In 1977 France, the Ministry of the Future chooses two “normal,” white, middle-class citizens, Claudine (Anémone) and Jean-Michel (André Dussolier), for a national experiment. They will be monitored and displayed on television for six months in a model apartment outfitted with state-of-the-art products and nonstop surveillance—the template for “a new city for the new man.” A searing satire of the breakdown of individual freedoms in the face of increasing governmental invasions of privacy, William Klein’s The Model Couple deftly investigates the fine line between democracy and totalitarianism.
Cast
| Jean-Michel | André Dussolier |
| Claudine | Anémone |
| Psycho-sociologist no. 1 | Zouc |
| Psycho-sociologist no. 2 | Jacques Boudet |
| Minister of the Future | Georges Descrières |
| Doctor Goldberg | Eddie Constantine |
| TV commentator | André Penvern |
Credits
| Director | William Klein |
| Screenplay | William Klein |
| Cinematography | Philippe Rousselot and William Klein |
| Editing | Valérie Mayoux |
| Music | Michel Colombier |
| Songs performed by | Hugues Aufray |
by Michael Koresky
Jan 15, 2009
I have never seen New York look so beautifully grand as it did during my trip to Paris this New Year’s. Maybe I should explain.It was my great fortune to be visiting the City of Light while the intensely illuminative exhibition Dans la nuit, des images was still on display. For this . . .
Jan 8, 2009
The Australian Centre for the Moving Image begins a retrospective of the film work of groundbreaking photographer and multimedia artist William Klein on January 22, and to accompany its fourteen-film program, critic and Criterion contributor Adrian Martin has written an essay on Klein’s filmography . . .
by Michael Koresky
May 19, 2008
Top fashion models literally bleeding from sharp-edged aluminum dresses. A comic-strip American superhero oozing stigmata. A naked couple poked, prodded, and electroded for the delectation of the TV-viewing public. These are some of the images from the fiction films of American expatriate in . . .