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Dual-format editions include both Blu-ray and DVD versions of a film in a single package. All supplements are available across both formats.
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Melding melodrama with screwball farce, this Academy Award–nominated black comedy was Pedro Almodóvar’s international breakthrough and secured his place at the vanguard of modern Spanish cinema.
A lottery win leads not to financial and emotional freedom but to social captivity, in this wildly cynical classic about love and exploitation by Rainer Werner Fassbinder.
With its parade of oddball characters, quotable, Oscar-nominated script, and eclectic soundtrack of vintage obscurities, Ghost World is one of the twenty-first century’s most fiercely beloved comedies.
This collector’s set gathers six important restorations from The Film Foundation’s World Cinema Project, which was established by Martin Scorsese in 2007 to preserve and present masterpieces from around the globe.
A countercultural masterpiece about the act of seeing and the art of image making, Blow-Up takes the form of a psychological mystery, starring David Hemmings as a fashion photographer who unknowingly captures a death on film after following two lovers in a park.
John Waters’ gloriously grotesque second feature is replete with all manner of depravity, from robbery to murder to one of cinema’s most memorably blasphemous moments.
One of Mexico’s most highly regarded works of political cinema, Canoa: A Shameful Memory is a daring commentary on ideological manipulation, religious fanaticism, and mass violence, as well as a visceral expression of horror.
The cornerstone of director Richard Linklater’s career‑long exploration of cinematic time, this celebrated three-part romance captures a relationship as it begins, begins again, deepens, and strains over the course of almost two decades.
A group of high-society friends are invited to a mansion for dinner and find themselves inexplicably unable to leave, in Luis Buñuel’s daring masterpiece.
The feature debut of the most internationally renowned African director of the twentieth century, Black Girl is a harrowing human drama as well as a radical political statement—and one of the essential films of the 1960s.
Travelogue, memoir, and outrageous cinematic spectacle converge in this kaleidoscopic valentine to the Eternal City, composed by one of its most iconic inhabitants.
Delivering stylish thrills and a body count that defies belief, Lone Wolf and Cub is beloved for its brilliantly choreographed action sequences as well as its tender depiction of the bonds between a parent and a child.
Unfolding in a series of eight mythic vignettes, this late work by Akira Kurosawa was inspired by the beloved director’s own nighttime visions, along with stories from Japanese folklore.
Traveling to accept an honorary degree, Professor Isak Borg—masterfully played by veteran director Victor Sjöström—is forced to face his past, come to terms with his faults, and make peace with the inevitability of his approaching death.
The story of the charged relationship between a turn-of-the-century traveling circus owner and his performer girlfriend, Ingmar Bergman’s film features dreamlike detours and twisted psychosexual power plays that presage the director’s Smiles of a Summer Night and The Seventh Seal.
Touching on many of the themes that would define the rest of his legendary career—isolation, performance, the inescapability of the past—Ingmar Bergman’s tenth film was a gentle drift toward true mastery.
Two decades after its original negatives were burned in a fire, Satyajit Ray’s breathtaking milestone of world cinema rises from the ashes in a meticulously reconstructed new restoration.
In the middle of the 1970s, Wim Wenders embarked on a three-film journey that took him from the wide roads of Germany to the endless highways of the United States and back again.
The electric filmmaking genius John Cassavetes and his brilliant wife and collaborator Gena Rowlands give luminous, fragile performances as two closely bound, emotionally wounded souls who reunite after years apart.
Intimate and artful, this lovingly assembled portrait, narrated by actor Alicia Vikander, provides luminous insight into the life and career of an undiminished legend.
A young woman in a small Kansas town survives a drag race accident, then agrees to take a job as a church organist in Salt Lake City. En route, she is haunted by a bizarre apparition that compels her toward an abandoned lakeside pavilion.
Orson Welles’s first color film and final completed fictional feature, The Immortal Story is a moving and wistful adaptation of a tale by Isak Dinesen.
