11Jun07

Here, There, and Everywhere BY PETER BECKER

Over the past month or so, it seems as though glancing references to Criterion are popping up everywhere. This morning, I saw Bob Stein, one of the original founders of Criterion, in New York magazine, being interviewed for his fashion sense. And the other night, both actresses in the stage musical of Grey Gardens (spine no. 123), Mary Louise Wilson and Christine Ebersole, won Tony Awards for their performances. As Little Edie, Ebersole won for best leading actress in a musical, beating out Donna Murphy, who plays Lotte Lenya in LoveMusik, which concerns the love affair between Lenya and composer Kurt Weill. Their shared breakthrough came with Bertolt Brecht and Weill's The Threepenny Opera. Pabst's film of Threepenny, featuring Lenya, is soon to be spine no. 405 in the Criterion collection. And last week, Middlesex author Jeffrey Eugenides wrote a beautiful piece in the New Yorker’s summer fiction issue about his mother taking him to see Walkabout (Spine no. 10) as a kid, neither of them having any idea what they were going to see.

And, of course, there was the Cannes sixtieth-anniversary tribute film, Chacun son cinéma, for which thirty-three filmmakers each contributed a three-minute short evoking something essential about cinema. The film was stuffed with references to the warhorses of world cinema, so there were plenty of spine numbers in evidence, but no reference came as a bigger surprise than the presence, in the Coen brothers' segment, of not one but two posters for the Essential Art House retrospective that has been going around as a celebration of Janus Films’ fiftieth anniversary. One features Jules and Jim (spine no. 281), the other The Seventh Seal (spine no. 11). Both are clearly visible through most of the film, as a cowboy who doesn't know his way around art-house cinema chooses between The Rules of the Game (spine no. 216) and a Turkish film called Climates that Zeitgeist brought out this year. No one could have been prouder than we—except maybe Zeitgeist. Spoiler alert: the cowboy picks Climates.

Categories: On Five

0 Comments

Add Comment

Archives

2010 01 02 03 04 05 06 07 08 09 10 11 12

2009 01 02 03 04 05 06 07 08 09 10 11 12

2008 01 02 03 04 05 06 07 08 09 10 11 12

2007 01 02 03 04 05 06 07 08 09 10 11 12

2006 01 02 03 04 05 06 07 08 09 10 11 12

2005 01 02 03 04 05 06 07 08 09 10 11 12

2004 01 02 03 04 05 06 07 08 09 10 11 12

2003 01 02 03 04 05 06 07 08 09 10 11 12

2002 01 02 03 04 05 06 07 08 09 10 11 12

2001 01 02 03 04 05 06 07 08 09 10 11 12

2000 01 02 03 04 05 06 07 08 09 10 11 12

1999 01 02 03 04 05 06 07 08 09 10 11 12

1998 01 02 03 04 05 06 07 08 09 10 11 12

1997 01 02 03 04 05 06 07 08 09 10 11 12

1996 01 02 03 04 05 06 07 08 09 10 11 12

1995 01 02 03 04 05 06 07 08 09 10 11 12

1994 01 02 03 04 05 06 07 08 09 10 11 12

1993 01 02 03 04 05 06 07 08 09 10 11 12

1992 01 02 03 04 05 06 07 08 09 10 11 12

1991 01 02 03 04 05 06 07 08 09 10 11 12

1990 01 02 03 04 05 06 07 08 09 10 11 12

1989 01 02 03 04 05 06 07 08 09 10 11 12

1988 01 02 03 04 05 06 07 08 09 10 11 12

1987 01 02 03 04 05 06 07 08 09 10 11 12

1986 01 02 03 04 05 06 07 08 09 10 11 12

1985 01 02 03 04 05 06 07 08 09 10 11 12

1984 01 02 03 04 05 06 07 08 09 10 11 12

Recent Comments

“Thanks to B. Kite's keen observations I'll see "Bigger Than Life" again with a fresh mind.”
—Tom Farrell on Bigger Than Life: Somewhere in Suburbia, 19 minutes ago

“i Ran to see Kagemusha, and watched Seven Samurai atleast seven times. then i had Dreams of Stray Dogs high and low.”
—Faizal Hirji on Today’s Kurosawa Giveaway, 35 minutes ago

“Good Morning... Words like the earths temperature increase-or global warming are most often disregarded as too scientific-however, an earthquake shaking an entire country into disaster should not . . .”
—NIZSKITIAFWIT on Masks and Faces, about 1 hour ago

“MALICK = THE THIN RED LINE / THE NEW WORLD / BADLANDS ARRONOFSKY = THE FOUNTAIN PRETTY PLEASE WITH SUGAR ON TOP”
—COREY on No Preorders for Now, about 2 hours ago

“His modern films are the much darker ones as they do not allow the distance his historical epics do. For this reason I think that we can enjoy the sumptuousness of his work on Seven Samurai and Ran . . .”
—Scout Tafoya on Today’s Kurosawa Giveaway, about 2 hours ago