The mud wasn’t free!”) and going with Netflix: “I think Netflix are disrupters and maybe they...

May 7, 2015 — Movie comedies about moviemaking through the decades

Sep 16, 2014 — The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...

Jul 30, 2013 — Guillermo del Toro’s ghostly fable beautifully reflects the director’s fascination with the personal and the political.

Oct 25, 2012 — The following piece by Sunday Bloody Sunday screenwriter Penelope Gilliatt originally appeared as the introduction to the 1971 U.S. publication of the script. A friend of mine who had started scrubbing at fourteen and went on to be a barmaid...

Jun 27, 2011 — A rogue’s gallery of vituperative 1950s vixens and night-world tough-guy gargoyles all coalescing in a constellation of twinkling cold war lights, Robert Aldrich’s Kiss Me Deadly is a film of a thousand stars. Stars of every sort, size, and description:...

Oct 16, 2006 — Screenwriter Carlos Cuarón delves into the character played by Astrid Hadad

Aug 22, 2005 — This delicate, fascinating film is self-consciously, almost militantly, naive, and it remains something of an anomaly in Roberto Rossellini’s body of work.

Aug 20, 2001 — Carl Dreyer considers the work of art’s soul in this excerpt from Dreyer in Double Reflection.