What are dual-format editions?
Dual-format editions include both Blu-ray and DVD versions of a film in a single package. All supplements are available across both formats.
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Criterion is proud to present these Dreyer masterpieces on DVD for the first time, with brand new digital transfers. Each is an intense exploration of the clash between individual desire and social expectations, with Dreyer’s famously perfectionist attention to detail shining throughout.
In the late 1940s, the incandescent Hollywood star Ingrid Bergman found herself so stirred by the revolutionary neorealist films of Roberto Rossellini that she sent the director a letter, introducing herself and offering her talents.
In these three droll domestic films—Tokyo Chorus, I Was Born, But . . . , and Passing Fancy—Ozu movingly and humorously depicts middle-class struggles and the resentments between children and parents.
James L. Brooks’s witty, gently prophetic film is a captivating transmission from an era in which ideas on relationships and the media were rapidly changing.
In the 1940s, the wit of playwright Noël Coward and the craft of filmmaker David Lean melded harmoniously in one of cinema’s greatest writer-director collaborations.
George-withnail: “WOW SO MANY PRESSINGS OF THIS FILM HAVE BEEN RELEASED ON HERE. FUCK THIS MOVIE.”
Lars von Trier became an international sensation with this galvanizing realist fable about sex and spiritual transcendence.
In the dystopian masterpiece Brazil, Jonathan Pryce plays a daydreaming everyman who finds himself caught in the soul-crushing gears of a nightmarish bureaucracy.
When Japanese New Wave bad boy Seijun Suzuki delivered this brutal, hilarious, and visually inspired masterpiece to the executives at his studio, he was promptly fired.
Wes Anderson first illustrated his lovingly detailed, slightly surreal cinematic vision (with cowriter Owen Wilson) in this visually witty and warm portrait of three young misfits.
George-withnail: “The way people on this website shit on this film is so intriguing”
This selection of Rossellini’s history films presents Blaise Pascal, the three-part The Age of the Medici, and Cartesius—works that don’t just enliven the past but illuminate the ideas that brought us to where we are today.
Winner of both the Academy Award for best foreign-language film and the Cannes Film Festival’s Palme d’Or, Marcel Camus’ Black Orpheus (Orfeu negro) brings the ancient Greek myth of Orpheus and Eurydice to the twentieth-century madness of Carnival in Rio de Janeiro.
This explosive work about the conflict between the spirit and the flesh is the epitome of the sensuous style of Michael Powell and Emeric Pressburger.
In the early 1970s, the great Italian poet, philosopher, and filmmaker Pier Paolo Pasolini brought to the screen a trio of masterpieces of medieval literature.
Catherine Deneuve’s porcelain perfection hides a cracked interior in one of the actress’s most iconic roles: Séverine, a Paris housewife who begins secretly spending her afternoon hours working in a bordello.
The spectacular visions of enchantment, desire, and death in Beauty and the Beast (La Belle et la Bête) have become timeless icons of cinematic wonder.
Have you ever wanted to be someone else? Or, more specifically, have you ever wanted to crawl through a portal hidden in an anonymous office building and thereby enter the cerebral cortex of John Malkovich for fifteen minutes, before being spat out on the side of the New Jersey Turnpike?
Originally made for German television, this recently rediscovered, three-and-a-half-hour labyrinth is a satiric and surreal look at the world of tomorrow from one of cinema’s kinkiest geniuses.
Over the course of the 1990s, writer-director Whit Stillman made a trilogy of films about the acid tongues and broken hearts of some haplessly erudite young Americans in New York and abroad.
Vivre sa vie was a turning point for Jean-Luc Godard and remains one of his most dynamic films, combining brilliant visual design with a tragic character study. Anna Karina plays Nana, a young Parisian who aspires to be an actress but instead ends up a prostitute.
George-withnail: “for the 18-year-old Smiths fan I once was”
An aging actor returns to a small town with his troupe and reunities with his former lover and illegitimate son, a scenario that enrages his current mistress and results in heartbreak for all, in Yasujiro Ozu’s 1934 silent classic and his 1959 color remake.
Like the rest of America, Hollywood was ripe for revolution in the late sixties. Cinema attendance was down; what had once worked seemed broken. Enter Bob Rafelson, Bert Schneider, and Steve Blauner, who would form form BBS Productions, a company that was also a community.
A magnetic Vittorio De Sica is Bardone, an opportunistic rascal in wartime Genoa forced by the Nazis to impersonate a dead partisan general in prison to extract information from fellow inmates. Roberto Rossellini’s gripping drama is among his most commercially popular films.
The mission of the WCP is to preserve and present marginalized and infrequently screened films from regions generally ill equipped to preserve their own cinema history.
It’s a Mad, Mad, Mad, Mad World, about a group of strangers fighting tooth and nail over buried treasure, is the most grandly harebrained movie ever made, a pileup of slapstick and borscht-belt-y one-liners performed by a nonpareil cast.
