Nagisa Oshima

Pleasures of the Flesh

Pleasures of the Flesh

A corrupt businessman blackmails the lovelorn reprobate Atsushi into watching over his suitcase full of embezzled cash while he serves a jail sentence. Rather than wait for the man to retrieve his money, however, Atsushi decides to spend it all in one libidinous rush—fully expecting to be tracked down and killed. Oshima’s dip into the waters of the popular soft-core “pink film” genre is a compelling journey into excess.

Film Info

Available In

Collector's Set

Eclipse Series 21: Oshima’s Outlaw Sixties

Eclipse 21: Oshima’s Outlaw Sixties

DVD Box Set

5 Discs

$55.96

Pleasures of the Flesh
Cast
Katsuo Nakamura
Atsushi Wakizaka
Mariko Kaga
Shoko
Yumiko Nogawa
Hitomi
Masako Yagi
Shizuko
Hiroko Shimizu
Keiko
Toshiko Higuchi
Mari
Credits
Director
Nagisa Oshima
Screenplay
Nagisa Oshima
From a novel by
Futaro Yamada
Cinematography
Akira Takada
Art direction
Yatsutaro Kon
Editing
Keiichi Uraoka
Music
Joji Yuasa

From The Current

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On Oshima

Fans of Nagisa Oshima will be interested to hear that critic Jonathan Rosenbaum has posted on his blog his entire 2008 Artforum essay “The Sun Also Sets,” which was also reprinted in his 2010 book Goodbye Cinema, Hello Cinephilia. In it, Rosenbau…


Mar 15, 2011
Eclipse Series 21:
Oshima’s Outlaw Sixties

DRIVEN TO DESTRUCTION Nagisa Oshima was a destructive force in Japanese cinema—and he wouldn’t have had it any other way. Intent on exploding taboos and jabbing the eye of the status quo, he created films that leave us with a richly skewed vi…

By Michael Koresky


May 20, 2010

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Nagisa Oshima

Writer, Director

Japanese cinema’s preeminent taboo buster, Nagisa Oshima directed, between 1959 and 1999, more than twenty groundbreaking features. For Oshima, film was a form of activism, a way of shaking up the status quo. Uninterested in the traditional Japanese cinema of such popular filmmakers as Kurosawa, Ozu, and Naruse, Oshima focused not on classical themes of good and evil or domesticity but on outcasts, gangsters, murderers, rapists, sexual deviants, and the politically marginalized. He began as a studio filmmaker, and had a hit with the jazzy Cruel Story of Youth (1960), but left Shochiku when the powers that be there pulled his politically incendiary Night and Fog in Japan (1960) from circulation. Oshima then struck out on his own, becoming an independent director and even starting a production company, Sozo-sha, where he made such popular and aesthetically diverse films as the pinku eiga, or “pink film,” Pleasures of the Flesh (1965); Violence at Noon (1966), which contains more than two thousand cuts; Sing a Song of Sex (1967), a dreamlike investigation of libidinous, politically confused youth; and Death by Hanging (1969), a surreal, meditative film about social injustice. With his late-seventies international coproductions, the sexually graphic In the Realm of the Senses (1976) and the visually raw ghost story Empire of Passion (1978), Oshima became an art-house sensation in Europe and the U.S., riling moviegoers there much as he had at home. Made in 1999, Oshima’s final film, Taboo, a portrait of homosexual longing among samurai, is the perfect expression of his continued desire to provoke.