What are dual-format editions?
Dual-format editions include both Blu-ray and DVD versions of a film in a single package. All supplements are available across both formats.
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Mathieu Kassovitz took the film world by storm with La haine, a gritty, unsettling, and visually explosive look at the racial and cultural volatility in modern-day France, specifically the low-income banlieue districts on Paris’s outskirts.
Told through the eyes of François Truffaut’s cinematic counterpart, Antoine Doinel, The 400 Blows sensitively re-creates the trials of Truffaut’s own childhood, unsentimentally portraying aloof parents, oppressive teachers, and petty crime.
Featuring a killer soundtrack and electric performances from Jeff Daniels, Melanie Griffith, and Ray Liotta, Something Wild, directed by oddball American auteur Jonathan Demme, is both a kinky comic thriller and a radiantly off-kilter love story.
Epic in scale yet meticulously observed, maverick director Robert Altman’s Short Cuts interweaves the lives of twenty-two characters struggling to find solace and meaning in contemporary Los Angeles.
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For his final outing, Monsieur Hulot is employed as an auto company’s director of design, and accompanies his new vehicle (a camper tricked out with absurd gadgetry) to an auto show in Amsterdam. Naturally, the road is paved with modern-age mishaps in Jacques Tati’s Trafic.
Jacques Tati’s gloriously choreographed, nearly wordless comedies about confusion in the age of technology reached their creative apex with Playtime, a lasting testament to a modern age tiptoeing on the edge of oblivion.
A full-throttle espionage thriller, starring Joel McCrea as a green Yank reporter sent to Europe to get the scoop on the imminent war, it’s wall-to-wall witty repartee, head-spinning plot twists, and brilliantly mounted suspense set pieces.
Errol Morris turns his camera on one of the most fascinating men in the world: the pioneering astrophysicist Stephen Hawking, afflicted by a debilitating motor neuron disease that has left him without a voice or the use of his limbs.
Seamlessly interweaving archival war footage and a fictional narrative, this immersive account by Stuart Cooper of one twenty-year-old’s journey from basic training to the front lines of D-day brings to life all the terrors and isolation of war with jolting authenticity.
The most cherished work from French master Max Ophuls, The Earrings of Madame de . . . is a profoundly emotional, cinematographically adventurous tale of deceptive opulence and tragic romance.
Considered by many to be the finest British film ever made, The Life and Death of Colonel Blimp, by Michael Powell and Emeric Pressburger, is a stirring masterpiece like no other.
A Nazi U-boat crew, headed by the ruthless Eric Portman, is stranded in Canada during the thick of World War II in Michael Powell and Emeric Pressburger’s quick-witted wartime thriller, 49th Parallel.
This cornerstone of 1970s American moviemaking from Robert Altman is a panoramic view of the country’s political and cultural landscapes, set in the nation’s music capital.
As nervy as it is hilarious, this screwball masterpiece from Ernst Lubitsch stars Jack Benny and, in her final screen appearance, Carole Lombard as husband-and-wife thespians in Nazi-occupied Warsaw who become caught up in a dangerous spy plot.
The colossally popular Zatoichi films make up the longest-running action series in Japanese history and created one of the screen’s great heroes: an itinerant blind masseur who also happens to be a lightning-fast swordsman.
Greta Gerwig is radiant as Frances, a woman in her late twenties in contemporary New York trying to sort out her ambitions, her finances, and, above all, her intimate but shifting bond with her best friend, Sophie (Mickey Sumner).
This deadpan tragicomedy about a group of impoverished, outcast artists living the bohemian life in Paris is among the most beguiling films by Finnish director Aki Kaurismäki.
Tenth grader Max Fischer (Jason Schwartzman) is Rushmore Academy’s most extracurricular student, and its least scholarly, in Wes Anderson’s dazzling sophomore effort—equal parts coming-of-age story, French New Wave homage, and screwball comedy.
In director Wes Anderson’s The Darjeeling Limited, three estranged American brothers reunite for a meticulously planned, soul-searching train voyage across India one year after the death of their father.
Wes Anderson first illustrated his lovingly detailed, slightly surreal cinematic vision (with cowriter Owen Wilson) in this visually witty and warm portrait of three young misfits.
