The Criterion Collection
Jan 28, 2014 — Terence Davies beckons the viewer into a private world of moods and sensations with this exquisite childhood reverie.
Features
Feb 2, 2011 — These tributes first appeared in the winter 2010 issue of Brick, a literary journal based in Toronto. They are posted here by permission of the authors. The photographs appear courtesy of Colleen Murphy. Colleen Murphy After we decided to...
The Daily
Jan 15, 2026 — SXSW and Slamdance unveil full lineups, and the Berlinale fills out its Forum, Panorama, Generation, and Classics programs.
Features
Mar 25, 2024 — What makes a “bad” movie anyway? By surveying the bombs, disasters, and secret masterpieces (dis)honored at the Golden Raspberry Awards, we can learn much about American cinema’s prevailing standards of taste.
Nov 16, 2022 — After glimpsing his great-great-grandfather on-screen, a writer searches for the history of a landmark silent film.
Oct 11, 2022 — Frank Capra’s flamboyant farce—his only black comedy—finds an uncharacteristically frenetic Cary Grant surrounded by a clan of genteel maniacs.
May 25, 2022 — Combining the expressive power of a great storyteller with the skill of a master craftsman, Sean Phillips is an artist we’ve come back to time and time again at Criterion. From Sweet Smell of Success to On the Waterfront to...
Features
Apr 27, 2022 — In his uncompromising chronicles of modern Japanese society, the celebrated filmmaker shows a deep understanding of both larger-than-life individuals and collectives of ordinary citizens.
Tech Corner
Feb 26, 2021 — There would be no Indonesian cinema without Usmar Ismail (1921–71). His third feature, The Long March (Darah dan doa, 1950), was not only the first film to be produced by a fully Indonesian crew and production company but also one...
Apr 19, 2018 — With a mix of improvisation, balletic physicality, and slapstick humor, Hollywood master Leo McCarey crafted the most sublime of screwball comedies.