Synopsis
Since 1997, Rialto Pictures has been helping to keep classic cinema alive and invigorated by bringing the world’s greatest films to theaters across the United States, in phenomenal restored 35 mm prints. This special gift box set, in celebration of Rialto’s tenth anniversary, features ten films that display the breadth of its collection, including works by Rialto favorites, Jean-Luc Godard, Robert Bresson, Luis Buñuel, and Jean-Pierre Melville.
Collector's set includes
Army of Shadows
Jean-Pierre Melville, 1969
Jean-Pierre Melville’s masterpiece about the French Resistance against the Nazi occupation features Lino Ventura, Paul Meurisse, Jean-Pierre Cassel, and the incomparable Simone Signoret as intrepid underground fighters who must grapple with their own brand of honor.
Au hasard Balthazar
Robert Bresson, 1966
Robert Bresson’s Au hasard Balthazar follows the donkey Balthazar as he is passed from owner to owner, some kind and some cruel, but all with motivations beyond his understanding—a profound masterpiece from one of the most revered filmmakers in the history of cinema.
Band of Outsiders
Jean-Luc Godard, 1964
Two restless young men (Sami Frey and Claude Brasseur) enlist the object of their desire (Anna Karina) to help them commit a robbery––in her own home. French New Wave pioneer Jean-Luc Godard takes to the streets of Paris to re-imagine the gangster genre.
Billy Liar
John Schlesinger, 1963
Tom Courtenay is Billy Fisher, the underachieving undertaker’s assistant whose constant daydreams and truth-deficient stories earn him the nickname “Billy Liar.” Deftly veering from gritty realism to flamboyant fantasy, Billy Liar is a dazzling and uproarious classic.
The Discreet Charm of the Bourgeoisie
Luis Buñuel, 1972
In Luis Buñuel’s deliciously satiric Oscar winner, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.
Mafioso
Alberto Lattuada, 1962
Auto-factory foreman Nino (Alberto Sordi) takes his proper, modern wife and daughters from industrial Milan to rural Sicily to visit his family and get back in touch with his roots in Alberto Lattuada’s devastatingly funny character study—equal parts culture-clash farce and existential nightmare.
Murderous Maids
Jean-Pierre Denis, 2000
More than seventy years on, the case of the Papin sisters, the servants who murdered and mutilated their mistress and her daughter in pre-World War II Le Mans, remains an enigma. Jean-Pierre Denis’s film is the definitive screen version.
Rififi
Jules Dassin, 1955
After making such American noir classics as The Naked City and Brute Force, blacklisted director Jules Dassin went to Paris and embarked on his masterpiece: a twisting, turning tale of four ex-cons who hatch one last glorious heist in the City of Lights.
The Third Man
Carol Reed, 1949
Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, black-market opportunist Harry Lime—and thus begins this legendary tale of love, deception, and murder.
Touchez pas au grisbi
Jacques Becker, 1954
Having pulled off the heist of a lifetime, Max looks forward to spending his remaining days relaxing with his beautiful young girlfriend. But when Max’s hapless partner lets word of the loot slip to loose-lipped, two-timing Josy (Jeanne Moreau), Max is reluctantly drawn back into the underworld.
