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Robinson Crusoe on Mars tells the story of U.S. astronaut Commander “Kit” Draper (Paul Mantee), who must fight for survival when his spaceship crash-lands on the barren waste of Mars, a pet monkey his only companion.
A girl on the verge of womanhood finds herself in a sensual fantasyland of vampires, witchcraft, and other threats in this eerie and mystical movie daydream.
Hiroshi Teshigahara found his spiritual partner in novelist and screenwriter Kobo Abe, with whom he collaborated on these Kafkaesque portraits of identities in peril, films that captivated mainstream audiences while also touching the edges of the Japanese avant-garde.
This captivating, long-overlooked adventure—with a clever screenplay by Frank Launder and Sidney Gilliat, best known for writing Alfred Hitchcock’s The Lady Vanishes—is a deftly concocted spy game that could give the master of suspense a run for his money.
This comic masterpiece by Preston Sturges is among the finest Hollywood satires and a high-water mark in the career of one of the industry’s most revered funnymen.
A mix of the witty and the utterly absurd, The Palm Beach Story is a high watermark of Sturges’s brand of physical comedy and verbal repartee, featuring sparkling performances.
A masterpiece from Nicolas Roeg, Don’t Look Now, adapted from a story by Daphne du Maurier, is a brilliantly disturbing tale of the supernatural.
With a background in music hall and mime performance, Tati steadily built an ever-more-ambitious movie career that ultimately raised sight-gag comedy to the level of high art.
The biggest hit from the most popular Italian filmmaker of all time, La dolce vita rocketed Federico Fellini to international mainstream success—ironically, by offering a damning critique of the culture of stardom.
In Herk Harvey’s macabre masterpiece, Mary Henry survives a drag race in a rural Kansas town, then takes a job as a church organist in Salt Lake City. En route, she becomes haunted by a bizarre apparition that compels her to an abandoned lakeside pavilion.
This genuinely frightening, exquisitely made supernatural gothic stars Deborah Kerr as an emotionally fragile governess who comes to suspect that there is something very, very wrong with her precocious new charges.
Dan Morris: “Terry Gilliams solo debut is a dark fairy tale that remains timely, funny, and intensely personal. Also maybe the best post-Python film ever made.”
The ultimate Italian road comedy, Il sorpasso stars the unlikely pair of Vittorio Gassman and Jean-Louis Trintignant as, respectively, a waggish, freewheeling bachelor and the straitlaced law student he takes on a madcap trip from Rome to Tuscany.
French director Jacques Demy didn’t just make movies—he created an entire cinematic world. Demy launched his glorious feature filmmaking career in the sixties, a decade of astonishing invention in his national cinema.
A trademark Cronenberg combination of the visceral and the cerebral, this phenomenally gruesome and provocative film about the expanses and limits of the human mind was the Canadian director’s breakout hit in the United States.
Combining stylish sixties modernism with silent-cinema touches and even a few unexpected sci-fi accents, Judex is a delightful bit of pulp fiction and a testament to the art of illusion.
A Hard Day’s Night, in which the bandmates play cheeky comic versions of themselves, captured the astonishing moment when they officially became the singular, irreverent idols of their generation and changed music forever.
Trickery. Deceit. Magic. In F for Fake, a free-form sort-of documentary by Orson Welles, the legendary filmmaker (and self-described charlatan) gleefully reengages with the central preoccupation of his career: the tenuous lines between illusion and truth, art and lies.
In 1988, renegade filmmaker Robert Altman and Pulitzer Prize–winning Doonesbury cartoonist Garry Trudeau created a presidential candidate, ran him alongside the other hopefuls during the primary season, and presented their media campaign as a cross between a soap opera and TV news.
Actor and playwright Wallace Shawn sits down with his friend the theater director André Gregory at a restaurant on New York’s Upper West Side, and the pair proceed through an alternately whimsical and despairing confessional about love, death, money, and all the superstition in between.
Harold Lloyd’s biggest box-office hit was this silent comedy gem, featuring the befuddled everyman at his eager best as a new college student.
