The Criterion Collection
The actor and writer reflects on the impact that Lena Dunham’s Tiny Furniture has had on her work, talks about finding Women on the Verge of a Nervous Breakdown relatable, and discusses the uncomfortable humor in Happiness.
The writer and director talks about the innovative low-budget filmmaking of Detour, shares her love for The Battle of Algiers and its unrelenting “metronome of tension,” and praises Costa-Gavras as the inventor of the political thriller.
The actor recalls a memorable viewing of The Red Shoes, celebrates performances by Kirsten Dunst and Nicole Kidman, and shares why The Worst Person in the World made her want to work with Joachim Trier.
The actor and director praises Black God, White Devil as one of the most important Brazilian films ever made, talks about the complex humanity of Il Posto, and reflects on why Jean-Pierre and Luc Dardenne are his favorite filmmakers.
The filmmaker and artist shares his intimate connection to The Color of Pomegranates, talks about the “invisible magic” of Edward Yang’s cinema, and praises the innovative cinematography in Tokyo Olympiad.
The actor talks about falling in love with Some Like It Hot at a young age, praises Lili Taylor’s and River Phoenix’s tender performances in Dogfight, and shares the profound effect that Streetwise has had on her.
The writer and director returns to the Criterion Closet, where he talks about a moment from Black Narcissus that’s ingrained in his memory, shares what he loves about Max Ophuls and The Earrings of Madame de . . ., and...
The actor talks about My Darling Clementine and his newfound love of westerns, praises the timeless exploration of morality in 12 Angry Men, and looks back on auditioning for No Country for Old Men.
The actor praises the melancholy tenderness of A Canterbury Tale, shares his admiration for Derek Jarman’s creative genius, and selects favorites like Sweetie and L’humanité.
The actor and authorexplains why everyone should be required to experience the work of Laurie Anderson, praises the way Kes portrays the relationship between man and nature, and talks about how A Room with a View turned him into a...