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Dual-format editions include both Blu-ray and DVD versions of a film in a single package. All supplements are available across both formats.
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With astonishing location and claustrophobic interior photography by Eugene Schüfftan, an opening-title sequence by the inimitable Saul Bass, and a rhythmic score by Aaron Copland, this film by Jack Garfein is a masterwork of independent cinema.
One of the fastest, funniest, and most quotable films ever made, His Girl Friday is an immortal mix of hard-boiled newsroom setting with remarriage comedy.
A group of high-society friends are invited to a mansion for dinner and find themselves inexplicably unable to leave, in Luis Buñuel’s daring masterpiece.
This is a western like no other, combining the mythological scope of that most American of genres with the searing naturalism of a performance by Marlon Brando—all suffused with Freudian overtones and masculine anxiety.
Shot in Super 16 mm and featuring a quartet of nuanced, understated performances, this comic and poignant drama, peppered with autobiographical elements, deftly captures the heartache and confusion of a fracturing family.
This Cannes-award-winning romantic comedy channels the spirit of classic Hollywood and the whimsy of Jacques Tati into an idiosyncratic ode to the delirium of new romance.
Epic in scale yet meticulously observed, Short Cuts interweaves the stories of twenty-two characters as they struggle to find solace and meaning in contemporary Los Angeles.
This captivating, long-overlooked adventure—which features Paul Henreid and a clever screenplay by Frank Launder and Sidney Gilliat, best known for writing Alfred Hitchcock’s The Lady Vanishes—is a deftly concocted spy game that could give the Master of Suspense a run for his money.
The crowning achievement of Orson Welles’s extraordinary cinematic career, Chimes at Midnight was the culmination of the filmmaker’s lifelong obsession with Shakespeare’s ultimate rapscallion, Sir John Falstaff.
Orson Welles’s first color film and final completed fictional feature, The Immortal Story is a moving and wistful adaptation of a tale by Isak Dinesen.
With its unapologetic identification with social outcasts and its sensitive, modern approach to matters of sexuality and race, Richardson’s classic is a still startling benchmark work of realism.
In this art-house sensation, an amateur entomologist has left Tokyo to study an unclassified species of beetle that resides in a remote, vast desert; when he misses his bus back to civilization, he spends the night with a young widow who lives at the bottom of a sand dune.
Alain Resnais’s Muriel, or The Time of Return, the director’s follow-up to Last Year at Marienbad, is as radical a reflection on the nature of time and memory as its predecessor.
This major early achievement by Michelangelo Antonioni bears the first signs of the cinema-changing style for which he would soon be world-famous.
The rare film that takes aim at the frenzy of the McCarthy era while also being suffused with its Cold War paranoia, The Manchurian Candidate remains potent, shocking American moviemaking.
Julien Duvivier made the transition from silents to talkies with ease, marrying his expressive camera work to a strikingly inventive use of sound with a singular dexterity.
Genius provocateur Nagisa Oshima, an influential figure in the Japanese New Wave of the 1960s, made one of his most startling political statements with the compelling pitch-black satire Death by Hanging.
With a background in music hall and mime performance, Tati steadily built an ever-more-ambitious movie career that ultimately raised sight-gag comedy to the level of high art.
Featuring sensuous cinematography, a lush score, and an award-winning central performance by the great Toni Servillo, this transporting experience by the brilliant Italian director Paolo Sorrentino is a breathtaking Felliniesque tale of decadence and lost love.
These are unforgettable depictions of a postwar Japan troubled by identity crises and moral corruption on scales both intimate and institutional.
Charlie Chaplin’s masterful drama about the twilight of a former vaudeville star is among the writer-director’s most touching films. Chaplin plays Calvero, a once beloved musical-comedy performer, now a washed-up alcoholic who lives in a small London flat.
A French comedy master whose films went unseen for decades as a result of legal tangles, director-actor Pierre Etaix is a treasure the cinematic world has rediscovered and embraced with relish.
An ambitiously constructed, elegantly photographed meditation on adolescence, the first full-length film by director David Gordon Green features remarkable performances from an award-winning ensemble cast.
A decade after he broke through with Breaker Morant, Australian director Bruce Beresford made another acclaimed film about the effects of colonialism on the individual.
In this anguished yet mordantly funny film, Fassbinder charts the decline of a self-destructive former policeman and war veteran struggling to make ends meet for his family by working as a fruit vendor.
Make Way for Tomorrow, by Leo McCarey, is one of the great unsung Hollywood masterpieces, an enormously moving Depression-era depiction of the frustrations of family, aging, and the generation gap.
