What are dual-format editions?
Dual-format editions include both Blu-ray and DVD versions of a film in a single package. All supplements are available across both formats.
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Adapted from the controversial novel by Shintarô Ishihara, and critically savaged for its lurid portrayal of the postwar sexual revolution among Japan’s young and privileged, Crazed Fruit is an anarchic outcry against tradition and the older generation.
Jacques Becker lovingly evokes the belle epoque Parisian demimonde in this classic tale of doomed romance. When gangster’s moll Marie (Simone Signoret) falls for reformed criminal Manda (Serge Reggiani), their passion incites an underworld rivalry that leads inexorably to treachery and tragedy.
This evocative period piece, faithfully adapted from the memoir by the novelist A. E. Hotchner, is among the ever versatile Steven Soderbergh’s most touching and surprising films.
This multiple-Oscar-winning film by Roman Polanski is an exquisite, richly layered adaptation of Thomas Hardy’s Tess of the d’Urbervilles.
Suffused with both enchantment and melancholy, this autobiographical film takes on the perspective of a quiet, lonely boy growing up in Liverpool in the 1950s.
The mission of the WCP is to preserve and present marginalized and infrequently screened films from regions generally ill equipped to preserve their own cinema history.
This cornerstone of 1970s American moviemaking from Robert Altman is a panoramic view of the country’s political and cultural landscapes, set in the nation’s music capital.
The colossally popular Zatoichi films make up the longest-running action series in Japanese history and created one of the screen’s great heroes: an itinerant blind masseur who also happens to be a lightning-fast swordsman.
Set during Scotland’s national garbage strike of the mid-1970s, Lynne Ramsay’s Ratcatcher explores the experiences of a poor adolescent boy as he struggles to reconcile his dreams and his guilt with the abjection that surrounds him.
In Kaneto Shindo’s chilling folktale, a mother and her daughter-in-law eke out a desperate existence in the lonely marshes of war-torn medieval Japan. When a neighbor returns from the skirmishes, lust, jealousy, and rage—and a horrifying fate at the hands of an ominous, ill-gotten demon mask—ensue.
A young Jewish boy living in Nazi-occupied Paris is sent by his parents to the countryside to live with an elderly Catholic couple until France’s liberation. Forced to hide his identity, the eight-year-old, Claude, bonds with the irascible, staunchly anti-Semitic Grampa (Michel Simon).
The true story of the death of Italy’s most wanted criminal and celebrated hero, Francesco Rosi’s groundbreaking political film is a startling exposé of Sicily and the tangled relations between its citizens, the Mafia, and government officials.
From the very beginning of his incandescent career, the New German Cinema enfant terrible Rainer Werner Fassbinder refused to play by the rules.
27 Aug 2013
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As hard-hitting as its title, Brute Force was the first of Jules Dassin’s forays into the crime genre, a prison melodrama that takes a critical look at American society as well, starring Burt Lancaster.
A landmark collaboration between writer H. G. Wells, producer Alexander Korda, and designer and director William Cameron Menzies, Things to Come is a science fiction film like no other, a prescient political work that predicts a century of turmoil and progress.
18 Jun 2013
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Before he left his mark on cinema forever with the revolutionary The Battle of Algiers, Italian director Gillo Pontecorvo directed this uncompromising World War II drama about a young Jewish woman (Susan Strasberg) in a Nazi concentration camp.
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A milestone of the Czech New Wave, Milos Forman’s first color film, The Firemen’s Ball (Horí, má panenko), is both a dazzling comedy and a provocative political satire that chronicles a firemen’s ball where nothing goes right.
At a village railway station in occupied Czechoslovakia, a bumbling dispatcher’s apprentice longs to liberate himself from his virginity. Wry and tender, Jirí Menzel’s Academy Award-winning Closely Watched Trains is a masterpiece of human observation.
An inept Czech peasant is torn between greed and guilt when the Nazi-backed bosses of his town appoint him “Aryan controller” of an old Jewish widow’s button shop. Humor and tragedy fuse in this scathing exploration of one cowardly man’s complicity in the horrors of a totalitarian regime.
One of Spanish cinema’s great auteurs, Carlos Saura brought international audiences closer to the art of his country’s dance than any other filmmaker, before or since.
