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Dual-format editions include both Blu-ray and DVD versions of a film in a single package. All supplements are available across both formats.
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The fascinating result of a collaboration between filmmaker-anthropologist Jean Rouch and sociologist Edgar Morin, this vanguard work of what Morin would term cinéma verité is a brilliantly conceived and realized sociopolitical diagnosis of the early sixties in France.
Marlon Brando gives the performance of his career as the tough prizefighter-turned-longshoreman Terry Malloy in this masterpiece of urban poetry.
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One of Japan’s most popular and enduring classics, Keisuke Kinoshita’s Twenty-Four Eyes is an elegant, emotional chronicle of a teacher’s unwavering commitment to her students, her profession, and her sense of morality.
At his secluded chateau in the French countryside, a brilliant, obsessive doctor (Pierre Brasseur) attempts a radical plastic surgery to restore the beauty of his daughter’s disfigured countenance—at a horrifying price.
A compulsive chicken thief turned newspaper reporter, Mr. Fox settles down with his family in a new foxhole in a beautiful tree—directly adjacent to three enormous poultry farms owned by three ferociously vicious farmers: Boggis, Bunce, and Bean. Mr. Fox simply cannot resist.
An ambitiously constructed, elegantly photographed meditation on adolescence, the first full-length film by director David Gordon Green features remarkable performances from an award-winning ensemble cast.
Errol Morris turns his camera on one of the most fascinating men in the world: the pioneering astrophysicist Stephen Hawking, afflicted by a debilitating motor neuron disease that has left him without a voice or the use of his limbs.
By the midsixties, Ingmar Bergman had already conjured many of the cinema’s most unforgettable images. But with the radical Persona, this supreme artist attained new levels of visual poetry.
The Hidden Fortress delivers Kurosawa’s trademark deft blend of wry humor, breathtaking action, and compassionate humanity.
The revered American auteur Michael Mann burst out of the gate with his bold artistic sensibility fully formed with Thief, his first theatrical feature.
Suffused with both enchantment and melancholy, this autobiographical film takes on the perspective of a quiet, lonely boy growing up in Liverpool in the 1950s.
This deadpan tragicomedy about a group of impoverished, outcast artists living the bohemian life in Paris is among the most beguiling films by Finnish director Aki Kaurismäki.
This evocative period piece, faithfully adapted from the A. E. Hotchner memoir, is among the versatile Soderbergh’s most touching and surprising films.
This multiple-Oscar-winning film by Roman Polanski is an exquisite, richly layered adaptation of Thomas Hardy’s Tess of the d’Urbervilles.
A full-throttle espionage thriller, starring Joel McCrea as a green Yank reporter sent to Europe to get the scoop on the imminent war, it’s wall-to-wall witty repartee, head-spinning plot twists, and brilliantly mounted suspense set pieces.
The colorful, electrifying romance that took the Cannes Film Festival by storm courageously dives into a young woman’s experiences of first love and sexual awakening.
25 Feb 2014
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Hailed as one of the finest films ever made, Jules and Jim charts, over twenty-five years, the relationship between two friends and the object of their mutual obsession.
The comic genius of silent star Harold Lloyd is eternal. Chaplin is the sweet innocent, Keaton the stoic outsider, but Lloyd—the modern guy striving for success—is us. And with its torrent of perfectly executed gags and astonishing stunts, Safety Last! is the perfect introduction to him.
The films directed by the great Satyajit Ray in the last ten years of his life have a unique dignity and drama. They are complex, political, and humane depictions of worlds both corrupt and indescribably beautiful, constructed with Ray’s characteristic elegance and imbued with autumnal profundity.
The provocative Italian filmmaker Elio Petri’s most internationally acclaimed work is this Kafkaesque tale of a Roman police inspector (a commanding Gian Maria Volonté) investigating a heinous crime—which he himself committed.
Max Ophuls brings his astonishing visual dexterity and storytelling bravura to this triptych of tales by Guy de Maupassant about the limits of spiritual and physical pleasure.
What does the energy harnessed through orgasm have to do with the state of communist Yugoslavia circa 1971? Only counterculture filmmaker extraordinaire Dušan Makavejev has the answers (or the questions) in his surreal documentary-fiction collision WR: Mysteries of the Organism.
Vienna-born, New York–raised Josef von Sternberg directed some of the most influential, extraordinarily stylish dramas ever to come out of Hollywood. The titles in this collection, made on the cusp of the sound age, are three of Sternberg’s greatest works.
In Pietro Germi’s hilarious and cutting satire of Sicilian male-chauvinist culture, Baron Ferdinando Cefalù (Marcello Mastroianni) longs to marry his nubile young cousin Angela (Stefania Sandrelli), but one obstacle stands in his way: his fatuous and fawning wife, Rosalia (Daniela Rocca).
Shotgun weddings, kidnapping, attempted murder, emergency dental work—the things Don Vincenzo will do to restore his family’s honor! Pietro Germi’s Seduced and Abandoned was the follow-up to his sensation Divorce Italian Style, and in many ways it’s even more audacious.
The Small Back Room details the travails of troubled research scientist and military bomb-disposal expert Sammy Rice, who, while struggling with a complex relationship with secretary girlfriend Susan, is hired by the government to advise on a dangerous new German weapon.
Anthony Hopkins’s Hannibal Lecter matches wits with Jodie Foster’s heroic FBI agent Clarice Starling in Jonathan Demme’s taut psychological thriller.
Starring Jack Lemmon and Sissy Spacek, Missing is political filmmaker extraordinaire Costa-Gavras’s compelling, controversial dramatization of the search for American filmmaker and journalist Charles Horman, who mysteriously disappeared during the 1973 coup in Chile.
