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Charlie Chaplin and Jackie Coogan make a miraculous pair in this nimble marriage of sentiment and slapstick, a film that is, as its opening title card states, “a picture with a smile—and perhaps, a tear.”
Wim Wenders pays loving homage to rough-and-tumble Hollywood film noir with The American Friend, a loose adaptation of Patricia Highsmith’s novel Ripley’s Game.
After more than a decade of sober political dramas and socially minded period pieces, the great Japanese director Masaki Kobayashi shifted gears dramatically for this rapturously stylized quartet of ghost stories.
Two decades after its original negatives were burned in a fire, Satyajit Ray’s breathtaking milestone of world cinema rises from the ashes in a meticulously reconstructed new restoration.
Fletcher Munson has a doppelgänger in dentist Dr. Jeffrey Korchek. Steven Soderbergh presents a deranged comedy of confused identity, doublespeak, and white-knuckled corporate intrigue, confirming his status as one of America’s most daring and unpredictable filmmakers.
In this anguished yet mordantly funny film, Fassbinder charts the decline of a self-destructive former policeman and war veteran struggling to make ends meet for his family by working as a fruit vendor.
Marcello Mastroianni and Jeanne Moreau star as a novelist and his frustrated wife, who, over the course of one night, confront their alienation from each other and the achingly empty bourgeois Milan circles in which they travel.
Orson Welles’s Mr. Arkadin (a.k.a. Confidential Report) tells the story of an elusive billionaire who hires an American smuggler to investigate his past, leading to a dizzying descent into a cold-war European landscape.
The legendary French filmmaker Agnès Varda, whose remarkable career began in the 1950s and has continued into the twenty-first century, produced some of her most provocative works in the United States.
Gary Cooper, Fredric March, and Miriam Hopkins play a trio of Americans in Paris who enter into a very adult “gentleman’s agreement” in this continental pre-Code comedy, freely adapted by Ben Hecht from a play by Noël Coward and directed by Ernst Lubitsch.
It’s 1968, and the whole world is watching. With the U.S. in social upheaval, famed cinematographer Haskell Wexler decided to make a film about what the hell was going on. Medium Cool, his debut feature, plunges us into the moment.
Toshiro Mifune stars as an aging swordsman in director Masaki Kobayashi’s Samurai Rebellion, the gripping story of a peaceful man who finally decides to take a stand against injustice.
A young executive hunts down his father’s killer in director Akira Kurosawa’s scathing The Bad Sleep Well. Continuing his legendary collaboration with actor Toshiro Mifune, Kurosawa combines elements of Hamlet and American film noir to chilling effect.
The Mamiya family is seeking a husband for their daughter, Noriko, but when she impulsively chooses her childhood friend, she fulfills her family’s desires while tearing them apart. Early Summer is a nuanced examination of life’s changes across three generations.
In Jean Renoir’s satire of the bourgeoisie, Michel Simon gives one of the most memorable performances in screen history as Boudu, a Parisian tramp who takes a suicidal plunge into the Seine and is rescued by a well-to-do bookseller, whose family decides to take in the irrepressible bum.
During his first decade at Shochiku studios, where he dabbled in many genres, Ozu put out a trio of precisely rendered, magnificently shot and edited silent crime films
Four desperate men sign on for a suicide mission to drive trucks loaded with nitroglycerin over a treacherous mountain route—a white-knuckle ride from France’s legendary master of suspense, Henri-Georges Clouzot.
In 2 or 3 Things I Know About Her, Jean-Luc Godard beckons us ever closer, whispering in our ears as narrator. About what? Money, sex, fashion, the city, love, language, war: in a word, everything.
Based on the classic Emile Zola novel, Jean Renoir’s La bête humaine, a suspenseful journey into the tormented psyche of a workingman, was one of the director’s greatest popular successes—and earned star Jean Gabin a permanent place in the hearts of his countrymen.
John Ford takes on the legend of the O.K. Corral shoot-out in this multilayered, exceptionally well-constructed western, one of the director’s very best films.
Based on a novella by the great Rabindranath Tagore, Charulata is a work of subtle textures, a delicate tale of a marriage in jeopardy and a woman taking the first steps toward establishing her own voice.
The Night of the Hunter is truly a stand-alone masterwork. Graced by images of eerie beauty and a sneaky sense of humor, this ethereal, expressionistic American classic is cinema’s most eccentric rendering of the battle between good and evil.
In John Ford’s Young Mr. Lincoln, Henry Fonda gives one of the finest performances of his career, as the young president-to-be, struggling with an incendiary murder case as a novice lawyer. Compassionate and assured, this is an indelible piece of Americana.
What does the energy harnessed through orgasm have to do with the state of communist Yugoslavia circa 1971? Only counterculture filmmaker extraordinaire Dušan Makavejev has the answers (or the questions) in his surreal documentary-fiction collision WR: Mysteries of the Organism.
Thieves’ Highway vividly depicts the perilous world of “long-haul boys,” who drive by night to bring their goods to the markets of America’s cities. Richard Conte stars as ex-G.I. Nick Garcos, a tyro trucker bent on satisfaction from the man responsible for crippling his father.