The comic genius of silent star Harold Lloyd is eternal. Chaplin is the sweet innocent, Keaton the stoic outsider, but Lloyd—the modern guy striving for success—is us. And with its torrent of perfectly executed gags and astonishing stunts, Safety Last! is the perfect introduction to him.
These elegant, bawdy films, made before strict enforcement of the Hays morality code, feature some of the greatest stars of early Hollywood, as well as that elusive style of comedy that would thereafter be known as “the Lubitsch touch.”
Filmmaker-svengali Josef von Sternberg escalates his obsession with screen legend Marlene Dietrich in this lavish depiction of sex and deceit in the eighteenth-century Russian court, a self-proclaimed “relentless excursion into style.”
Vienna-born, New York–raised Josef von Sternberg directed some of the most influential, extraordinarily stylish dramas ever to come out of Hollywood. The titles in this collection, made on the cusp of the sound age, are three of Sternberg’s greatest works.
Dan Morris: “This is a film of sumptuous cinematography and terrific performances. A fine addition to the collection and Italian cinema.”
In Hitchcock’s Notorious, a beautiful woman with a tainted past (Ingrid Bergman) is enlisted by American agent Devlin (Cary Grant) to spy on a ring of Nazis in post-war Rio. Her espionage work becomes life-threatening after she marries the most debonair of the Nazi ring, Alex (Claude Rains).
When the mysterious Dr. Anthony Edwardes (Gregory Peck) becomes the new chief of staff at her institution, the bookish and detached Dr. Constance Petersen (Ingrid Bergman) plummets into a whirlwind of tangled identities and feverish psychoanalysis. Spellbound is classic Hitchcock.
A full-throttle espionage thriller, starring Joel McCrea as a green Yank reporter sent to Europe to get the scoop on the imminent war, it’s wall-to-wall witty repartee, head-spinning plot twists, and brilliantly mounted suspense set pieces.
This fleet and gripping film is the first of the early thrillers the Master of Suspense, Alfred Hitchcock, made during the fertile phase of his career spent at the Gaumont-British Picture Corporation.
A heart-racing spy story by Alfred Hitchcock, The 39 Steps follows Richard Hannay (Robert Donat) as he stumbles upon a conspiracy that thrusts him into a hectic chase across the Scottish moors.
In Alfred Hitchcock’s most quick-witted and devilish comic thriller, a young woman finds herself drawn into a complex web of mystery and high adventure while traveling across Europe by train. The Lady Vanishes remains one of the master filmmaker’s purest delights.
A compulsive chicken thief turned newspaper reporter, Mr. Fox settles down with his family in a new foxhole in a beautiful tree—directly adjacent to three enormous poultry farms owned by three ferociously vicious farmers: Boggis, Bunce, and Bean. Mr. Fox simply cannot resist.
After making such American noir classics as Brute Force and The Naked City, the blacklisted director Jules Dassin went to Paris and embarked on his masterpiece: a twisting, turning tale of four ex-cons who hatch one last glorious robbery in the City of Light.
The revered American auteur Michael Mann burst out of the gate with his bold artistic sensibility fully formed with Thief, his first theatrical feature.
The hottest day of the year explodes on-screen in this vibrant look at a day in the life of Bedford-Stuyvesant, Brooklyn. Spike Lee’s powerful portrait of urban racial tensions sparked controversy while earning popular and critical praise.
Utilizing a new cameraman—the incomparable Sven Nykvist—Bergman unleashed Through a Glass Darkly, Winter Light, and The Silence in rapid succession, exposing moviegoers worldwide to a new level of intellectual and emotional intensity.
David Mamet’s witty tale of a therapist and best-selling author who must confront her own obsessions when she meets an attractive cardsharp is as psychologically acute as it is full of twists and turns, a rich character study told with the cold calculation of a career criminal.
In this nightmarish urban odyssey, inner-city police detective Bobby Gold (Joe Mantegna), is following the murder of an elderly Jewish candy-shop owner, which leads him down a path of obscure encounters and clues, as well as a profound reckoning with his own self and identity.
