What are dual-format editions?
Dual-format editions include both Blu-ray and DVD versions of a film in a single package. All supplements are available across both formats.
A free way to build your virtual collection, make lists, and share them. It’s your new home on Criterion.com.
Learn More »
The rare film that takes aim at the frenzy of the McCarthy era while also being suffused with its Cold War paranoia, The Manchurian Candidate remains potent, shocking American moviemaking.
Over the course of the 1990s, writer-director Whit Stillman made a trilogy of films about the acid tongues and broken hearts of some haplessly erudite young Americans in New York and abroad.
Controversial winner of the International Critics’ Prize at the 1992 Cannes Film Festival, Man Bites Dog stunned audiences worldwide with its unflinching imagery and biting satire of media violence.
One of the CIA’s top international operatives, Miles Kendig (Walter Matthau) suddenly finds himself relegated to a desk job in an agency power play. Unwilling to go quietly, Kendig writes a memoir exposing the innermost secrets of every major intelligence agency in the world.
The Last Temptation of Christ, by Martin Scorsese, is a towering achievement. Though it initially engendered enormous controversy, the film can now be viewed as the remarkable, profoundly personal work of faith that it is.
In the 1940s, the wit of playwright Noël Coward and the craft of filmmaker David Lean melded harmoniously in one of cinema’s greatest writer-director collaborations.
Called the greatest rock film ever made, this landmark documentary follows the Rolling Stones on their notorious 1969 U.S. tour.
Marcello Mastroianni and Jeanne Moreau star as a novelist and his frustrated wife, who, over the course of one night, confront their alienation from each other and the achingly empty bourgeois Milan circles in which they travel.
The concluding chapter of Michelangelo Antonioni’s informal trilogy on contemporary malaise, L’eclisse tells the story of a young woman (Monica Vitti) who leaves one lover (Francisco Rabal) and drifts into a relationship with another (Alain Delon).
Michelangelo Antonioni invented a new film grammar with this masterwork.
In this beautifully shot, psychologically complex western, Van Heflin is a mild-mannered cattle rancher who takes on the task of shepherding a captured outlaw (played with cucumber-cool charisma by Glenn Ford) to the train that will deliver him to prison.
One of the world’s most influential and provocative filmmakers, the Oscar–winning Austrian director Michael Haneke diagnoses the social maladies of contemporary Europe with devastating precision and artistry.
With its combination of psychological and body horror, The Brood laid the groundwork for many of the director’s films to come, but it stands on its own as a personal, singularly scary vision.
Wim Wenders pays loving homage to rough-and-tumble Hollywood film noir with The American Friend, a loose adaptation of Patricia Highsmith’s novel Ripley’s Game.
An ever-shifting battle of the sexes set on a Buenos Aires casino’s glittering floor and in its shadowy back rooms, Gilda is among the most sensual of all Hollywood noirs.
Charlie Chaplin and Jackie Coogan make a miraculous pair in this nimble marriage of sentiment and slapstick, a film that is, as its opening title card states, “a picture with a smile—and perhaps, a tear.”
One of the most beloved American films of all time, The Graduate earned Mike Nichols a best director Oscar, brought the music of Simon & Garfunkel to a wider audience, and introduced the world to a young actor named Dustin Hoffman.
A young woman (Meiko Kaji), trained from childhood as an assassin and hell-bent on revenge for the murders of her father and brother and the rape of her mother, hacks and slashes her way to gory satisfaction.
In a dusty California resort rown, a naïve Southern waif finds her role model in a fellow nurse, but her hero-worship evolves into something stranger and more sinister than either could have anticipated. Robert Altman’s dreamlike masterpiece careens from the humorous to the chilling to the surreal.
An intensely felt film that is one of Bergman’s most striking formal experiments, Cries and Whispers (which won an Oscar for the extraordinary color photography of Sven Nykvist) is a powerful depiction of human behavior in the face of death.
Autumn Sonata was the only collaboration between cinema’s two great Bergmans: Ingmar, the iconic director of The Seventh Seal, and Ingrid, the monumental star of Casablanca.
Filmed almost entirely on cunningly designed studio sets, in brilliant color and widescreen, The Ballad of Narayama is a stylish and vividly formal work from Japan’s cinematic golden age, directed by the dynamic Keisuke Kinoshita.
Taking place largely over the course of one tense night, Carol Reed’s psychological noir, set in an unnamed Belfast, stars James Mason as a revolutionary ex-con leading a robbery that goes horribly wrong.
