Overlord: Man Versus Machine
By April 16, 2007
Few national cinemas have confronted the issue of preparedness for war with the creative vigor that England’s has displayed. Thorold Dickinson’s Next of Kin (1942), Alberto Cavalcanti’s Went Read more »
SYNOPSIS: Seamlessly interweaving archival war footage and a fictional narrative, Stuart Cooper’s immersive account of one twenty-year-old’s journey from basic training to the front lines of D-Day brings all the terrors and isolation of war to life with jolting authenticity. Overlord, impressionistically shot by Stanley Kubrick’s longtime cinematographer John Alcott, is both a document of World War II and a dreamlike meditation on man’s smallness in a large, incomprehensible machine.
| Tom | Brian Stirner |
| Jack | Davyd Harries |
| Arthur | Nicholas Ball |
| Director | Stuart Cooper |
| Producer | James Quinn |
| Music | Paul Glass |
| Editing | Jonathan Gili |
| Cinematography | John Alcott |
| Screenplay | Christopher Hudson and Stuart Cooper |
By April 16, 2007
Few national cinemas have confronted the issue of preparedness for war with the creative vigor that England’s has displayed. Thorold Dickinson’s Next of Kin (1942), Alberto Cavalcanti’s Went Read more »
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