White Mane: Natural Magic
By November 19, 2008
Nowadays, kids have been trained to regard bludgeoning CGI spectacle as the sine qua non of . . . Read more »
In the south of France, in a vast plain region called the Camargue, lives White Mane, a magnificent stallion and the leader of a herd of wild horses too proud to let themselves be broken by humans. Only Folco, a young fisherman, manages to tame him. A strong friendship grows between the boy and the horse, as the two go looking for the freedom that the world of men won’t allow them. Long unavailable in the U.S., this extraordinarily shot wonder from Albert Lamorisse, the director of The Red Balloon, is a work of technical sophistication and immense natural beauty.
| Director | Albert Lamorisse |
| Screenplay | Albert Lamorisse |
| Camera | Edmond Séchan |
| Editing | Georges Alepee |
| Sound | Regine Artarit |
| Music | Maurice Leroux |
By November 19, 2008
Nowadays, kids have been trained to regard bludgeoning CGI spectacle as the sine qua non of . . . Read more »
By April 28, 2008
After watching White Mane (1952), viewers shouldn’t be surprised to learn that its director, . . . Read more »
By November 09, 1987
The Red Balloon and White Mane have been acclaimed throughout the world as two of the finest . . . Read more »
By November 19, 2008
Nowadays, kids have been trained to regard bludgeoning CGI spectacle as the sine qua non of . . . Read more »
By April 28, 2008
After watching White Mane (1952), viewers shouldn’t be surprised to learn that its director, . . . Read more »
By November 09, 1987
The Red Balloon and White Mane have been acclaimed throughout the world as two of the finest . . . Read more »
By November 19, 2008
Nowadays, kids have been trained to regard bludgeoning CGI spectacle as the sine qua non of . . . Read more »
By April 28, 2008
After watching White Mane (1952), viewers shouldn’t be surprised to learn that its director, . . . Read more »
By November 09, 1987
The Red Balloon and White Mane have been acclaimed throughout the world as two of the finest . . . Read more »