What are dual-format editions?
Dual-format editions include both Blu-ray and DVD versions of a film in a single package. All supplements are available across both formats.
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The rare film that takes aim at the frenzy of the McCarthy era while also being suffused with its Cold War paranoia, The Manchurian Candidate remains potent, shocking American moviemaking.
Charlie Chaplin and Jackie Coogan make a miraculous pair in this nimble marriage of sentiment and slapstick, a film that is, as its opening title card states, “a picture with a smile—and perhaps, a tear.”
An ever-shifting battle of the sexes set on a Buenos Aires casino’s glittering floor and in its shadowy back rooms, Gilda is among the most sensual of all Hollywood noirs.
The visionary chroniclers of eccentric Americana Joel and Ethan Coen present one of their greatest creations in Llewyn Davis, a singer barely eking out a living on the peripheries of the flourishing Greenwich Village folk scene of the early sixties.
Wim Wenders pays loving homage to rough-and-tumble Hollywood film noir with The American Friend, a loose adaptation of Patricia Highsmith’s novel Ripley’s Game.
Bob Dylan is captured on-screen as he never would be again in this groundbreaking film from D. A. Pennebaker.
David Lynch’s seductive and scary vision of Los Angeles’s dream factory is one of the true masterpieces of the new millennium, a tale of love, jealousy, and revenge like no other.
Oscar winner Marion Cotillard received another nomination for her searing, deeply felt performance as a working-class woman desperate to hold on to her factory job, in this gripping film from master Belgian directors Jean-Pierre and Luc Dardenne.
Featuring an intense performance by Michael Fassbender, Hunger, about IRA member Bobby Sands’s 1981 prison hunger strike, is an unflinching, transcendent depiction of what a human being is willing to endure to be heard.
This comic masterpiece by Preston Sturges is among the finest Hollywood satires and a high-water mark in the career of one of the industry’s most revered funnymen.
David Lynch’s 1977 debut feature, Eraserhead, is both a lasting cult sensation and a work of extraordinary craft and beauty.
Vivre sa vie was a turning point for Jean-Luc Godard and remains one of his most dynamic films, combining brilliant visual design with a tragic character study. Anna Karina plays Nana, a young Parisian who aspires to be an actress but instead ends up a prostitute.
Stanley Kubrick’s Paths of Glory is among the most powerful antiwar films ever made. This is a haunting, exquisitely photographed dissection of the military machine in all its absurdity and capacity for dehumanization.
TheHammerer: “Don't watch this movie at 10am after pulling an all-nighter. Just... don't. Trust me on this.”
America, 1976. The last day of school. Bongs blaze, bell-bottoms ring, and rock and roll rocks. Among the best teen films ever made, Richard Linklater’s Dazed and Confused eavesdrops on a group of seniors-to-be and incoming freshmen.
Internationally famous oceanographer Steve Zissou (Bill Murray) and his crew, Team Zissou, set sail on an expedition to hunt down the mysterious, elusive, possibly nonexistent Jaguar Shark that killed Zissou’s partner during the documentary filming of their latest adventure.
Agnès Varda used the skills she honed early in her career as a photographer to create some of the most nuanced, thought-provoking films of the past fifty years.
Featuring sensuous cinematography, a lush score, and an award-winning central performance by the great Toni Servillo, this transporting experience by the brilliant Italian director Paolo Sorrentino is a breathtaking Felliniesque tale of decadence and lost love.
Eddie Constantine stars as intergalactic hero Lemmy Caution, on a mission to kill the inventor of fascist computer Alpha 60, in Jean-Luc Godard’s irreverent, cockeyed fusion of science fiction, pulp characters, and surrealist poetry.
TheHammerer: “So who wants to place bets on when we'll be seeing Grand Budapest Hotel here?...”
With his trademark mixture of empathy and scrutiny, Errol Morris has changed the face of documentary filmmaking in the United States, and his career began with two remarkable tales of American eccentricity.
A work of meticulous journalism and gripping drama, it recounts the disturbing tale of Randall Dale Adams, a drifter who was charged with the murder of a Dallas police officer and sent to death row, despite evidence that he did not commit the crime.
In this fantastic voyage through time and space from Terry Gilliam, a boy named Kevin (Craig Warnock) escapes his gadget-obsessed parents to join a band of time-traveling dwarfs.
Harold Lloyd’s biggest box-office hit was this silent comedy gem, featuring the befuddled everyman at his eager best as a new college student.
French director Jacques Demy didn’t just make movies—he created an entire cinematic world. Demy launched his glorious feature filmmaking career in the sixties, a decade of astonishing invention in his national cinema.
Wes Anderson first illustrated his lovingly detailed, slightly surreal cinematic vision (with cowriter Owen Wilson) in this visually witty and warm portrait of three young misfits.
An intensely felt film that is one of Bergman’s most striking formal experiments, Cries and Whispers (which won an Oscar for the extraordinary color photography of Sven Nykvist) is a powerful depiction of human behavior in the face of death.
This bittersweet film from Jean Renoir, based on a story by Guy de Maupassant, is a tenderly comic idyll about a city family’s picnic in the French countryside and the romancing of the mother and grown daughter by two local men.
