Repertory Pick: The Man Without a Bike
February 14, 2013
Hailed around the world as one of the greatest movies ever made, the Academy Award–winning Bicycle Thieves, directed by Vittorio De Sica, defined an era in cinema. In poverty-stricken postwar Rome, a man is on his first day of a new job that offers hope of salvation for his desperate family when his bicycle, which he needs for his work, is stolen. With his young son in tow, he sets off to track down the thief. Simple in construction and profoundly rich in human insight, Bicycle Thieves embodies the greatest strengths of the Italian neorealist movement: emotional clarity, social rectitude, and brutal honesty.
| Antonio Ricci | Lamberto Maggiorani |
| Bruno Ricci | Enzo Staiola |
| Maria Ricci | Lianella Carell |
| Baiocco | Gino Saltamerenda |
| The thief | Vittorio Antonucci |
| The beggar | Giulio Chiari |
| Director | Vittorio De Sica |
| Screenplay | Vittorio De Sica, Suso Cecchi D'Amico, Gerardo Guerrieri and Cesare Zavattini |
| Cinematography | Carlo Montuori |
| Producer | Giuseppe Amato and Vittorio De Sica |
| Story | Cesare Zavattini |
| Based on a novel by | Luigi Bartolini |
| Sound | Gino Fiorelli |
| Editing | Eraldo Da Roma |
| Music | Alessandro Cicognini |
By February 12, 2007
Bicycle Thieves is truly one of my favorite films. I could watch it over and over again, and . . . Read more »
By February 12, 2007
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Bicycle Thieves is truly one of my favorite films. I could watch it over and over again, and . . . Read more »
By February 12, 2007
Viewed in retrospect, much of modern cinema can seem to flow from twin fountainheads: Orson . . . Read more »
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By February 12, 2007
Bicycle Thieves is truly one of my favorite films. I could watch it over and over again, and . . . Read more »
By February 12, 2007
Viewed in retrospect, much of modern cinema can seem to flow from twin fountainheads: Orson . . . Read more »