Four Oscar–winning actors—Marlon Brando, Anna Magnani, Joanne Woodward, and Maureen Stapleton—sink their teeth into this enthralling film, which brings together the legendary talents of director Sidney Lumet and writer Tennessee Williams.
With its lewd abandon and sketch-comedy perversity, Makavejev’s cult staple Sweet Movie is a full-throated shriek in the face of bourgeois complacency and movie watching.
With the three films in this set, Shoehi Imamura, one of the leading figures of the Japanese new wave, truly emerged as an auteur, bringing to his national cinema an anthropological eye and a heretofore unseen taste for the irreverent.
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In Liliana Cavani’s scintillating drama, a concentration camp survivor (Charlotte Rampling) discovers her ex-torturer/lover (Dirk Bogarde) working as a night porter at a hotel in postwar Vienna.
Robert Flaherty’s classic film tells the story of Inuit hunter Nanook and his family as they struggle to survive in the harsh conditions of Canada’s Hudson Bay region.
A mysterious writer of poison-pen letters plagues a French provincial town, unwittingly exposing the collective suspicion and rancor seething beneath the community’s calm surface.
rvbranham: “i've got a crappy edition & would do a hit job for this edition”
Tatsuya Nakadai and Toshiro Mifune star in the story of a wandering samurai who exists in a maelstrom of violence. A gifted swordsman—plying his trade during the turbulent final days of Shogunate rule—Ryunosuke kills without remorse, without mercy. It’s a way of life that leads to madness.
A young man embarks on an obsessive search for the girlfriend who mysteriously disappeared while the couple were taking a sunny vacation trip, and his three-year investigation draws the attention of her abductor, a mild-mannered professor with a diabolically clinical mind.
rvbranham: “not a fan at all of through a glass darkly or winter light, but i love the silence & wld buy the box for that one alone...”
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Following the collapse of his clan, unemployed samurai Hanshiro Tsugumo (Tatsuya Nakadai) arrives at the manor of Lord Iyi, begging to commit ritual suicide on his property in Masaki Kobayashi’s fierce evocation of individual agency in the face of a corrupt and hypocritical system.
In the thirties and forties, the young Indian actor known as Sabu (born Selar Shaik) captured the hearts of moviegoers in Britain and the United States as a completely new kind of big-screen icon.
Koreyoshi Kurahara’s free-form approach to moviemaking was perfectly suited to the radical spirit of the 1960s, when he was one of the biggest hit makers working at the razzle-dazzle, youth-oriented Nikkatsu studios.
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A grown-up superhero fantasy come to vivid, bloody life, Paul Verhoeven’s special effects-laden cult phenomenon features a resurrected hero (Peter Weller) in a new, supercharged cyborg body, struggling to reclaim his memory and avenge his own death.
The acclaimed, best-selling novel by John le Carré, about a Cold War spy on one final dangerous mission in East Germany, is transmuted by director Martin Ritt into a film every bit as precise and ruthless as the book.
An inspired rendering of Jim Thompson’s pulp novel Pop. 1280, Bertrand Tavernier’s Coup de torchon (Clean Slate) deftly transplants the story of an inept police chief turned heartless killer and his scrappy mistress from the American South to French West Africa.
John Cassavetes was a genius, a visionary, and the progenitor of American independent film, but that doesn’t begin to get at the generosity of his art.
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Working outside the mainstream, the wildly prolific, visionary Stan Brakhage made more than 350 films over a half century. Challenging all taboos in his exploration of “birth, sex, death, and the search for God,” he turned his camera on explicit lovemaking, childbirth, even autopsy.
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Kirk Douglas gives the fiercest performance of his career as Chuck Tatum, an amoral newspaper reporter who washes up in dead-end Albuquerque, happens upon the scoop of a lifetime, and will do anything to keep getting the lurid headlines.
John Lurie knows absolutely nothing about fishing, but that doesn’t stop him from undertaking the adventure of a lifetime in Fishing with John. Featuring Jim Jarmusch, Willem Dafoe, and Tom Waits.
A low-key postpunk diary that took four years to complete, Allison Anders’ Border Radio features legendary rocker Chris D. as a singer/songwriter who has stolen loot from a club and gone missing, leaving his wife, a no-nonsense rock journalist, to track him down with the help of his friends.
In Paul Morrissey’s brash mixture of humor, horror, and sex, Blood for Dracula, the infamous count searches Italy for virgin blood.
In a revelatory film debut, the dynamic, fresh-faced Sandrine Bonnaire plays Suzanne, a fifteen-year-old Parisian who embarks on a sexual rampage in an effort to separate herself from her overbearing, beloved father. À nos amours is one of Maurice Pialat’s greatest achievements.
With An Angel at My Table, Academy Award–winning filmmaker Jane Campion brings to the screen the harrowing true-life story of Janet Frame, New Zealand’s most distinguished author. Angel beautifully captures the color and power of the New Zealand landscape.
Rainer Werner Fassbinder’s controversial, fifteen-hour-plus epic follows the hulking, childlike ex-convict Franz Biberkopf (Günter Lamprecht) as he attempts to “become an honest soul” amid the corrosive urban landscape of Weimar-era Germany.
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Chow Yun-fat is jaded detective “Tequila” Yuen in John Woo’s dizzying odyssey through the world of Hong Kong Triads, undercover agents, and frenzied police raids; the brilliant, passionate Hard Boiled is violence as poetry, rendered by a master.
Gorgeously photographed to evoke the medieval paintings of Saint Francis’s time, and cast with monks from the Nocera Inferiore Monastery, Rossellini’s The Flowers of St. Francis is a timeless and moving portrait of the search for spiritual enlightenment.