The crowning achievement of Orson Welles’s extraordinary cinematic career, Chimes at Midnight was the culmination of the filmmaker’s lifelong obsession with Shakespeare’s ultimate rapscallion, Sir John Falstaff.
This heartrending masterpiece by Kenji Mizoguchi about the give-and-take between life and art marked the first full realization of the hypnotic long takes and eloquent camera movements that would come to define the director’s films.
Blending elements from pulp fiction and low-budget horror flicks, Blood Simple reinvented the film noir for a new generation, marking the arrival of a filmmaking ensemble that would transform the American independent cinema scene.
One of RKO Pictures’s most successful movies of the 1940s, Cat People raised the creature feature to new heights of sophistication and mystery.
A Hollywood studio executive with a shaky moral compass (Tim Robbins) finds himself caught up in a criminal situation that would be right at home in one of his movie projects, in this biting industry satire from Robert Altman.
The rare film that takes aim at the frenzy of the McCarthy era while also being suffused with its Cold War paranoia, The Manchurian Candidate remains potent, shocking American moviemaking.
This genuinely frightening, exquisitely made supernatural gothic stars Deborah Kerr as an emotionally fragile governess who comes to suspect that there is something very, very wrong with her precocious new charges.
Criterion is proud to present these Dreyer masterpieces on DVD for the first time, with brand new digital transfers. Each is an intense exploration of the clash between individual desire and social expectations, with Dreyer’s famously perfectionist attention to detail shining throughout.
With Vampyr, Danish filmmaker Carl Theodor Dreyer’s brilliance at achieving mesmerizing atmosphere and austere, profoundly unsettling imagery was for once applied to the horror genre. Yet the result is nearly unclassifiable. Vampyr is one of cinema’s great nightmares.
In the hands of the renowned experimental theater director Peter Brook, William Golding’s legendary novel about the primitivism lurking beneath civilization becomes a film as raw and ragged as the lost boys at its center.
After an ivory-hunting safari offends an African tribe, the colonialists are captured and hideously tortured. Only Cornel Wilde’s marksman is released, without clothes or weapons, to be hunted for sport. This stripped-to-the-bone narrative is a meditation on the notion of civilization.
A wild horse saves a young boy’s life after a terrifying shipwreck and the two become unlikely friends in Carroll Ballard’s cinematic tour de force, adapted from Walter Farley’s classic children’s novel.
Jean Gabin stars as an army deserter looking for another chance to make good on life in Marcel Carné’s stark portrayal of an underworld of lonely souls wrestling with their own destinies. Port of Shadows is a quintessential example of poetic realism from the golden age of French cinema.
In this magnificently inscrutable late-sixties masterpiece, Marco Ferreri, one of European cinema’s most idiosyncratic auteurs, takes us through the looking glass to one seemingly routine night in the life of an Italian gas mask designer, played by Michel Piccoli.
Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family in controversial director Shohei Imamura’s comic treatment of voyeurism and incest.
This unique love story follows the maneuverings of a society lady as she connives to initiate a scandalous affair between her aristocratic ex-lover and a prostitute. With his second feature film, director Robert Bresson was already forging his singularly brilliant filmmaking technique.
In this pitch-black comedy from Preston Sturges, Rex Harrison stars as a world-famous symphony conductor consumed with the suspicion that his wife is having an affair. Unfaithfully Yours is a brilliantly performed mixture of razor-sharp dialogue and uproarious slapstick.
Sacha Guitry was once a household name. Something of a Gallic Noël Coward, this disarming, multitalented artist served up some of 1930s French cinema’s tastiest dishes.
Brazen and bleak, Kiss Me Deadly is a film noir masterwork as well as an essential piece of cold war paranoia, and it features as nervy an ending as has ever been seen in American cinema.
People on Sunday, an effervescent, sunlit silent, about a handful of city dwellers (a charming cast of nonprofessionals) enjoying a weekend outing, offers a rare glimpse of Weimar-era Berlin, would influence generations of film artists around the world.
