What are dual-format editions?
Dual-format editions include both Blu-ray and DVD versions of a film in a single package. All supplements are available across both formats.
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This singular vision of early seventeenth-century America from Terrence Malick is a work of astounding elemental beauty, a poetic meditation on nature, violence, love, and civilization.
Stanley Kubrick’s painfully funny take on Cold War anxiety is one of the fiercest satires of human folly ever to come out of Hollywood.
After surviving Auschwitz, a former cabaret singer (Nina Hoss, in a dazzling, multilayered performance) has her disfigured face reconstructed and returns to her war-ravaged hometown to seek out her gentile husband, who may or may not have betrayed her to the Nazis.
A Poem Is a Naked Person is a work of rough beauty that serves as testament to Les Blank’s cinematic daring and Leon Russell’s immense musical talents.
One of the most beloved American films of all time, The Graduate earned Mike Nichols a best director Oscar, brought the music of Simon & Garfunkel to a wider audience, and introduced the world to a young actor named Dustin Hoffman.
Charlie Chaplin and Jackie Coogan make a miraculous pair in this nimble marriage of sentiment and slapstick, a film that is, as its opening title card states, “a picture with a smile—and perhaps, a tear.”
A young woman (Meiko Kaji), trained from childhood as an assassin and hell-bent on revenge for the murders of her father and brother and the rape of her mother, hacks and slashes her way to gory satisfaction.
The visionary chroniclers of eccentric Americana Joel and Ethan Coen present one of their greatest creations in Llewyn Davis, a singer barely eking out a living on the peripheries of the flourishing Greenwich Village folk scene of the early sixties.
A girl on the verge of womanhood finds herself in a sensual fantasyland of vampires, witchcraft, and other threats in this eerie and mystical movie daydream.
A work of meticulous journalism and gripping drama, it recounts the disturbing tale of Randall Dale Adams, a drifter who was charged with the murder of a Dallas police officer and sent to death row, despite evidence that he did not commit the crime.
Winner of the Academy Award for Best Foreign Language Film, Ingmar Bergman’s The Virgin Spring is a harrowing tale of faith, revenge, and savagery in medieval Sweden.
The biggest hit from the most popular Italian filmmaker of all time, La dolce vita rocketed Federico Fellini to international mainstream success—ironically, by offering a damning critique of the culture of stardom.
This sensual and striking chronicle of a disappearance and its aftermath put director Peter Weir on the map and helped usher in a new era of Australian cinema.
By the midsixties, Ingmar Bergman had already conjured many of the cinema’s most unforgettable images. But with the radical Persona, this supreme artist attained new levels of visual poetry.
Seeking a Pulitzer Prize, reporter Johnny Barrett (Peter Breck) has himself committed to a mental hospital to investigate a murder. As he closes in on the killer, insanity closes in on him. Sam Fuller’s Shock Corridor masterfully charts the uneasy terrain between sanity and madness.
Seconds, directed by John Frankenheimer, concerns a middle-aged banker who, dissatisfied with his suburban existence, elects to undergo a strange and elaborate procedure that will grant him a new life.
In 1967 and 1968, the company created four certifiably batty, low-budget fantasies, tales haunted by watery ghosts, plagued by angry insects, and stalked by aliens—including one in the form of a giant chicken-lizard.
A frank exploration of voyeurism and violence, Michael Powell’s extraordinary film is the story of a psychopathic cameraman—his childhood traumas, sexual crises, and murderous revenge as an adult.
Tom Courtenay is Billy Fisher, the underachieving undertaker’s assistant whose constant daydreams and truth-deficient stories earn him the nickname “Billy Liar.” Deftly veering from gritty realism to flamboyant fantasy, Billy Liar is a dazzling and uproarious classic.
Made with its director’s customary precision and wit, Jim Jarmusch’s Mystery Train is a triptych of stories that pay playful tribute to the home of Stax Records, Sun Studio, Graceland, Carl Perkins, and, of course, the King himself, who presides over the film like a spirit.
John Cassavetes was a genius, a visionary, and the progenitor of American independent film, but that doesn’t begin to get at the generosity of his art.