Catherine Breillat on Sisterhood
Oct 23, 2009Almost a decade ago, Catherine Breillat, one of contemporary cinema’s great provocateurs, gave us Fat Girl (À ma soeur!), a disturbing and graphic look at the pitfalls of adolescent sexuality . . .
Twelve-year-old Anaïs is fat. Her sister, Elena, is a teenage beauty. While on vacation with their parents, Anaïs tags along with Elena as she explores the dreary seaside town. Elena meets Fernando, an Italian law student, who seduces her with promises of love, and the ever-watchful Anaïs bears witness to the corruption of her sister’s innocence. Precise and uncompromising, Catherine Breillat’s Fat Girl is a bold dissection of sibling rivalry and female adolescent sexuality from one of contemporary cinema‘s most controversial directors.
| Anaïs | Anaïs Reboux |
| Elena | Roxane Mesquida |
| Fernando | Libero de Rienzo |
| Mother | Arsinée Khanjian |
| Father | Romain Goupil |
| Director | Catherine Breillat |
| Written and directed by | Catherine Breillat |
| Producer | Jean-François Lepetit |
| Co-producer | Conchita Airoldi |
| Cinematography | Yorgos Arvanitis |
| Editing | Pascale Chavance |
| Production Design | François Renaud Labarthe |
| Sound | Jean Minondo |
Almost a decade ago, Catherine Breillat, one of contemporary cinema’s great provocateurs, gave us Fat Girl (À ma soeur!), a disturbing and graphic look at the pitfalls of adolescent sexuality . . .
French auteur cinema has increasingly been exploring themes of sex through scenarios whose explicitness verges on the pornographic. Along with Patrice Chéreau (Intimacy, 2001), Léos Carax (Pola X, 1999), Virginie Despentes and Coralie Trinh Thi (Baise-moi
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