Les cousins: The Nature of the Beast
By September 19, 2011
Jean-Luc Godard, lover \\of paradox, once characterized Claude Chabrol’s Les cousins (1959) as “a deeply hollow and therefore profound film,”
SYNOPSIS: Of the hallowed group of Cahiers du cinéma critics turned filmmakers who transformed French film history, Claude Chabrol was the first to direct his own feature. His absorbing landmark debut, Le beau Serge, follows a successful yet sickly young man (Jean‑Claude Brialy) who returns home to the small village where he grew up. There, he finds himself at odds with his former close friend (Gérard Blain)—now unhappily married and a wretched alcoholic—and the provincial life he represents. The remarkable and stark Le beau Serge heralded the arrival of a cinematic titan who would go on to craft provocative, entertaining films for five more decades.
| Serge | Gérard Blain |
| François Bayon | Jean-Claude Brialy |
| Yvonne | Michèle Méritz |
| Marie | Bernadette Lafont |
| Priest | Claude Cerval |
| Madame Chaunier | Jeanne Pérez |
| Doctor | André Dino |
| Michel, the baker | Michel Creuze |
| Glomaud | Edmond Beauchamp |
| Director | Claude Chabrol |
| Produced and written by | Claude Chabrol |
| Photography | Henri Decaë |
| Sound | Jean-Claude Marchetti |
| Music | Émile Delpierre |
| Editing | Jacques Gaillard |
By September 19, 2011
Jean-Luc Godard, lover \\of paradox, once characterized Claude Chabrol’s Les cousins (1959) as “a deeply hollow and therefore profound film,”
September 29, 2011
Mondo Digital gives Claude Chabrol’s first two films, Le beau Serge and Les cousins—also the first films by the legendary French director in the Criterion Collection—a proper introduction: