Louis Malle

Humain, trop humain

Humain, trop humain

Louis Malle presents his meditative investigation of the inner workings of a French automotive plant. This, Vive le Tour, and Place de la République, Malle’s three French-set documentaries, reveal, in an eclectic array of ways, the director’s eternal fascination with, and respect for, the everyday lives of everyday people.

Film Info

  • Louis Malle
  • France
  • 1973
  • 72 minutes
  • Color
  • 1.33:1
  • French

Available In

Collector's Set

Eclipse Series 2: The Documentaries of Louis Malle

The Documentaries of Louis Malle

DVD Box Set

5 Discs

$63.96

Humain, trop humain
Credits
Director
Louis Malle
Producer
Nouvelles Éditions de Films
Cinematography
Étienne Becker
Cinematography
Louis Malle
Sound
Jean-Claude Laureux
Editing
Suzanne Baron

From The Current

Eclipse Series 2:
The Documentaries of Louis Malle

Deservedly celebrated for the astonishingly diverse array of narrative features he made over a nearly forty-year career, Louis Malle was in fact even more multifaceted than this body of work suggests. For alongside such well-known, and disparate, dra…

By Michael Koresky


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Louis Malle

Director

Crime dramas, comedies, romances, tragedies, fantasies, documentaries, and, of course, coming-of-age stories­—director Louis Malle did it all. This most unpredictable and eclectic of filmmakers enriched cinema over a nearly forty-year career that took him from Jacques Cousteau’s watery depths (his first film was the Cousteau-codirected Oscar winner The Silent World) to the peripheries of the French New Wave (Zazie dans le métro, The Fire Within) to the vanguard of American moviemaking (My Dinner with André). Malle had an intellectually curious nature that led him to approach film from a variety of angles; he was as comfortable making minimalist works like the wordless Humain trop humain and the talky André as phantasmagorical ones like Black Moon. He is probably best known, though, for his deeply personal films about the terrors and confusions of childhood, such as Murmur of the Heart and Au revoir les enfants. Perhaps not as well-known is his parallel career as a master of the nonfiction form—one of his many documentary achievements was the seven-part Phantom India, which would be a stunning career centerpiece for anyone else; for this director, it was simply a fascinating side project. Malle died in 1995, shortly after directing his final film, the typically experimental Vanya on 42nd Street.