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In these three films, something like social-realist farces, Kaurismäki surveys the working-class outcasts of his native Finland with detached yet disarming amusement.
John Cassavetes was a genius, a visionary, and the progenitor of American independent film, but that doesn’t begin to get at the generosity of his art.
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Widely regarded as the greatest Spanish film of the 1970s, Victor Erice’s The Spirit of the Beehive is a visually arresting, bewitching portrait of a child’s haunted inner life.
Lodge Kerrigan’s raw, ravaging Clean, Shaven is a headfirst dive into the mindscape of a schizophrenic as he tries to track down his daughter after he is released from an institution.
Leigh’s depiction of England’s underbelly is an amalgam of black comedy and doomsday prophecy that took the best director and best actor prizes at the 1993 Cannes Film Festival.
Mathew2468: “Haven't seen, but I've been obsessed. ”
The extraordinary, internationally embraced Yi Yi (A One and a Two . . .), directed by the late Taiwanese master Edward Yang, follows a middle-class family in Taipei over the course of one year, beginning with a wedding and ending with a funeral.
Mathew2468: “Like much of what Gorin has to say about film. Not seen any of his.”
Mathew2468: “Not seen his first two. Only really interested as a completist.”