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Julien Duvivier made the transition from silents to talkies with ease, marrying his expressive camera work to a strikingly inventive use of sound with a singular dexterity.
Thanks to perhaps the most indelible character in Akira Kurosawa’s oeuvre, Yojimbo surpassed even Seven Samurai in popularity when it was released. Made one year later, Sanjuro matches _Yojimbo_’s storytelling dexterity, and brings the duo to a thrilling and unforgettable conclusion.
Set against the backdrop of the Napoleonic Wars of the late eighteenth century, That Hamilton Woman is a gripping account of the scandalous adulterous affair between the British Royal Navy officer Lord Horatio Nelson (Laurence Olivier) and the renowned beauty Emma, Lady Hamilton (Vivien Leigh).
With Vampyr, Danish filmmaker Carl Theodor Dreyer’s brilliance at achieving mesmerizing atmosphere and austere, profoundly unsettling imagery was for once applied to the horror genre. Yet the result is nearly unclassifiable. Vampyr is one of cinema’s great nightmares.
A curious, compassionate storyteller who was fascinated by characters on the outskirts of society, Hiroshi Shimizu used his trademark graceful traveling shot to peek around the corners of contemporary Japan.
Of all the cinematic New Waves that broke over the world in the 1960s, the one in Czechoslovakia was among the most fruitful, fascinating, and radical.
Often called the Godard of the East, Japanese director Nagisa Oshima was one of the most provocative film artists of the twentieth century, and his works challenged and shocked the cinematic world for decades.
These three independent films showed off Samuel Fuller’s genre diversity, gutter wit, and subversive force, and pointed the way to a controversial career in studio moviemaking.