Synopsis
Before The Seventh Seal and Wild Strawberries established him as one of the great masters of cinema, Ingmar Bergman created a series of devastating but less well-known psychological character studies, marked by intricate, layered narratives, gritty environments, and haunting visuals. These early films, which show the stirrings of the genius to come, remain the hidden treasures of a European cinema on the cusp of a golden age.
Collector's set includes
Torment
Alf Sjöberg, 1944
Ingmar Bergman’s first produced screenplay was for the great Swedish filmmaker Alf Sjöberg’s Torment, a dark coming-of-age drama about a boarding-school senior, Widgren, terrorized by his sadistic Latin teacher.
Crisis
Ingmar Bergman, 1946
In Ingmar Bergman’s feature directing debut, urban beauty-shop proprietress Miss Jenny arrives in an idyllic rural town one morning to whisk away her eighteen-year-old daughter, Nelly, whom she abandoned as a child, from the loving woman who has raised her.
Port of Call
Ingmar Bergman, 1948
Berit, a suicidal young woman living in a working-class port town, unexpectedly falls for Gösta, a sailor on leave. Haunted by a troubled past and held in a vice grip by her domineering mother, Berit begins to hope that her relationship with Gösta might save her from self-destruction.
Thirst
Ingmar Bergman, 1949
A couple traveling across a war-ravaged Europe. A disintegrating marriage. A ballet dancer’s scarred past. Her friend’s psychological agony. Elliptically told in flashbacks and multiple narrative threads, Ingmar Bergman’s Thirst shows people enslaved to memory and united in isolation.
To Joy
Ingmar Bergman, 1949
An orchestra violinist’s dreams of becoming a celebrated soloist and fears of his own mediocrity get in the way of his marriage to the patient, caring Marta in Ingmar Bergman’s heartbreaking To Joy.
