Three Reasons: Badlands
March 26, 2013
Badlands announced the arrival of a major talent: Terrence Malick. His impressionistic take on the notorious Charles Starkweather killing spree of the late 1950s uses a serial-killer narrative as a springboard for an oblique teenage romance, lovingly and idiosyncratically enacted by Martin Sheen and Sissy Spacek. The film introduced many of the elements that would earn Malick his passionate following: the enigmatic approach to narrative and character, the unusual use of voice-over, the juxtaposition of human violence with natural beauty, the poetic investigation of American dreams and nightmares. This debut has spawned countless imitations, but none have equaled its strange sublimity.
| Kit | Martin Sheen |
| Holly | Sissy Spacek |
| Father | Warren Oates |
| Cato | Ramon Bieri |
| Deputy | Alan Vint |
| Sheriff | Gary Littlejohn |
| Rich man | John Carter |
| Boy | Bryan Montgomery |
| Girl | Gail Threlkeld |
| Clerk | Charles Fitzpatrick |
| Boss | Howard Ragsdale |
| Trooper | John Womack Jr. |
| Maid | Dona Baldwin |
| Gas attendant | Ben Bravo |
| Director | Terrence Malick |
| Written and produced by | Terrence Malick |
| Executive producer | Edward R. Pressman |
| Original music by | George Tipton |
| Photography | Brian Probyn, Tak Fujimoto and Stevan Larner |
| Editor | Robert Estrin |
| Associate editors | William Weber and Marion Segal |
| Art director | Jack Fisk |
| Associate art director | Ed Richardson |
| Production manager | William Scott |
| Sound effects | Sam Shaw |
| Associate producer | Lou Stroller |
| Hair/Wardrobe | Dona Baldwin |
| Casting | Dianne Derfner |
DIRECTOR-APPROVED SPECIAL EDITION:
By March 19, 2013
Using a 1958 murder spree as a narrative springboard, Terrence Malick fashioned a fractured . . . Read more »
By March 19, 2013
Using a 1958 murder spree as a narrative springboard, Terrence Malick fashioned a fractured . . . Read more »
By March 19, 2013
Using a 1958 murder spree as a narrative springboard, Terrence Malick fashioned a fractured . . . Read more »
“It's hard to believe that this was Malick's first film. What an incredible opening statement.”