What are dual-format editions?
Dual-format editions include both Blu-ray and DVD versions of a film in a single package. All supplements are available across both formats.
A free way to build your virtual collection, make lists, and share them. It’s your new home on Criterion.com.
Learn More »
Laurence Olivier directed only five films in his sixty-year career, yet his three Shakespeare adaptations, presented here together on DVD for the first time, are still widely considered the definitive film adaptations.
Before Kubrick made his mischief iconic in A Clockwork Orange, Malcolm McDowell made a hell of an impression as the insouciant Mick Travis, who, along with his school chums, trumps authority at every turn, finally emerging as a violent savior.
When Max Renn goes looking for edgy new shows for his sleazy cable TV station, he stumbles across the pirate broadcast of a hyperviolent torture show called Videodrome. This is one of David Cronenberg’s most provocative works, fusing social commentary with shocking sex and violence.
When a suburban teacher and father (James Mason) is prescribed cortisone for a painful, possibly fatal affliction, he grows dangerously addicted to the experimental drug. This Eisenhower-era throat-grabber, shot in expressive CinemaScope, is an excoriating take on the nuclear family.
The Big City follows the personal triumphs and frustrations of Arati (Madhabi Mukherjee), who decides, despite the initial protests of her bank-clerk husband, to take a job to help support their family.
In his late, color masterpiece, Akira Kurosawa returns to the samurai film and to a primary theme of his career—the play between illusion and reality. Sumptuously reconstructing the splendor of feudal Japan and the pageantry of war, Kurosawa creates a meditation on the nature of power.
David Lynch’s 1977 debut feature, Eraserhead, is both a lasting cult sensation and a work of extraordinary craft and beauty.
With a background in music hall and mime performance, Tati steadily built an ever-more-ambitious movie career that ultimately raised sight-gag comedy to the level of high art.
This multilayered comedy from Sydney Pollack follows the elaborate deception of a down-on-his-luck New York actor who poses as a woman to get a soap opera gig.
Assembled with visionary editing that makes dance come alive on-screen as never before, and overflowing with sublime footwork, All That Jazz pushes the musical genre to personal depths and virtuosic aesthetic heights.
A trademark Cronenberg combination of the visceral and the cerebral, this phenomenally gruesome and provocative film about the expanses and limits of the human mind was the Canadian director’s breakout hit in the United States.
A Hard Day’s Night, in which the bandmates play cheeky comic versions of themselves, captured the astonishing moment when they officially became the singular, irreverent idols of their generation and changed music forever.
In this fantastic voyage through time and space from Terry Gilliam, a boy named Kevin (Craig Warnock) escapes his gadget-obsessed parents to join a band of time-traveling dwarfs.
Roman Polanski imbues his unflinchingly violent adaptation of William Shakespeare’s tragedy of ruthless ambition and murder in medieval Scotland with grit and dramatic intensity.
In a dusty California resort rown, a naïve Southern waif finds her role model in a fellow nurse, but her hero-worship evolves into something stranger and more sinister than either could have anticipated. Robert Altman’s dreamlike masterpiece careens from the humorous to the chilling to the surreal.
Leigh’s depiction of England’s underbelly is an amalgam of black comedy and doomsday prophecy that took the best director and best actor prizes at the 1993 Cannes Film Festival.
Bernardo Bertolucci’s The Last Emperor, about the life of Emperor Pu Yi, who took the throne at age three, in 1908, before witnessing decades of cultural and political upheaval, won nine Academy Awards, unexpectedly sweeping every category in which it was nominated.
The Night of the Hunter is truly a stand-alone masterwork. Graced by images of eerie beauty and a sneaky sense of humor, this ethereal, expressionistic American classic is cinema’s most eccentric rendering of the battle between good and evil.
Like the rest of America, Hollywood was ripe for revolution in the late sixties. Cinema attendance was down; what had once worked seemed broken. Enter Bob Rafelson, Bert Schneider, and Steve Blauner, who would form form BBS Productions, a company that was also a community.
Stanley Kubrick’s Paths of Glory is among the most powerful antiwar films ever made. This is a haunting, exquisitely photographed dissection of the military machine in all its absurdity and capacity for dehumanization.
A husband, a wife, a stranger, a knife: Roman Polanski sets them all adrift on a weekend filled with simmering resentments and gut-churning suspense in his seminal psychological thriller, still one of the greatest feature debuts in film history.
Marlon Brando gives the performance of his career as the tough prizefighter-turned-longshoreman Terry Malloy in this masterpiece of urban poetry.
A timeless American idyll and a gritty evocation of turn-of-the-century labor, Terrence Malick’s glorious period tragedy Days of Heaven features Oscar-winning cinematography by Nestor Almendros.
Set in a Japanese village at the end of the nineteenth century, Empire of Passion details the downfall of a married woman and her lover after they murder her husband and dump his body in a well. With eroticism and horror, Oshima plunges the viewer into a nightmarish tale of guilt and retribution.
Ozu’s hilarious Technicolor reworking of his silent I Was Born, But . . . , Good Morning (Ohayô) is the story of two young boys in suburban Tokyo who take a vow of silence after their parents refuse to buy them a television set.
The extraordinary, internationally embraced Yi Yi (A One and a Two . . .), directed by the late Taiwanese master Edward Yang, follows a middle-class family in Taipei over the course of one year, beginning with a wedding and ending with a funeral.
Forrest Ferguson: “You had me at Peter O' Toole is a paranoid schizophrenic”
Robinson Crusoe on Mars tells the story of U.S. astronaut Commander “Kit” Draper (Paul Mantee), who must fight for survival when his spaceship crash-lands on the barren waste of Mars, a pet monkey his only companion.
Forrest Ferguson: “It wouldn't be a Roman Polanski movie without "games of sexual and emotional humiliation"”