The last film by Yasujiro Ozu was also his final masterpiece, a gently heartbreaking story about a man’s dignifed resignation to life’s shifting currents and society’s modernization.
One of the first and best-loved films of this period in his career is The Bitter Tears of Petra von Kant, which balances a realistic depiction of tormented romance with staging that remains true to the director’s roots in experimental theater.
In this unsettling drama from Italian filmmaker Liliana Cavani, a concentration camp survivor (Charlotte Rampling) discovers her former torturer and lover (Dirk Bogarde) working as a porter at a hotel in postwar Vienna.
Trickery. Deceit. Magic. In F for Fake, a free-form sort-of documentary by Orson Welles, the legendary filmmaker (and self-described charlatan) gleefully reengages with the central preoccupation of his career: the tenuous lines between illusion and truth, art and lies.
The wildly prolific German filmmaker Rainer Werner Fassbinder paid homage to his cinematic hero Douglas Sirk with this update of that filmmaker’s 1955 All That Heaven Allows.
Director Shohei Imamura turns this fact-based story—about the seventy-eight-day killing spree of a remorseless man from a devoutly Catholic family—into a cold, perverse, and at times diabolically funny examination of the primitive coexisting with the modern.
A Hard Day’s Night, in which the bandmates play cheeky comic versions of themselves, captured the astonishing moment when they officially became the singular, irreverent idols of their generation and changed music forever.
A startling and courageous film, Peter Davis’s landmark 1974 documentary Hearts and Minds unflinchingly confronted the United States’ involvement in Vietnam at the height of the controversy that surrounded it.
Before he turned to the story of Joan of Arc, the Danish cinema genius Carl Theodor Dreyer fashioned this ahead-of-its-time examination of domestic life.
Suffused with both enchantment and melancholy, this autobiographical film takes on the perspective of a quiet, lonely boy growing up in Liverpool in the 1950s.
This explosive work about the conflict between the spirit and the flesh is the epitome of the sensuous style of Michael Powell and Emeric Pressburger.
A profoundly stirring evocation of elemental humanity and universal heartbreak, Tokyo Story is the crowning achievement of the unparalleled Yasujiro Ozu.
John Cassavetes was a genius, a visionary, and the progenitor of American independent film, but that doesn’t begin to get at the generosity of his art.
With clarity, subtlety, and a dose of wicked humor, Academy Award–winning director Ang Lee renders Rick Moody’s acclaimed novel of upper-middle-class American malaise as a trenchant, tragic cinematic portrait of lost souls.
A riveting psychological thriller that investigates the nature of truth and the meaning of justice Rashomon is widely considered one of the greatest films ever made.
In the decades of occult cinema that Polanski’s ungodly masterpiece has spawned, it has never been outdone for sheer psychological terror.
This scathing late-sixties satire from Jean-Luc Godard is one of cinema’s great anarchic works. Determined to collect an inheritance from a dying relative, a bourgeois couple travel across the French countryside while civilization crashes and burns around them.
Roman Polanski followed up Knife in the Water with this controversial tale of psychosis. Catherine Deneuve is Carol, a fragile, frigid young beauty cracking up in her London flat when left alone by her vacationing sister. Repulsion is one of cinema’s most shocking psychological thrillers.
Poetic realism reached sublime heights with Children of Paradise, widely considered one of the greatest French films of all time.
America, 1976. The last day of school. Bongs blaze, bell-bottoms ring, and rock and roll rocks. Among the best teen films ever made, Richard Linklater’s Dazed and Confused eavesdrops on a group of seniors-to-be and incoming freshmen.
Have you ever wanted to be someone else? Or, more specifically, have you ever wanted to crawl through a portal hidden in an anonymous office building and thereby enter the cerebral cortex of John Malkovich for fifteen minutes, before being spat out on the side of the New Jersey Turnpike?
chris_diaz: “a nice primer to the upcoming election. hope there’s a sound bite of james carville’s “it’s the economy, stupid” slogan!”
One of the most powerful of Yasujiro Ozu’s family portraits, Late Spring (Banshun) tells the story of a widowed father who feels compelled to marry off his beloved only daughter.
Before Psycho, Peeping Tom, and Repulsion, there was Diabolique, a heart-grabbing benchmark in horror filmmaking, featuring outstanding performances by Simone Signoret, Véra Clouzot, and Paul Meurisse.
A young sister and brother are abandoned in the harsh Australian outback and must learn to cope in the natural world, without their usual comforts, in this hypnotic masterpiece from Nicolas Roeg.