What are dual-format editions?
Dual-format editions include both Blu-ray and DVD versions of a film in a single package. All supplements are available across both formats.
A free way to build your virtual collection, make lists, and share them. It’s your new home on Criterion.com.
Learn More »
A full-throttle espionage thriller, starring Joel McCrea as a green Yank reporter sent to Europe to get the scoop on the imminent war, it’s wall-to-wall witty repartee, head-spinning plot twists, and brilliantly mounted suspense set pieces.
A compulsive chicken thief turned newspaper reporter, Mr. Fox settles down with his family in a new foxhole in a beautiful tree—directly adjacent to three enormous poultry farms owned by three ferociously vicious farmers: Boggis, Bunce, and Bean. Mr. Fox simply cannot resist.
Five cities. Five taxicabs. Jim Jarmusch’s lovingly askew view of humanity from the passenger seat makes for one of his most charming and beloved films.
Made with its director’s customary precision and wit, Jim Jarmusch’s Mystery Train is a triptych of stories that pay playful tribute to the home of Stax Records, Sun Studio, Graceland, Carl Perkins, and, of course, the King himself, who presides over the film like a spirit.
Director Jim Jarmusch followed up his brilliant breakout film Stranger Than Paradise with another, equally beloved portrait of loners and misfits in the American landscape
Barbara Stanwyck and Walter Huston are at their fierce finest in master Hollywood craftsman Anthony Mann’s crackling western melodrama The Furies, sophisticated in its view of frontier settlement and ablaze with searing domestic drama.
The Man Who Fell to Earth is a daring exploration of science fiction as an art form. The story of an alien on an elaborate rescue mission provides the launching pad for Nicolas Roeg’s visual tour de force, a formally adventurous examination of alienation in contemporary life.
Anthony Hopkins’s Hannibal Lecter matches wits with Jodie Foster’s heroic FBI agent Clarice Starling in Jonathan Demme’s taut psychological thriller.
Through the eyes of ten-year-old Alexander, we witness the delights and conflicts of the Ekdahl family, a sprawling bourgeois clan in turn-of-the-twentieth-century Sweden.
With the simplest of concepts and sparest of techniques, Robert Bresson made one of the most suspenseful jailbreak films of all time in A Man Escaped.
A new priest arrives in a French country village to attend to his first parish, but after encountering immediate rejection, he relays his crisis of faith into his diary. Robert Bresson’s fourth film strips away all inessential aesthetic elements, exacting a purity of image and sound.
A frank exploration of voyeurism and violence, Michael Powell’s extraordinary film is the story of a psychopathic cameraman—his childhood traumas, sexual crises, and murderous revenge as an adult.
An aging gambler navigates the treacherous world of pimps, moneymen, and naive associates while plotting one last score in Jean-Pierre Melville’s Bob le flambeur, which melds the toughness of American gangster films with Gallic sophistication, laying the road map for the French New Wave.
Max Ophuls brings his astonishing visual dexterity and storytelling bravura to this triptych of tales by Guy de Maupassant about the limits of spiritual and physical pleasure.
In Hitchcock’s Notorious, a beautiful woman with a tainted past (Ingrid Bergman) is enlisted by American agent Devlin (Cary Grant) to spy on a ring of Nazis in post-war Rio. Her espionage work becomes life-threatening after she marries the most debonair of the Nazi ring, Alex (Claude Rains).
Benjamin Christensen’s legendary silent film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. Häxan is a witches’ brew of the scary, gross, and darkly humorous.
In The Blood of a Poet, Orpheus, and Testament of Orpheus, Cocteau utilizes the Orphic myth to explore the complex relationships between the artist and his creations, reality and the imagination.
In Jean-Luc Godard’s subversive Contempt, Michel Piccoli is a screenwriter torn between the demands of a proud European director, a crude, arrogant American producer, and his disillusioned wife, Camille (Brigitte Bardot), as he attempts to doctor the script for a new film version of The Odyssey.
Modern Times, Charlie Chaplin’s last outing as the Little Tramp, puts the iconic character to work as a giddily inept factory employee who becomes smitten with a gorgeous gamine (Paulette Goddard).
Sensationally modern, G. W. Pabst’s lurid, controversial melodrama follows the downward spiral of the fiery, brash, yet innocent showgirl Lulu (Louise Brooks), whose sexual vivacity has a devastating effect on everyone she comes in contact with.
In Michael Powell and Emeric Pressburger’s stunningly photographed comedy, Wendy Hiller stars as a headstrong young woman who travels to the remote Scottish Hebrides to marry a rich lord.
A Nazi U-boat crew, headed by the ruthless Eric Portman, is stranded in Canada during the thick of World War II in Michael Powell and Emeric Pressburger’s quick-witted wartime thriller, 49th Parallel.
Based on a novel by Nobel Prize winner Selma Lagerlöf, this extraordinarily rich and innovative silent classic (which inspired Ingmar Bergman to make movies) is a Dickensian ghost story and a deeply moving morality tale, as well as a showcase for groundbreaking special effects.
These three independent films showed off Samuel Fuller’s genre diversity, gutter wit, and subversive force, and pointed the way to a controversial career in studio moviemaking.