From the very beginning of his incandescent career, the New German Cinema enfant terrible Rainer Werner Fassbinder refused to play by the rules.
When Max Renn goes looking for edgy new shows for his sleazy cable TV station, he stumbles across the pirate broadcast of a hyperviolent torture show called Videodrome. This is one of David Cronenberg’s most provocative works, fusing social commentary with shocking sex and violence.
In this adaptation of William S. Burroughs’s hallucinatory, once-thought-unfilmable novel Naked Lunch, directed by David Cronenberg, a part-time exterminator and full-time drug addict named Bill Lee (Peter Weller) plunges into the nightmarish Interzone.
Dan Morris: “A delightful and charming comedy from the golden age of cinema!”
As nervy as it is hilarious, this screwball masterpiece from Ernst Lubitsch stars Jack Benny and, in her final screen appearance, Carole Lombard as husband-and-wife thespians in Nazi-occupied Warsaw who become caught up in a dangerous spy plot.
With clarity, subtlety, and a dose of wicked humor, Academy Award–winning director Ang Lee renders Rick Moody’s acclaimed novel of upper-middle-class American malaise as a trenchant, tragic cinematic portrait of lost souls.
Immediately suppressed by the Soviets in 1966, Andrei Tarkovsky’s epic masterpiece is a sweeping medieval tale of Russia’s greatest icon painter.
A landmark collaboration between writer H. G. Wells, producer Alexander Korda, and designer and director William Cameron Menzies, Things to Come is a science fiction film like no other, a prescient political work that predicts a century of turmoil and progress.
A riveting psychological thriller that investigates the nature of truth and the meaning of justice Rashomon is widely considered one of the greatest films ever made.
One of the great cult classics, The Blob melds ’50s schlock sci-fi and teen delinquency pics even as it transcends these genres with strong performances and ingenious special effects. The Blob helped launch the careers of superstud Steve McQueen and composer Burt Bacharach.
With its aching musical soundtrack and exquisitely abstract cinematography by Christopher Doyle and Mark Lee Ping-bin, this film has been a major stylistic influence on the past decade of cinema, and is a milestone in Wong’s redoubtable career.
This multilayered, noirish descent into one man’s personal hell is also a surreal, metacinematic journey that, two years after the phenomenon Se7en, further demonstrated that director David Fincher was one of Hollywood’s true contemporary visionaries.
In Shallow Grave, three self-involved Edinburgh roommates take in a brooding boarder, and when he dies of an overdose, leaving a suitcase full of money, the trio embark on a series of very bad decisions, with extraordinarily grim consequences for all.
The Who’s classic rock opera Quadrophenia was the basis for this invigorating coming-of-age movie and depiction of the defiant, drug-fueled mod subculture of early 1960s London.
Two unemployed actors drown their frustrations in booze, pills, and lighter fluid. When an uncle offers his cottage, they escape the squalor of their flat for a week in the country. Bruce Robinson’s semi-autobiographical cult favorite is intelligent, superbly acted, and hilarious.
With the three films in this set, Shoehi Imamura, one of the leading figures of the Japanese new wave, truly emerged as an auteur, bringing to his national cinema an anthropological eye and a heretofore unseen taste for the irreverent.
Dan Morris: “Easily one of the tautest and most thrilling films ever made, this is a masterpiece of pure tension.”
One of the most influential political films in history, The Battle of Algiers, by Gillo Pontecorvo, vividly re-creates a key year in the tumultuous Algerian struggle for independence from the occupying French in the 1950s.
Dan Morris: “I used to try and separate the artist from their art. Then I saw this and realized you can't do it.”
Dan Morris: “Fewer movies are as scathing as this one. Tony Curtis was never sleazier and Burt Lancaster was never more malevolent. A classic.”
Lars von Trier’s hypnotic Europa is a fever dream in which American pacifist Leopold Kessler stumbles into a job as a sleeping-car conductor for the Zentropa railways in a Kafkaesque 1945 postwar Frankfurt. Europa is one of the great Danish filmmaker’s weirdest and most wonderful works.