What are dual-format editions?
Dual-format editions include both Blu-ray and DVD versions of a film in a single package. All supplements are available across both formats.
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Bette Midler exploded onto the screen with her take-no-prisoners performance in this quintessential film about fame and addiction from director Mark Rydell.
A psychologically damaged war veteran and a neglected child begin a startlingly intimate friendship—one that ultimately ignites the suspicion and anger of his friends and neighbors in suburban Paris.
The ultimate Italian road comedy, Il sorpasso stars the unlikely pair of Vittorio Gassman and Jean-Louis Trintignant as, respectively, a waggish, freewheeling bachelor and the straitlaced law student he takes on a madcap trip from Rome to Tuscany.
Sunday Bloody Sunday depicts the romantic lives of two Londoners, a middle-aged doctor and a prickly thirtysomething divorcée—played with great sensitivity by Peter Finch and Glenda Jackson—who are sleeping with the same handsome young artist.
Two strangers dressed as minstrels (Arletty and Alain Cuny) arrive at a castle in advance of court festivities—and are revealed to be emissaries of the devil, dispatched to spread heartbreak and suffering. Their plans, however, are thwarted by an unexpected intrusion: human love.
In a beautifully understated performance, Redford is David Chappellet, a ruthlessly ambitious skier competing for Olympic gold with an underdog American team in Europe, and Gene Hackman provides tough support as the coach who tries to temper the upstart’s narcissistic drive for glory.
Gérard Depardieu and Catherine Deneuve star as members of a French theater company living under the German occupation during World War II in François Truffaut’s gripping character study. Equal parts romance, historical tragedy, and even comedy, this is Truffaut’s tribute to art overcoming adversity.
Mathieu Kassovitz took the film world by storm with La haine, a gritty, unsettling, and visually explosive look at the racial and cultural volatility in modern-day France, specifically the low-income banlieue districts on Paris’s outskirts.
Seamlessly interweaving archival war footage with a fictional narrative, this immersive account of one twenty-year-old’s journey from basic training to the front lines of D-Day brings to life all the terrors and isolation of war with jolting authenticity.
In a dusty California resort rown, a naïve Southern waif finds her role model in a fellow nurse, but her hero-worship evolves into something stranger and more sinister than either could have anticipated. Robert Altman’s dreamlike masterpiece careens from the humorous to the chilling to the surreal.
A young sister and brother are abandoned in the harsh Australian outback and must learn to cope in the natural world, without their usual comforts, in this hypnotic masterpiece from Nicolas Roeg.
Koreyoshi Kurahara’s free-form approach to moviemaking was perfectly suited to the radical spirit of the 1960s, when he was one of the biggest hit makers working at the razzle-dazzle, youth-oriented Nikkatsu studios.
These haywire hits about splintered love affairs and broken homes, all starring mustachioed matinee idol Amedeo Nazzari and icon of feminine purity Yvonne Sanson, luxuriate in delirious plot twists and overheated religious symbolism.
Often called the Godard of the East, Japanese director Nagisa Oshima was one of the most provocative film artists of the twentieth century, and his works challenged and shocked the cinematic world for decades.
This Cannes-award-winning romantic comedy channels the spirit of classic Hollywood and the whimsy of Jacques Tati into an idiosyncratic ode to the delirium of new romance.
One of the fastest, funniest, and most quotable films ever made, His Girl Friday is an immortal mix of hard-boiled newsroom setting with remarriage comedy.
Epic in scale yet meticulously observed, Short Cuts interweaves the stories of twenty-two characters as they struggle to find solace and meaning in contemporary Los Angeles.
Orson Welles’s first color film and final completed fictional feature, The Immortal Story is a moving and wistful adaptation of a tale by Isak Dinesen.
Charlie Chaplin and Jackie Coogan make a miraculous pair in this nimble marriage of sentiment and slapstick, a film that is, as its opening title card states, “a picture with a smile—and perhaps, a tear.”
An ever-shifting battle of the sexes set on a Buenos Aires casino’s glittering floor and in its shadowy back rooms, Gilda is among the most sensual of all Hollywood noirs.
The crowning achievement of Orson Welles’s extraordinary cinematic career, Chimes at Midnight was the culmination of the filmmaker’s lifelong obsession with Shakespeare’s ultimate rapscallion, Sir John Falstaff.
Melodrama casts noirish shadows in this portrait of maternal sacrifice from Hollywood master Michael Curtiz, featuring an iconic performance by Joan Crawford.
An uncommonly naturalistic view of a seamy underworld, this gritty crime classic painstakingly depicts the calm professionalism and toughness of its gangster heroes while evincing a remarkable depth of compassion for their all-too-human fragility.
Sacha Guitry was once a household name. Something of a Gallic Noël Coward, this disarming, multitalented artist served up some of 1930s French cinema’s tastiest dishes.
In this jazzy gangster film, reformed killer Tetsu’s attempt to go straight is thwarted when his former cohorts call him back to Tokyo to help battle a rival gang.
A husband, a wife, a stranger, a knife: Roman Polanski sets them all adrift on a weekend filled with simmering resentments and gut-churning suspense in his seminal psychological thriller, still one of the greatest feature debuts in film history.
Roman Polanski orchestrates a mental ménage à trois in this slyly absurd tale of paranoia from the director’s golden 1960s period.
In his late color masterpiece Kagemusha, Akira Kurosawa returns to the samurai film and to a primary theme of his career—the play between illusion and reality.
Set amid the tumult of World War II, yet with a rhythm as delicate as a lullaby, Powell and Pressburger’s classic follows three modern-day incarnations of Chaucer’s pilgrims waylaid in the English countryside en route to the mythical town of Canterbury and forced to solve a bizarre village crime.
The Samurai Trilogy, directed by Hiroshi Inagaki and starring the inimitable Toshiro Mifune, was one of Japan’s most successful exports of the 1950s, a rousing, emotionally gripping tale of combat and self-discovery.