In this pitch-black comedy from Preston Sturges, Rex Harrison stars as a world-famous symphony conductor consumed with the suspicion that his wife is having an affair. Unfaithfully Yours is a brilliantly performed mixture of razor-sharp dialogue and uproarious slapstick.
In this beautifully shot, psychologically complex western, Van Heflin is a mild-mannered cattle rancher who takes on the task of shepherding a captured outlaw (played with cucumber-cool charisma by Glenn Ford) to the train that will deliver him to prison.
Ernest Hemingway’s gripping short story “The Killers” has fascinated readers and filmmakers for generations. The Criterion Collection presents all three film versions of this classic tale of amorality.
Criterion Store price:$31.96Backorder
With its aching musical soundtrack and exquisitely abstract cinematography by Christopher Doyle and Mark Lee Ping-bin, this film has been a major stylistic influence on the past decade of cinema, and is a milestone in Wong’s redoubtable career.
Soldiers, chambermaids, poets, prostitutes, aristocrats—all are on equal footing in Max Ophuls’s multicharacter merry-go-round of love and infidelity.
A landmark collaboration between writer H. G. Wells, producer Alexander Korda, and designer and director William Cameron Menzies, Things to Come is a science fiction film like no other, a prescient political work that predicts a century of turmoil and progress.
18 Jun 2013
Criterion Store price:$31.96+ Add to Cart
With Vampyr, Danish filmmaker Carl Theodor Dreyer’s brilliance at achieving mesmerizing atmosphere and austere, profoundly unsettling imagery was for once applied to the horror genre. Yet the result is nearly unclassifiable. Vampyr is one of cinema’s great nightmares.
Robert Bresson’s incomparable tale of crime and redemption follows a young pickpocket who spends his days working the streets, subway cars, and train stations of Paris; tautly choreographed, Pickpocket reveals a master director at the height of his powers.
Robert Bresson’s Au hasard Balthazar follows the donkey Balthazar as he is passed from owner to owner, some kind and some cruel, but all with motivations beyond his understanding—a profound masterpiece from one of the most revered filmmakers in the history of cinema.
In the swift, cynical Sweet Smell of Success, Burt Lancaster stars as the vicious Broadway gossip columnist J. J. Hunsecker, and Tony Curtis as Sidney Falco, the unprincipled press agent Hunsecker ropes into smearing the up-and-coming jazz musician romancing his beloved sister.
In the midst of Nazi air raids, a postman dies on the operating table at a rural English hospital. But was the death accidental? A delightful and wholly unexpected murder mystery, British writer/director Sidney Gilliat’s Green for Danger features Trevor Howard and Sally Gray.
One of the great cult classics, The Blob melds ’50s schlock sci-fi and teen delinquency pics even as it transcends these genres with strong performances and ingenious special effects. The Blob helped launch the careers of superstud Steve McQueen and composer Burt Bacharach.
During the 1940s, realism reigned in British cinema—but not at Gainsborough Pictures. The studio, which had been around since the twenties, found new success with a series of pleasurably preposterous costume melodramas.
Eddie Constantine stars as intergalactic hero Lemmy Caution, on a mission to kill the inventor of fascist computer Alpha 60, in Jean-Luc Godard’s irreverent, cockeyed fusion of science fiction, pulp characters, and surrealist poetry.
The Small Back Room details the travails of troubled research scientist and military bomb-disposal expert Sammy Rice, who, while struggling with a complex relationship with secretary girlfriend Susan, is hired by the government to advise on a dangerous new German weapon.
Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, black-market opportunist Harry Lime—and thus begins this legendary tale of love, deception, and murder.
Dissatisfied in marriage and life, Ferdinand (Jean-Paul Belmondo) takes to the road with the babysitter, his ex-lover Marianne Renoir (Anna Karina), and leaves the bourgeoisie behind in Pierrot le fou, one of the high points of the French New Wave.
These elegant, bawdy films, made before strict enforcement of the Hays morality code, feature some of the greatest stars of early Hollywood, as well as that elusive style of comedy that would thereafter be known as “the Lubitsch touch.”
Criterion Store price:$47.96+ Add to Cart
A stone-faced Jean-Paul Belmondo stars as enigmatic gangster Silien, who may or may not be responsible for squealing on Faugel, just released from the slammer and already involved in what should have been a simple heist. Le doulos is one of the filmmaker’s most gripping crime dramas.
Jane Wyman is a repressed wealthy widow and Rock Hudson is the hunky Thoreau-following gardener who loves her in Douglas Sirk’s heartbreakingly beautiful indictment of 1950s small-town America.
Bathed in lurid Technicolor, melodrama maestro Douglas Sirk’s Written on the Wind is the stylishly debauched tale of a Texas oil magnate brought down by the excesses of his spoiled offspring.
Much studied, imitated, even parodied, but never outdone, Bergman’s stunning allegory of man’s search for meaning was one of the benchmark foreign imports of America’s 1950s art house heyday, pushing cinema’s boundaries and ushering in a new era of moviegoing.
Robert Flaherty’s classic film tells the story of Inuit hunter Nanook and his family as they struggle to survive in the harsh conditions of Canada’s Hudson Bay region.