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Gérard Depardieu and Catherine Deneuve star as members of a French theater company living under the German occupation during World War II in François Truffaut’s gripping character study. Equal parts romance, historical tragedy, and even comedy, this is Truffaut’s tribute to art overcoming adversity.
With its lack of polish, surplus of attitude, anything-goes crime narrative, and effervescent young stars Jean-Paul Belmondo and Jean Seberg, Breathless helped launch the French New Wave and ensured that cinema would never be the same.
Dissatisfied in marriage and life, Ferdinand (Jean-Paul Belmondo) takes to the road with the babysitter, his ex-lover Marianne Renoir (Anna Karina), and leaves the bourgeoisie behind in Pierrot le fou, one of the high points of the French New Wave.
This scathing late-sixties satire from Jean-Luc Godard is one of cinema’s great anarchic works. Determined to collect an inheritance from a dying relative, a bourgeois couple travel across the French countryside while civilization crashes and burns around them.
The writer-director-star achieved new levels of grace, in both physical comedy and dramatic poignancy, with this silent tale of a lovable vagrant falling for a young blind woman who sells flowers on the street (a magical Virginia Cherrill) and mistakes him for a millionaire.
Robert Bresson’s incomparable tale of crime and redemption follows a young pickpocket who spends his days working the streets, subway cars, and train stations of Paris; tautly choreographed, Pickpocket reveals a master director at the height of his powers.
In the hands of the renowned experimental theater director Peter Brook, William Golding’s legendary novel about the primitivism lurking beneath civilization becomes a film as raw and ragged as the lost boys at its center.
Based on a novel by Vladislav Vančura, this stirring and poetic depiction of a feud between two rival medieval clans is a fierce, epic, and meticulously designed evocation of the clashes between Christianity and paganism, humankind and nature, love and violence.
The comic genius of silent star Harold Lloyd is eternal. Chaplin is the sweet innocent, Keaton the stoic outsider, but Lloyd—the modern guy striving for success—is us. And with its torrent of perfectly executed gags and astonishing stunts, Safety Last! is the perfect introduction to him.
Daniel Ho-Tieng: “Absolutely three classics from Von Sternberg! ”
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In his controversial masterpiece The Great Dictator, Charlie Chaplin offers both a cutting caricature of Adolf Hitler and a sly tweaking of his own comic persona.
Daniel Ho-Tieng: “Great pearl of the poetic realism movement in France.”
A timeless evocation of childhood innocence corrupted, René Clément’s mythical and heartbreakingly real Forbidden Games tells the story of a young girl orphaned by war and the farm boy she joins in a fantastical world of macabre play.
A heart-racing spy story by Alfred Hitchcock, The 39 Steps follows Richard Hannay (Robert Donat) as he stumbles upon a conspiracy that thrusts him into a hectic chase across the Scottish moors.
Daniel Ho-Tieng: “Apparently one of the shining films of the Cannes Film Festival 2011! Can't wait to get it!”
Daniel Ho-Tieng: “Looks interesting!”
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A frank exploration of voyeurism and violence, Michael Powell’s extraordinary film is the story of a psychopathic cameraman—his childhood traumas, sexual crises, and murderous revenge as an adult.
At his secluded chateau in the French countryside, a brilliant, obsessive doctor (Pierre Brasseur) attempts a radical plastic surgery to restore the beauty of his daughter’s disfigured countenance—at a horrifying price.
Kristy McNichol stars as a young actress who adopts a lost German shepherd, only to discover through a series of horrifying incidents that the dog has been trained to attack black people. White Dog is Samuel Fuller’s throat-grabbing exposé on American racism.
Criterion is proud to present these Dreyer masterpieces on DVD for the first time, with brand new digital transfers. Each is an intense exploration of the clash between individual desire and social expectations, with Dreyer’s famously perfectionist attention to detail shining throughout.
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In Ingmar Bergman’s testament to the strength of the soul, Karin and Maria come to the aid of their dying sister, Agnes, but jealousy, manipulation, and selfishness come before empathy. Cries and Whispers is full of images of staggering beauty and unfathomable horror.