Astonishingly photographed, and featuring unforgettable, cascading scores by Philip Glass, these are immersive sensory experiences that meditate on the havoc humankind’s obsession with technological advancement has wreaked on our world.
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Suffused with dread and paranoia, this Fritz Lang adaptation of a novel by Graham Greene is a plunge into the eerie shadows of a world turned upside down by war.
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Fletcher Munson has a doppelgänger in dentist Dr. Jeffrey Korchek. Steven Soderbergh presents a deranged comedy of confused identity, doublespeak, and white-knuckled corporate intrigue, confirming his status as one of America’s most daring and unpredictable filmmakers.
With Jubilee, legendary British filmmaker Derek Jarman channeled political dissent and artistic daring into a revolutionary blend of history and fantasy, musical and cinematic experimentation, satire and anger, fashion and philosophy.
Orson Welles’s Mr. Arkadin (a.k.a. Confidential Report) tells the story of an elusive billionaire who hires an American smuggler to investigate his past, leading to a dizzying descent into a cold-war European landscape.
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Brigitte Bardot stars as Juliette, an 18-year-old orphan whose unbridled appetite for pleasure shakes up all of St. Tropez; her sweet but naïve husband Michel (Jean-Louis Trintignant) endures beatings, insults, and mambo in his attempts to tame her wild ways.
Originally made for German television, this recently rediscovered, three-and-a-half-hour labyrinth is a satiric and surreal look at the world of tomorrow from one of cinema’s kinkiest geniuses.
Four unnamed people who look and sound a lot like Albert Einstein, Marilyn Monroe, Joe DiMaggio, and Joseph McCarthy converge in one New York City hotel room for this compelling, visually inventive adaptation of Terry Johnson’s play, from director Nicolas Roeg.
In this adaptation of William S. Burroughs’s hallucinatory, once-thought-unfilmable novel Naked Lunch, directed by David Cronenberg, a part-time exterminator and full-time drug addict named Bill Lee (Peter Weller) plunges into the nightmarish Interzone.
This Freudian tale of adolescent sexuality set in a postapocalyptic world of shifting identities and talking animals is one of Malle’s most experimental films and a cinematic daydream like no other.
A true artist who had deftly used the Soviet film industry to make statements both personal and universal, Shepitko remains one of the greatest unsung filmmakers of all time.
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In The Blood of a Poet, Orpheus, and Testament of Orpheus, Cocteau utilizes the Orphic myth to explore the complex relationships between the artist and his creations, reality and the imagination.
While laboring to sell a gold-embossed version of the Good Book, Paul Brennan and his colleagues target the beleaguered masses—then face the demands of quotas and the frustrations of life on the road. A landmark American documentary.
Gérard Depardieu and Catherine Deneuve star as members of a French theater company living under the German occupation during World War II in François Truffaut’s gripping character study. Equal parts romance, historical tragedy, and even comedy, this is Truffaut’s tribute to art overcoming adversity.
Roman Polanski orchestrates a mental ménage à trois in this slyly absurd tale of paranoia from the director’s golden 1960s period.
Roman Polanski followed up Knife in the Water with this controversial tale of psychosis. Catherine Deneuve is Carol, a fragile, frigid young beauty cracking up in her London flat when left alone by her vacationing sister. Repulsion is one of cinema’s most shocking psychological thrillers.
This multilayered, noirish descent into one man’s personal hell is also a surreal, metacinematic journey that, two years after the phenomenon Se7en, further demonstrated that director David Fincher was one of Hollywood’s true contemporary visionaries.
Master noir craftsman Jules Dassin’s dazzling police procedural The Naked City was shot entirely on location in New York. As influenced by Italian neorealism as American crime fiction, this double Academy Award winner remains a benchmark for naturalism in noir.
Based on Holling C. Holling’s beloved, Caldecott-awarded children’s book, William Mason’s stunning film follows the adventures of a tiny, wood-carved canoe as it forges its own path from Lake Superior through the Great Lakes and down to the Atlantic Ocean.
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Filmmaking legend Roberto Rossellini brings his passion for realism and unerring eye for the everyday to this portrait of the early years of the reign of France’s “Sun King,” and in the process reinvents the costume drama.
