The Blood of a Poet
1930
One of cinema’s great experiments, this first installment of the “Orphic Trilogy” stretches the medium to its limits in an effort to capture the poet’s obsession with the struggle between the forces of life and death.
Decadent, subversive, and bristling with artistic invention, the myth-born cinema of Jean Cocteau disturbs as much as it charms. Cocteau was the most versatile of artists in prewar Paris. Poet, novelist, playwright, painter, celebrity, and maker of cinema—his many talents converged in bold, dreamlike films that continue to enthrall audiences around the world. In The Blood of a Poet, Orpheus, and Testament of Orpheus, Cocteau utilizes the Orphic myth to explore the complex relationships between the artist and his creations, reality and the imagination. The Criterion Collection is proud to present the DVD premiere of the Orphic Trilogy in a special limited-edition three-disc box set.
1930
One of cinema’s great experiments, this first installment of the “Orphic Trilogy” stretches the medium to its limits in an effort to capture the poet’s obsession with the struggle between the forces of life and death.
1950
Jean Cocteau’s update of the Orpheus myth depicts a famous poet (Jean Marais), scorned by the Left Bank youth, and his love for both his wife, Eurydice (Marie Déa), and a mysterious princess (Maria Casarès).
1959
In his last film, Jean Cocteau portrays an 18th-century poet who travels through time on a quest for divine wisdom. Testament of Orpheus brings full circle the journey Cocteau began in The Blood of a Poet, an exploration of the torturous relationship between the artist and his creations.