With the simplest of concepts and sparest of techniques, Robert Bresson made one of the most suspenseful jailbreak films of all time in A Man Escaped.
Unfolding in a series of eight mythic vignettes, this late work by Akira Kurosawa was inspired by the beloved director’s own nighttime visions, along with stories from Japanese folklore.
One of the most influential, radical science-fiction films ever made and a mind-bending free-form travelogue, La Jetée and Sans Soleil couldn’t seem more different—yet they’re the twin pillars of an unparalleled and uncompromising career in cinema.
Among the most praised and sought-after titles in all contemporary film, this singular masterpiece of Taiwanese cinema, directed by Edward Yang, finally comes to home video in the United States.
Told through the eyes of François Truffaut’s cinematic counterpart, Antoine Doinel, The 400 Blows sensitively re-creates the trials of Truffaut’s own childhood, unsentimentally portraying aloof parents, oppressive teachers, and petty crime.
My Life as a Dog is the story of Ingemar, a working-class twelve-year-old sent to live with his uncle in a country village when his mother falls ill. There, with the help of the warmhearted eccentrics who populate the town, the boy finds both refuge from his misfortunes and unexpected adventure.
Delivering stylish thrills and a body count that defies belief, Lone Wolf and Cub is beloved for its brilliantly choreographed action sequences as well as its tender depiction of the bonds between a parent and a child.
At once a rousing paean to artistic creation, a delicate evocation of divine grace, and the ultimate film about food, the Oscar-winning Babette’s Feast is a deeply beloved treasure of cinema.
In the swift, cynical Sweet Smell of Success, Burt Lancaster stars as the vicious Broadway gossip columnist J. J. Hunsecker, and Tony Curtis as Sidney Falco, the unprincipled press agent Hunsecker ropes into smearing the up-and-coming jazz musician romancing his beloved sister.
The Night of the Hunter is truly a stand-alone masterwork. Graced by images of eerie beauty and a sneaky sense of humor, this ethereal, expressionistic American classic is cinema’s most eccentric rendering of the battle between good and evil.
A breathtaking depiction of the promise and perils of America’s western expansion, Heaven’s Gate, directed by Michael Cimino, is among Hollywood’s most ambitious and unorthodox epics.
George-withnail: “Why does this have a 2-disc DvD set?”
An island off the New England coast, summer of 1965. Two twelve-year-olds, Sam and Suzy, fall in love, make a secret pact, and run away together into the wilderness.
In director Wes Anderson’s The Darjeeling Limited, three estranged American brothers reunite for a meticulously planned, soul-searching train voyage across India one year after the death of their father.
Wes Anderson’s hilarious, touching, and brilliantly stylized study of melancholy and redemption centers around a dysfunctional family of geniuses.
Internationally famous oceanographer Steve Zissou (Bill Murray) and his crew, Team Zissou, set sail on an expedition to hunt down the mysterious, elusive, possibly nonexistent Jaguar Shark that killed Zissou’s partner during the documentary filming of their latest adventure.
With the idiosyncratic American fable Harold and Maude, countercultural director Hal Ashby fashioned what would become the cult classic of its era.
Working outside the mainstream, the wildly prolific, visionary Stan Brakhage made more than 350 films over a half century. Challenging all taboos in his exploration of “birth, sex, death, and the search for God,” he turned his camera on explicit lovemaking, childbirth, even autopsy.
Much studied, imitated, even parodied, but never outdone, Bergman’s stunning allegory of man’s search for meaning was one of the benchmark foreign imports of America’s 1950s art house heyday, pushing cinema’s boundaries and ushering in a new era of moviegoing.
In Akira Kurosawa’s Seven Samurai (Shichinin no samurai), sixteenth-century villagers hire the eponymous warriors to protect them from invading bandits. This thrilling three-hour ride is one of the most beloved movie epics of all time.
George-withnail: “Pls come to uk”
The son of an escaped slave, Robeson managed to become a top-billed movie star during the time of Jim Crow America, headlining everything from fellow pioneer Oscar Micheaux’s silent drama Body and Soul to British studio showcases to socially engaged documentaries.
George-withnail: “Lemme find 4 other people with this dvd...”
George-withnail: “...and 4 other people with this dvd and we could play tic-tac-toe”
Of all the cinematic New Waves that broke over the world in the 1960s, the one in Czechoslovakia was among the most fruitful, fascinating, and radical.
A compulsive chicken thief turned newspaper reporter, Mr. Fox settles down with his family in a new foxhole in a beautiful tree—directly adjacent to three enormous poultry farms owned by three ferociously vicious farmers: Boggis, Bunce, and Bean. Mr. Fox simply cannot resist.
George-withnail: “I know it's not the show, but it just seems exciting to release criterion and criterion accessories, I tell you hwat”