What are dual-format editions?
Dual-format editions include both Blu-ray and DVD versions of a film in a single package. All supplements are available across both formats.
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David Lynch’s seductive and scary vision of Los Angeles’s dream factory is one of the true masterpieces of the new millennium, a tale of love, jealousy, and revenge like no other.
With its combination of psychological and body horror, The Brood laid the groundwork for many of the director’s films to come, but it stands on its own as a personal, singularly scary vision.
A work of meticulous journalism and gripping drama, it recounts the disturbing tale of Randall Dale Adams, a drifter who was charged with the murder of a Dallas police officer and sent to death row, despite evidence that he did not commit the crime.
Federico Fellini’s career achieved new levels of eccentricity and brilliance with this remarkable, controversial, extremely loose adaptation of Petronius’s classical Roman satire, written during the reign of Nero.
A masterpiece from Nicolas Roeg, Don’t Look Now, adapted from a story by Daphne du Maurier, is a brilliantly disturbing tale of the supernatural.
This multilayered comedy from Sydney Pollack follows the elaborate deception of a down-on-his-luck New York actor who poses as a woman to get a soap opera gig.
It Happened One Night is among the most gracefully constructed and edited films of the early sound era, packed with clever situations and gags that have entered the Hollywood comedy pantheon.
John Ford takes on the legend of the O.K. Corral shoot-out in this multilayered, exceptionally well-constructed western, one of the director’s very best films.
David Lynch’s 1977 debut feature, Eraserhead, is both a lasting cult sensation and a work of extraordinary craft and beauty.
Assembled with visionary editing that makes dance come alive on-screen as never before, and overflowing with sublime footwork, All That Jazz pushes the musical genre to personal depths and virtuosic aesthetic heights.
A trademark Cronenberg combination of the visceral and the cerebral, this phenomenally gruesome and provocative film about the expanses and limits of the human mind was the Canadian director’s breakout hit in the United States.
A Hard Day’s Night, in which the bandmates play cheeky comic versions of themselves, captured the astonishing moment when they officially became the singular, irreverent idols of their generation and changed music forever.
No matter what genre he worked in, Howard Hawks played by his own rules, and never was this more evident than in his first western, the rowdy and whip-smart Red River.
It’s a Mad, Mad, Mad, Mad World, about a group of strangers fighting tooth and nail over buried treasure, is the most grandly harebrained movie ever made, a pileup of slapstick and borscht-belt-y one-liners performed by a nonpareil cast.
This cornerstone of 1970s American moviemaking from Robert Altman is a panoramic view of the country’s political and cultural landscapes, set in the nation’s music capital.
The colossally popular Zatoichi films make up the longest-running action series in Japanese history and created one of the screen’s great heroes: an itinerant blind masseur who also happens to be a lightning-fast swordsman.
A breakout art-house smash in America, Edouard Molinaro’s La Cage aux Folles inspired a major Broadway musical and the blockbuster remake The Birdcage. But with its hilarious performances and ahead-of-its-time social message, there’s nothing like the audacious, dazzling original movie.
Badlands announced the arrival of a major talent: Terrence Malick. His impressionistic take on the notorious Charles Starkweather killing spree of the late 1950s uses a serial-killer narrative as a springboard for an oblique teenage romance.
Astonishingly photographed, and featuring unforgettable, cascading scores by Philip Glass, these are immersive sensory experiences that meditate on the havoc humankind’s obsession with technological advancement has wreaked on our world.
A breathtaking depiction of the promise and perils of America’s western expansion, Heaven’s Gate, directed by Michael Cimino, is among Hollywood’s most ambitious and unorthodox epics.
Following the ill-fated American comeback tour of an aging heavy-metal group, Rob Reiner’s cult phenomenon (and first “rockumentary”) This Is Spinal Tap has joined the ranks of the greatest comedies ever made.
Featuring a killer soundtrack and electric performances from Jeff Daniels, Melanie Griffith, and Ray Liotta, Something Wild, directed by oddball American auteur Jonathan Demme, is both a kinky comic thriller and a radiantly off-kilter love story.
Stanley Kubrick’s Paths of Glory is among the most powerful antiwar films ever made. This is a haunting, exquisitely photographed dissection of the military machine in all its absurdity and capacity for dehumanization.
The Night of the Hunter is truly a stand-alone masterwork. Graced by images of eerie beauty and a sneaky sense of humor, this ethereal, expressionistic American classic is cinema’s most eccentric rendering of the battle between good and evil.
Max Ophuls’s final film, Lola Montès is at once a magnificent romantic melodrama, a meditation on the lurid fascination with celebrity, and a one-of-a-kind movie spectacle.
Chow Yun-fat stars as a killer with a conscience in John Woo’s exquisite dissection of morals in a corrupt society. Replete with balletic, slow-motion gun battles on the streets of Hong Kong, The Killer mixes genres from both the East and the West.
A graphic portrayal of insatiable sexual desire, In the Realm of the Senses, set in 1936 and based on a true incident, depicts a man and a woman consumed by a transcendent, destructive love while living in an era of ever escalating imperialism and governmental control.
Two heartsick Hong Kong cops cross paths at the Midnight Express take-out restaurant stand, where the ethereal pixie waitress Faye works. Chungking Express is one of the defining works of nineties cinema and the film that made Hong Kong filmmaker Wong Kar-wai an instant icon.
Catherine Deneuve’s porcelain perfection hides a cracked interior in one of the actress’s most iconic roles: Séverine, a Paris housewife who begins secretly spending her afternoon hours working in a bordello.