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Unfortunately, we are not able to offer this product for sale on Criterion.com. Please note that it is not out of print and is available at other retailers, like Amazon.com.
This fleet and gripping film is the first of the early thrillers the Master of Suspense, Alfred Hitchcock, made during the fertile phase of his career spent at the Gaumont-British Picture Corporation.
In this poetic and atmospheric horror fable, set in a village in war-torn medieval Japan, a malevolent spirit has been ripping out the throats of itinerant samurai. Onibaba, Kuroneko (Black Cat) is a spectacularly eerie twilight tale.
By turns tragic and transcendent, Akira Kurosawa’s Dodes’ka-den follows the daily lives of a group of people barely scraping by in a slum on the outskirts of Tokyo. Kurosawa’s gloriously shot first color film displays all of his hopes, fears, and artistic passion.
Vivre sa vie was a turning point for Jean-Luc Godard and remains one of his most dynamic films, combining brilliant visual design with a tragic character study. Anna Karina plays Nana, a young Parisian who aspires to be an actress but instead ends up a prostitute.
When the mysterious Dr. Anthony Edwardes (Gregory Peck) becomes the new chief of staff at her institution, the bookish and detached Dr. Constance Petersen (Ingrid Bergman) plummets into a whirlwind of tangled identities and feverish psychoanalysis. Spellbound is classic Hitchcock.
kylebobby: “Very upset I no longer have this any more. Not sure where it went. ”
At an Austrian boys’ boarding school in the early 1900s, shy, intelligent Törless observes the sadistic behavior of his fellow students, doing nothing to help a victimized classmate—until the torture goes too far. Young Törless is adapted from Robert Musil’s acclaimed novel.
kylebobby: “I love this film. Such a heartbreaking masterwerk.”
In the early 1970s, the great Italian poet, philosopher, and filmmaker Pier Paolo Pasolini brought to the screen a trio of masterpieces of medieval literature.
Inspired by the earthy eroticism of Harriet Andersson, in the first of her many roles for him, Ingmar Bergman had a major international breakthrough with this sensual and ultimately ravaging tale of young love.
kylebobby: “Would love the Criterion edition of this. Very haunting masterpiece. ”
2 Discs
Out of PrintUnfortunately, we are not able to offer this product for sale on Criterion.com. Please note that it is not out of print and is available at other retailers, like Amazon.com.
kylebobby: “Was not aware of this Roeg work. Must have.”
kylebobby: “Looks like a very different Bresson venture. Would love to see this. ”
kylebobby: “Looks spectacular. So many goods are out of print. ”
kylebobby: “Would love this. The man is on to something for sure. His 'Separation' was one of the best films of the year.”
kylebobby: “Greatest Fench film ever made? You guys are on a roll. ”
kylebobby: “I've seen and own Day of Wrath and it is horrifically grand. Want this whole set. ”
kylebobby: “I owned this and it went missing. I actually quite liked it. Can I have another one?”
kylebobby: “I saw this a few years ago, a charming Melville film, he hardly knows charm. Wish it was back in print.”
kylebobby: “I know I love Deneuve, love Buñuel... this looks incredible. ”
kylebobby: “Love Chabrol. Please do more of his films Criterion.”
A twisted treasure from Hollywood’s pre-Code horror heyday, Island of Lost Souls is
a cautionary tale of science run amok, adapted from H. G. Wells’s novel The Island of Dr. Moreau.
kylebobby: “I remember first seeing this on VHS in 1997 and thinking it was pretty damn good. To think this guy has directed such trash since... still good.”
kylebobby: “Have always wanted to see this/own this. Please Criterion bring me one?”
kylebobby: “I own the VHS of this and love it. Jeanne Moreau is lovely.”
kylebobby: “Hauntingly gorgeous. I owned for a time and it wound up at a friends house after a party. Such a haunting classic. ”
kylebobby: “I love this film. Has the quiet power I often want in all films.”
kylebobby: “Most definite favorite of all time. Still have no idea why I don't own this... <3”
kylebobby: “Really so happy Criterion is picking this classic up. A pitch perfect example of the horror genre. ”
kylebobby: “Need to see these. Now.”