Synopsis
These elegant, movie-only DVD editions of the true classics of art house feature lower cost and sturdy packaging and are a practical alternative to the more elaborate Criterion Collection special editions. Available individually or in box sets of six, Essential Art House editions of the touchstones of world cinema feature beautiful digital transfers, accompanied by informative liner notes. For the devoted cinephile, these are the must-own fundamentals; for the novice film lover, this is precisely where to begin. Volume Five includes films by Federico Fellini, David Lean, Gillo Pontecorvo, Yasujiro Ozu, François Truffaut, and Milos Forman.
Collector's set includes
Brief Encounter
David Lean, 1945
From Noël Coward’s play Still Life, legendary filmmaker David Lean deftly explores the thrill, pain, and tenderness of an illicit romance in the dour, gray Britain of 1945.
8½
Federico Fellini, 1963
One of the greatest films about film ever made, Federico Fellini’s 8½ (Otto e mezzo) turns one man’s artistic crisis into a grand epic of the cinema.
Floating Weeds
Yasujiro Ozu, 1959
An aging actor returns to a small town with his troupe and reunites with his former lover and illegitimate son, a scenario that enrages his current mistress and results in heartbreak for all, in Yasujiro Ozu’s color collaboration with the celebrated cinematographer Kazuo Miyagawa.
Jules and Jim
François Truffaut, 1962
Hailed as one of the finest films ever made, legendary director François Truffaut’s early masterpiece Jules and Jim charts the relationship between two friends and the object of their mutual obsession over the course of twenty-five years.
Kapò
Gillo Pontecorvo, 1959
Before he left his mark on cinema forever with the revolutionary The Battle of Algiers, Italian director Gillo Pontecorvo directed this uncompromising World War II drama about a young Jewish woman (Susan Strasberg) in a Nazi concentration camp.
Loves of a Blonde
Milos Forman, 1965
A tender and humorous look at a young woman’s journey from the first pangs of romance to its inevitable disappointments, Loves of a Blonde immediately became a classic of the Czech New Wave and earned Milos Forman the first of his Academy Award nominations.