In Carlos Saura’s exquisite Cría cuervos . . ., Ana Torrent (the dark-eyed beauty from The Spirit of the Beehive) portrays the disturbed eight-year-old Ana, living in Madrid with her two sisters and mourning the death of her mother, whom she conjures as a ghost (an ethereal Geraldine Chaplin).
This neorealist masterpiece by Vittorio De Sica follows an elderly pensioner as he strives to make ends meet during Italy’s postwar economic recovery.
This entertaining film, from a delicious early novel by Henry James, takes place in a New England Arcadia that stands for everything beautiful, pure, and good. Into this Eden come a sophisticated European brother and sister who turn up unexpectedly on the doorstep of their staid American cousins.
Benjamin Christensen’s legendary silent film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. Häxan is a witches’ brew of the scary, gross, and darkly humorous.
Over the past four decades, Belgian director Chantal Akerman has created one of cinema’s most distinctive bodies of work—formally daring, often autobiographical films about people and places, time and space.
In the late eighties, Aki Kaurismäki, a master of the deadpan, fashioned a waggish fish-out-of-water tale about a U.S. tour by “the worst rock-and-roll band in the world.”
At an Austrian boys’ boarding school in the early 1900s, shy, intelligent Törless observes the sadistic behavior of his fellow students, doing nothing to help a victimized classmate—until the torture goes too far. Young Törless is adapted from Robert Musil’s acclaimed novel.
The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster.
One of the greatest and least-known directors of all time, Raymond Bernard helped shape French cinema into a truly formidable industry at the dawn of the sound era. Wooden Crosses and Les misérables exemplify the formal and narrative brilliance of an unjustly overshadowed cinematic trailblazer.
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My Life as a Dog is the story of Ingemar, a working-class twelve-year-old sent to live with his uncle in a country village when his mother falls ill. There, with the help of the warmhearted eccentrics who populate the town, the boy finds both refuge from his misfortunes and unexpected adventure.
Blind faith, virgin birth, crucifixion—nothing is sacred in Monty Python’s epic send-up of ancient times, which draws on the cornball biblical blockbusters of the 1950s to lampoon celebrity culture in any era.
prtkahn: “Pure atmosphere and a metaphor of female sexuality, this film plumbs the disjunct of British culture grafted onto an Aboriginal landscape; haunting.”
Bernardo Bertolucci’s The Last Emperor, about the life of Emperor Pu Yi, who took the throne at age three, in 1908, before witnessing decades of cultural and political upheaval, won nine Academy Awards, unexpectedly sweeping every category in which it was nominated.
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Meet Big and Little Edie Beale—high-society dropouts, mother and daughter, reclusive cousins of Jackie O.—thriving together amid the decay and disorder of their ramshackle East Hampton mansion.
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A romantic deadbeat has a wayward crush on a handsome Mexican immigrant in Mala Noche, Gus Van Sant’s important prelude to the New Queer Cinema of the nineties and a fascinating capsule from a period and place that continues to haunt its director’s work.
Federico Fellini’s wife Giulietta Masina plays Gelsomina, a naive girl sold into the employ of a brutal strongman in a traveling circus, in this poetic fable of love and cruelty, winner of the 1956 Academy Award for Best Foreign Film.
Three siblings must decide what to do with the country estate and objects they’ve inherited from their mother. From this simple story, Olivier Assayas creates a nuanced, exquisitely made drama about the material of globalized modern living.
Pier Paolo Pasolini’s notorious transposition of the Marquis de Sade’s eighteenth-century opus of torture and degradation to Fascist Italy in 1944 remains one of the most passionately debated films of all time,
A woman strikes up a correspondence with a suave, charismatic smooth talker who could be the man of her dreams—or a wicked con artist. Based on a true story, Leonard Kastle’s The Honeymoon Killers is a stark portrayal of the desperate lengths to which a lonely heart will go to find true love.
In Federico Fellini’s quirky, imaginative fable, a motley crew of European aristocrats (and a lovesick rhinoceros!) board a luxurious ocean liner on the eve of World War I to scatter the ashes of a beloved diva.