Ingmar Bergman has described Fanny and Alexander as “the sum total of my life as a filmmaker.” And in this, the full-length (312-minute) version of his triumphant valediction, his vision is expressed at its fullest. Originally broadcast on Swedish television in 1984, in four episodes, Bergman’s preferred rendition of Fanny and Alexander reinstates two hours worth of material trimmed from the theatrical version. The Criterion Collection is proud to present the complete, uncut Fanny and Alexander for the first time on home video in the U.S.
Cast
| Oscar Ekdahl | Allan Edwall |
| Emilie Ekdahl | Ewa Fröling |
| Gustav Adolf Ekdahl | Jarl Kulle |
| Alexander Ekdahl | Bertil Guve |
| Alma Ekdahl | Mona Malm |
| Fanny Ekdhal | Pernilla Allwin |
| Lydia Ekdhal | Christina Schollin |
| Maj | Pernilla August |
| Helena Ekdhal | Gun Wällgren |
| Bishop Edvard Vergerus | Jan Malmsjö |
| Justina | Harriet Andersson |
| Blenda Vergerus | Marianne Aminoff |
| Henrietta Vergerus | Kerstin Tidelius |
| Isaac Jacobi | Erland Josephson |
| Ismael | Stina Ekblad |
| Aron | Mats Bergman |
Credits
| Director | Ingmar Bergman |
| Screenplay | Ingmar Bergman |
| Executive producer | Jörn Donner |
| Cinematography | Sven Nykvist |
| Assistant director | Peter Schildt |
| Production manager | Katinka Farago |
| Editing | Sylvia Ingemarsson |
| Costume design | Marik Vos |
| Sound | Björn Gunnarsson, Lars Liljeholm, Bo Persson and Owe Svensson |
| Art director | Anna Asp |
| Set decorator | Susanne Lingheim |
| Music | Daniel Bell |
Dec 9, 2008
Janus Films’ new 35 mm color restoration of Federico Fellini’s beloved reminiscence Amarcord has begun its nationwide tour and is reminding some critics of the director’s, shall we say, colorful sense of humor. “Kids, dogs, wisecracking . . .
by Stig Björkman
Nov 15, 2004
With the very first shots of Fanny and Alexander, director Ingmar Bergman announces his perspective and signals his intentions. Here we find the ten-year-old Alexander gazing into a puppet theater, lifting layer after layer of the skillfully painted backdrop sections of . . .
by Rick Moody
Nov 15, 2004
Upon its release in 1982, Ingmar Bergman’s Fanny and Alexander generated a wealth of controversy. Bergman has always seemed to breed conflict among cineastes (Phillip Lopate, for example, has written recently about the polarized reactions to Bergman in the sixties), but . . .