With a background in music hall and mime performance, Tati steadily built an ever-more-ambitious movie career that ultimately raised sight-gag comedy to the level of high art.
A mix of the witty and the utterly absurd, The Palm Beach Story is a high watermark of Sturges’s brand of physical comedy and verbal repartee, featuring sparkling performances.
Wes Anderson’s hilarious, touching, and brilliantly stylized study of melancholy and redemption centers around a dysfunctional family of geniuses.
In Jean-Luc Godard’s subversive Contempt, Michel Piccoli is a screenwriter torn between the demands of a proud European director, a crude, arrogant American producer, and his disillusioned wife, Camille (Brigitte Bardot), as he attempts to doctor the script for a new film version of The Odyssey.
Bathed in lurid Technicolor, melodrama maestro Douglas Sirk’s Written on the Wind is the stylishly debauched tale of a Texas oil magnate brought down by the excesses of his spoiled offspring.
One of the great American independent films of the 1990s, the surprise hit Metropolitan, by writer-director Whit Stillman, is a sparkling comedic chronicle of a young man’s romantic misadventures while trying to fit in to New York City’s debutante society.
Dreyer’s The Passion of Joan of Arc, in which Renée Falconetti gives one of the greatest performances ever recorded on film, convinced the world that movies could be art.
Veronica and Boris are blissfully in love, until the eruption of World War II tears them apart. The Soviet cinema classic The Cranes Are Flying won the Palme d’Or at the 1958 Cannes Film Festival.
A twisted treasure from Hollywood’s pre-Code horror heyday, Island of Lost Souls is
a cautionary tale of science run amok, adapted from H. G. Wells’s novel The Island of Dr. Moreau.
Michelangelo Antonioni invented a new film grammar with this masterwork.
A behind-closed-doors look at the American legal system that is as riveting as it is spare, this iconic adaptation of Reginald Rose’s teleplay stars Henry Fonda as the dissenting member on a jury of white men ready to pass judgment on a Puerto Rican teenager charged with murdering his father.
In the decades of occult cinema that Polanski’s ungodly masterpiece has spawned, it has never been outdone for sheer psychological terror.
Charlie Chaplin plays shockingly against type in his most controversial film, a brilliant and bleak black comedy about money, marriage, and murder.
Cultures and families clash in Mira Nair’s exuberant Monsoon Wedding, a mix of comedy and chaotic melodrama concerning the preparations for the arranged marriage of a modern upper-middle-class Indian family’s only daughter.
Under Kenji Mizoguchi’s dazzling direction, this classic Japanese story became one of cinema’s greatest masterpieces, a monumental, empathetic expression of human resilience in the face of evil.
Winner of the Academy Award for Best Foreign Language Film, Ingmar Bergman’s The Virgin Spring is a harrowing tale of faith, revenge, and savagery in medieval Sweden.
How to describe Nobuhiko Obayashi’s indescribable 1977 movie House (Hausu)? As a psychedelic ghost tale? A stream-of-consciousness bedtime story? An episode of Scooby-Doo as directed by Mario Bava? House might have been beamed to Earth from some other planet.
This smash road comedy from Oscar-winning director Alfonso Cuarón is a funny and moving look at human desire.
A Hard Day’s Night, in which the bandmates play cheeky comic versions of themselves, captured the astonishing moment when they officially became the singular, irreverent idols of their generation and changed music forever.
TheHammerer: “A literal media circus erupts to unflinchingly nasty and disquieting ends. Douglas is brutal and acidic as the reporter who gets the ball rolling.”
The colorful, electrifying romance that took the Cannes Film Festival by storm courageously dives into a young woman’s experiences of first love and sexual awakening.
TheHammerer: “Now if you guys can just get Hour of the Wolf and Shame and put them in a box set with this, we'll have something extraordinary...”
A profoundly stirring evocation of elemental humanity and universal heartbreak, Tokyo Story is the crowning achievement of the unparalleled Yasujiro Ozu.
TheHammerer: “Clear-eyed yet compassionate. Kline keeps it together, but Joan Allen and the kids steal the film and break your heart.”
TheHammerer: “Not only can we forget, deny and deflect, we have it in ourselves to do it all over again. The most devastating half hour in cinema.”
TheHammerer: “"How can the jury forget something they've already heard?" "They can't." One of the best, most accurate, and most ambiguous trial movies.”
TheHammerer: “Classical and modern in one fell swoop, pessimistic yet exhilarating. Epic, rich, and intensely emotional.”
TheHammerer: “I now regret getting the Elia Kazan box set from Fox a few years ago... aside from that, all I can think is YES YES YES! This masterpiece deserves it.”
TheHammerer: “The straightforward, unadulterated presentation is a work of great humility on Wenders' part, and the 3D turns his dancers into living sculptures. Wow”
A riveting psychological thriller that investigates the nature of truth and the meaning of justice Rashomon is widely considered one of the greatest films ever made.
TheHammerer: “La Jetee is hauntingly mind-bending. I was less impressed by Sans Soleil (the free-form structure threw me off), but I do want to see it again.”
TheHammerer: “The great-grandpappy of all of Hitch's "wrong man" pictures, and the movie where he really became Hitchcock.”