Robert Flaherty’s classic film tells the story of Inuit hunter Nanook and his family as they struggle to survive in the harsh conditions of Canada’s Hudson Bay region.
It’s 1968, and the whole world is watching. With the U.S. in social upheaval, famed cinematographer Haskell Wexler decided to make a film about what the hell was going on. Medium Cool, his debut feature, plunges us into the moment.
Makavejev’s films about political and sexual liberation were revolutionary, raucous, and ribald. Across these first three films, he investigates love, death, and work; the legacy of war and the absurdity of daily life in a Communist state; criminology and hypnosis; strudels and strongmen.
A romantic deadbeat has a wayward crush on a handsome Mexican immigrant in Mala Noche, Gus Van Sant’s important prelude to the New Queer Cinema of the nineties and a fascinating capsule from a period and place that continues to haunt its director’s work.
This collection of Gabriel Pascal’s productions of Shaw’s work includes Major Barbara, Androcles and the Lion, and Caesar and Cleopatra, starring such luminaries of the big screen as Vivien Leigh, Claude Rains, Wendy Hiller, and Rex Harrison.
During the 1940s, realism reigned in British cinema—but not at Gainsborough Pictures. The studio, which had been around since the twenties, found new success with a series of pleasurably preposterous costume melodramas.
This bruised and bloody collection represents a standout cross section of the nimble nasties Nikkatsu had to offer, action potboilers modeled on the western, comedy, gangster, and teen-rebel genres.
These three groundbreaking films helped usher in the Polish School movement and have often been regarded as a trilogy. But each boldly stands on its own—a testament to the resilience of the human spirit and the struggle for personal and national freedom.
Lodge Kerrigan’s raw, ravaging Clean, Shaven is a headfirst dive into the mindscape of a schizophrenic as he tries to track down his daughter after he is released from an institution.
The films directed by the great Satyajit Ray in the last ten years of his life have a unique dignity and drama. They are complex, political, and humane depictions of worlds both corrupt and indescribably beautiful, constructed with Ray’s characteristic elegance and imbued with autumnal profundity.
Set in the impoverished back alleys of Victorian London, The Threepenny Opera follows underworld antihero Mackie Messer (a.k.a. Mack the Knife) as he tries to woo Polly Peachum and elude the authorities. Set to Kurt Weill’s irresistible score, this film remains a benchmark of early sound cinema.
This trio of rousing action epics reveals a deeply unsettling portrait of the Soviet Union under Stalin, and provided battle-scene blueprints for filmmaking giants from Laurence Olivier in Henry V to Akira Kurosawa in Seven Samurai.
Hailed around the world as one of the greatest movies ever made, the Academy Award–winning Bicycle Thieves, directed by Vittorio De Sica, defined an era in cinema.
One of the most powerful of Yasujiro Ozu’s family portraits, Late Spring (Banshun) tells the story of a widowed father who feels compelled to marry off his beloved only daughter.
Federico Fellini’s wife Giulietta Masina plays Gelsomina, a naive girl sold into the employ of a brutal strongman in a traveling circus, in this poetic fable of love and cruelty, winner of the 1956 Academy Award for Best Foreign Film.
In Les cousins, Claude Chabrol crafts a sly moral fable about a provincial boy who comes to live with his sophisticated bohemian cousin in Paris. This dagger-sharp drama won the Golden Bear at the Berlin Film Festival and was an important early entry in the French New Wave.
This ripe, colorful adaptation of Patricia Highsmith’s vicious novel The Talented Mr. Ripley, directed by the versatile René Clément, stars Delon as Tom Ripley, a duplicitous American charmer in Rome.
Based on a popular novel by Raymond Queneau that had been considered unadaptable, Malle’s audacious Zazie dans le métro, made with flair on the cusp of the French New Wave, is a bit of stream-of-consciousness slapstick, wall-to-wall with visual gags, editing tricks, and effects.