With an innovative color-coded cinematic treatment to distinguish his interwoven stories, Steven Soderbergh embroils viewers in the lives of a newly appointed drug czar and his family, a West Coast kingpin’s wife, a key informant, and police officers on both sides of the U.S.-Mexico border.
Federico Fellini’s career achieved new levels of eccentricity and brilliance with this remarkable, controversial, extremely loose adaptation of Petronius’s classical Roman satire, written during the reign of Nero.
This trio of rousing action epics reveals a deeply unsettling portrait of the Soviet Union under Stalin, and provided battle-scene blueprints for filmmaking giants from Laurence Olivier in Henry V to Akira Kurosawa in Seven Samurai.
This Freudian tale of adolescent sexuality set in a postapocalyptic world of shifting identities and talking animals is one of Malle’s most experimental films and a cinematic daydream like no other.
Combining stylish sixties modernism with silent-cinema touches and even a few unexpected sci-fi accents, Judex is a delightful bit of pulp fiction and a testament to the art of illusion.
With the simplest of concepts and sparest of techniques, Robert Bresson made one of the most suspenseful jailbreak films of all time in A Man Escaped.
This is where it all started. John Ford’s smash hit and enduring masterpiece Stagecoach revolutionized the western, elevating it from B movie to the A-list.
A cornerstone of the career of this most economical and profoundly spiritual of filmmakers, Pickpocket is an elegantly crafted, tautly choreographed study of humanity in all its mischief and grace, the work of a director at the height of his powers.
With the three films in this set, Shoehi Imamura, one of the leading figures of the Japanese new wave, truly emerged as an auteur, bringing to his national cinema an anthropological eye and a heretofore unseen taste for the irreverent.
This fleet and gripping film is the first of the early thrillers the Master of Suspense, Alfred Hitchcock, made during the fertile phase of his career spent at the Gaumont-British Picture Corporation.
Harold Lloyd’s biggest box-office hit was this silent comedy gem, featuring the befuddled everyman at his eager best as a new college student.
Featuring sensuous cinematography, a lush score, and an award-winning central performance by the great Toni Servillo, this transporting experience by the brilliant Italian director Paolo Sorrentino is a breathtaking Felliniesque tale of decadence and lost love.
Suffused with both enchantment and melancholy, this autobiographical film takes on the perspective of a quiet, lonely boy growing up in Liverpool in the 1950s.
A profoundly stirring evocation of elemental humanity and universal heartbreak, Tokyo Story is the crowning achievement of the unparalleled Yasujiro Ozu.
Greta Gerwig is radiant as Frances, a woman in her late twenties in contemporary New York trying to sort out her ambitions, her finances, and, above all, her intimate but shifting bond with her best friend, Sophie (Mickey Sumner).
Laced with autobiographical details, Murmur of the Heart; Lacombe, Lucien; and Au revoir les enfants tell stories of youth, set against the tumult of World War II and postwar France.
Director Jean-Luc Godard’s sly, playful “neorealist musical—that is, a contradiction in terms” finds his signature wit and intellectual acumen applied to the story of an exotic dancer attempting to have a child with her unwilling lover.
It’s 1968, and the whole world is watching. With the U.S. in social upheaval, famed cinematographer Haskell Wexler decided to make a film about what the hell was going on. Medium Cool, his debut feature, plunges us into the moment.
Canadian director Allan King is one of cinema’s best-kept secrets. It was with his cinema-verité-style documentaries that King left his greatest mark on film history. These startlingly intimate studies of people whose lives are in flux are riveting and at times emotionally overwhelming.
Charlie Chaplin plays shockingly against type in his most controversial film, a brilliant and bleak black comedy about money, marriage, and murder.
In his controversial masterpiece The Great Dictator, Charlie Chaplin offers both a cutting caricature of Adolf Hitler and a sly tweaking of his own comic persona.
The mesmerizing, utterly unclassifiable science films of Jean Painlevé (1902-89) have to be seen to be believed: delightful, surrealist-influenced dream works that are also serious science. This anthology features twenty-three of Painlevé’s shorts.
In this comedic thriller, a trio of crooks relentlessly pursue a young American, played by Audrey Hepburn in gorgeous Givenchy, through Paris in an attempt to recover the fortune her dead husband stole from them.
Pier Paolo Pasolini’s notorious transposition of the Marquis de Sade’s eighteenth-century opus of torture and degradation to Fascist Italy in 1944 remains one of the most passionately debated films of all time,