In the hands of the renowned experimental theater director Peter Brook, William Golding’s legendary novel about the primitivism lurking beneath civilization becomes a film as raw and ragged as the lost boys at its center.
The most cherished work from French master Max Ophuls, The Earrings of Madame de . . . is a profoundly emotional, cinematographically adventurous tale of deceptive opulence and tragic romance.
Seconds, directed by John Frankenheimer, concerns a middle-aged businessman dissatisfied with his suburban existence, who elects to undergo a strange and elaborate procedure that will grant him a new life.
As nervy as it is hilarious, this screwball masterpiece from Ernst Lubitsch stars Jack Benny and, in her final screen appearance, Carole Lombard as husband-and-wife thespians in Nazi-occupied Warsaw who become caught up in a dangerous spy plot.
A quintessential cult film of the 1980s, Alex Cox’s singular sci-fi comedy stars the always captivating Harry Dean Stanton as a weathered repo man in a desolate Los Angeles, and Emilio Estevez as the nihilistic middle-class punk he takes under his wing.
The debut feature by the great Andrei Tarkovsky, Ivan’s Childhood is a poetic journey through the shards and shadows of one boy’s war-ravaged youth.
Considered by many to be the finest British film ever made, The Life and Death of Colonel Blimp, by Michael Powell and Emeric Pressburger, is a stirring masterpiece like no other.
Suffused with dread and paranoia, this Fritz Lang adaptation of a novel by Graham Greene is a plunge into the eerie shadows of a world turned upside down by war.
Badlands announced the arrival of a major talent: Terrence Malick. His impressionistic take on the notorious Charles Starkweather killing spree of the late 1950s uses a serial-killer narrative as a springboard for an oblique teenage romance.
With the simplest of concepts and sparest of techniques, Robert Bresson made one of the most suspenseful jailbreak films of all time in A Man Escaped.
In this adaptation of William S. Burroughs’s hallucinatory, once-thought-unfilmable novel Naked Lunch, directed by David Cronenberg, a part-time exterminator and full-time drug addict named Bill Lee (Peter Weller) plunges into the nightmarish Interzone.
Four years after Breathless, Jean-Luc Godard reimagined the gangster film even more radically with Band of Outsiders. In it, two restless young men (Sami Frey and Claude Brasseur) enlist the object of both of their fancies (Anna Karina) to help them commit a robbery—in her own home.
A trio of exceptional performances by Glenn Ford, Ernest Borgnine, and Rod Steiger form the center of Jubal, an overlooked Hollywood treasure from genre master Delmer Daves.
In this beautifully shot, psychologically complex western, Van Heflin is a mild-mannered cattle rancher who takes on the task of shepherding a captured outlaw (played with cucumber-cool charisma by Glenn Ford) to the train that will deliver him to prison.
A riveting psychological thriller that investigates the nature of truth and the meaning of justice Rashomon is widely considered one of the greatest films ever made.
In the decades of occult cinema that Polanski’s ungodly masterpiece has spawned, it has never been outdone for sheer psychological terror.
This scathing late-sixties satire from Jean-Luc Godard is one of cinema’s great anarchic works. Determined to collect an inheritance from a dying relative, a bourgeois couple travel across the French countryside while civilization crashes and burns around them.
Though she went on to create a string of brilliant films, Jane Campion will always be remembered for her stunning debut feature, Sweetie, which focuses on the hazardous relationship between the buttoned-down, superstitious Kay and her rampaging, devil-may-care sister, Sweetie.
Roman Polanski followed up Knife in the Water with this controversial tale of psychosis. Catherine Deneuve is Carol, a fragile, frigid young beauty cracking up in her London flat when left alone by her vacationing sister. Repulsion is one of cinema’s most shocking psychological thrillers.
Poetic realism reached sublime heights with Children of Paradise, widely considered one of the greatest French films of all time.
America, 1976. The last day of school. Bongs blaze, bell-bottoms ring, and rock and roll rocks. Among the best teen films ever made, Richard Linklater’s Dazed and Confused eavesdrops on a group of seniors-to-be and incoming freshmen.
Have you ever wanted to be someone else? Or, more specifically, have you ever wanted to crawl through a portal hidden in an anonymous office building and thereby enter the cerebral cortex of John Malkovich for fifteen minutes, before being spat out on the side of the New Jersey Turnpike?
chris_diaz: “don’t know anything about this other than ultra cutey mariko okada is in these along with mifune.”
chris_diaz: “a nice primer to the upcoming election. hope there’s a sound bite of james carville’s “it’s the economy, stupid” slogan!”
One of the most powerful of Yasujiro Ozu’s family portraits, Late Spring (Banshun) tells the story of a widowed father who feels compelled to marry off his beloved only daughter.
Before Psycho, Peeping Tom, and Repulsion, there was Diabolique, a heart-grabbing benchmark in horror filmmaking, featuring outstanding performances by Simone Signoret, Véra Clouzot, and Paul Meurisse.
A young sister and brother are abandoned in the harsh Australian outback and must learn to cope in the natural world, without their usual comforts, in this hypnotic masterpiece from Nicolas Roeg.
chris_diaz: “i’ve seen it and was not particularly wowed by it. but that new cover art really grabs me, so it’s time to revisit and possibly have a higher regard.”
chris_diaz: “even late antonioni is worth a watch since it’s bound to have something fascinating in it. i don’t expect him to disappoint me.”