Blood for Dracula
By November 23, 1998
Paul Morrissey’s two horror entertainments, Flesh for Frankenstein and Blood for Dracula, have . . . Read more »
Paul Morrissey’s moralistic take on modern values is a brash mixture of humor, horror, and sex—and a revelation to fans of the horror film. In Blood for Dracula, the infamous count searches Italy for virgin blood. Criterion presents the long-suppressed director’s cut of this outrageous cult classic in a widescreen transfer.
| Mario | Joe Dallesandro |
| Count Dracula | Udo Kier |
| Marchesa di Fiore | Maxime McKendry |
| Marchese di Fiore | Vittorio De Sica |
| Anton | Arno Juerging |
| Esmerelda | Milena Vukotic |
| Villager | Roman Polanski |
| Director | Paul Morrissey |
| Screenplay | Paul Morrissey |
| Producer | Carlo Ponti, Jean-Pierre Rassam and Andrew Braunsberg |
| Cinematography | Luigi Kuveiller |
| Camera operator | Ubaldo Terzano |
| Production design | Enrico Job |
| Music | Claudio Gizzi |
| Editing | Jed Johnson and Franca Silvi |
| Casting | Paola Rolli |
| Special effects | Carlo Rambaldi |
| Still cameraman | Paolo Pettini |
By November 23, 1998
Paul Morrissey’s two horror entertainments, Flesh for Frankenstein and Blood for Dracula, have . . . Read more »
By November 23, 1998
Paul Morrissey’s two horror entertainments, Flesh for Frankenstein and Blood for Dracula, have . . . Read more »
By November 23, 1998
Paul Morrissey’s two horror entertainments, Flesh for Frankenstein and Blood for Dracula, have . . . Read more »
“My copy is signed by Paul Morrissey, Udo Kier and Stefania Casini. Mr. Dallesandro, where are you?”