Ingmar Bergman

Hour of the Wolf

Hour of the Wolf

The strangest and most disturbing of the films Ingmar Bergman shot on the island of Fårö, Hour of the Wolf stars Max von Sydow as a haunted painter living in voluntary exile with his wife (Liv Ullmann). When the couple are invited to a nearby castle for dinner, things start to go wrong with a vengeance, as a coven of sinister aristocrats hastens the artist’s psychological deterioration. This gripping film is charged with a nightmarish power rare in the Bergman canon, and contains dreamlike effects that brilliantly underscore the tale’s horrific elements.

Film Info

Available In

Collector's Set

Ingmar Bergman’s Cinema

Ingmar Bergman’s Cinema

Blu-Ray Box Set

30 Discs

Ships Mar 13, 2019


Hour of the Wolf
Max von Sydow
Johan Borg
Liv Ullmann
Alma Borg
Gertrud Fridh
Corinne von Merkens
Georg Rydeberg
Erland Josephson
Baron von Merkens
Naima Wifstrand
Old lady with hat
Ulf Johanson
Gudrun Brost
Gamla Fru von Merkens
Bertil Anderberg
Ernst von Merkens
Ingrid Thulin
Veronica Vogler
Ingmar Bergman
Lars-Owe Carlberg
Sven Nykvist
Lars Johan Werle
Ulla Ryghe
Production design
Marik Vos
Costume design
Assitant makeup artist
Kjell Gustavsson
Assitant makeup artist
Tina Johansson
Production manager
Lars-Owe Carlberg
Assistant director
Lenn Hjortzberg
Lennart Engholm

From The Current

Hour of the Wolf and From the Life of the Marionettes: The Strength of Surrender

Ingmar Bergman’s Cinema

Hour of the Wolf and From the Life of the Marionettes: The Strength of Surrender

Separated by more than a decade in Ingmar Bergman’s filmography, these two formally masterful dramas uncover the ugliness of male aggression and brutality.

By Sarinah Masukor

Liv Ullmann and Bibi Andersson, Sisters in the Art

Ingmar’s Actors

Liv Ullmann and Bibi Andersson, Sisters in the Art

The powerhouse actors at the center of Persona became two of Ingmar Bergman’s most essential collaborators, bringing a remarkable emotional range to their performances.



Ingmar Bergman


Ingmar Bergman
Ingmar Bergman

The Swedish auteur began his artistic career in the theater but eventually navigated toward film—"the great adventure," as he called it—initially as a screenwriter and then as a director. Simply put, in the fifties and sixties, the name Ingmar Bergman was synonymous with European art cinema. Yet his incredible run of successes in that era—including The Seventh Seal, Wild Strawberries, and The Virgin Spring, haunting black-and-white elegies on the nature of God and death—merely paved the way for a long and continuously dazzling career that would take him from the daring “Silence of God” trilogy (Through a Glass Darkly, Winter Light, The Silence) to the existential terrors of Cries and Whispers to the family epic Fanny and Alexander, with which he “retired” from the cinema. Bergman died in July 2007, leaving behind one of the richest bodies of work in the history of cinema.