What are dual-format editions?
Dual-format editions include both Blu-ray and DVD versions of a film in a single package. All supplements are available across both formats.
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A countercultural masterpiece about the act of seeing and the art of image making, Blow-Up takes the form of a psychological mystery, starring David Hemmings as a fashion photographer who unknowingly captures a death on film after following two lovers in a park.
John Waters’ gloriously grotesque second feature is replete with all manner of depravity, from robbery to murder to one of cinema’s most memorably blasphemous moments.
One of the fastest, funniest, and most quotable films ever made, His Girl Friday is an immortal mix of hard-boiled newsroom setting with remarriage comedy.
An uncommonly naturalistic view of a seamy underworld, this gritty crime classic painstakingly depicts the calm professionalism and toughness of its gangster heroes while evincing a remarkable depth of compassion for their all-too-human fragility.
Drawing inspiration from a rich variety of sources, from Alfred Hitchcock to Francisco de Goya, these gothic-infused stories collected here—populated by vampires, ghosts, and a fairy-tale princess—make evident why del Toro is considered the master cinematic fabulist of our time.
Transgressive and outrageous, this big-studio version of a debaucherous midnight movie is an addictively entertaining romp from one of cinema’s great outsider artists.
One of RKO Pictures’s most successful movies of the 1940s, Cat People raised the creature feature to new heights of sophistication and mystery.
Blending elements from pulp fiction and low-budget horror flicks, Blood Simple reinvented the film noir for a new generation, marking the arrival of a filmmaking ensemble that would transform the American independent cinema scene.
The colossally popular Zatoichi films make up the longest-running action series in Japanese history and created one of the screen’s great heroes: an itinerant blind masseur who also happens to be a lightning-fast swordsman.
With its fascinating flawed characters, evocative cinematography by the great Vilmos Zsigmond, innovative overlapping dialogue, and haunting use of Leonard Cohen songs, McCabe & Mrs. Miller brilliantly deglamorized and revitalized the most American of genres.
Stanley Kubrick’s painfully funny take on Cold War anxiety is one of the fiercest satires of human folly ever to come out of Hollywood.
A Hollywood studio executive with a shaky moral compass (Tim Robbins) finds himself caught up in a criminal situation that would be right at home in one of his movie projects, in this biting industry satire from Robert Altman.
Catherine Deneuve’s porcelain perfection hides a cracked interior in one of the actress’s most iconic roles: Séverine, a Paris housewife who begins secretly spending her afternoon hours working in a bordello.
Two heartsick Hong Kong cops cross paths at the Midnight Express take-out restaurant stand, where the ethereal pixie waitress Faye works. Chungking Express is one of the defining works of nineties cinema and the film that made Hong Kong filmmaker Wong Kar-wai an instant icon.
A graphic portrayal of insatiable sexual desire, In the Realm of the Senses, set in 1936 and based on a true incident, depicts a man and a woman consumed by a transcendent, destructive love while living in an era of ever escalating imperialism and governmental control.
Max Ophuls’s final film, Lola Montès is at once a magnificent romantic melodrama, a meditation on the lurid fascination with celebrity, and a one-of-a-kind movie spectacle.
The Night of the Hunter is truly a stand-alone masterwork. Graced by images of eerie beauty and a sneaky sense of humor, this ethereal, expressionistic American classic is cinema’s most eccentric rendering of the battle between good and evil.
Stanley Kubrick’s Paths of Glory is among the most powerful antiwar films ever made. This is a haunting, exquisitely photographed dissection of the military machine in all its absurdity and capacity for dehumanization.
Featuring a killer soundtrack and electric performances from Jeff Daniels, Melanie Griffith, and Ray Liotta, Something Wild, directed by oddball American auteur Jonathan Demme, is both a kinky comic thriller and a radiantly off-kilter love story.
A breathtaking depiction of the promise and perils of America’s western expansion, Heaven’s Gate, directed by Michael Cimino, is among Hollywood’s most ambitious and unorthodox epics.
Astonishingly photographed, and featuring unforgettable, cascading scores by Philip Glass, these are immersive sensory experiences that meditate on the havoc humankind’s obsession with technological advancement has wreaked on our world.
Badlands announced the arrival of a major talent: Terrence Malick. His impressionistic take on the notorious Charles Starkweather killing spree of the late 1950s uses a serial-killer narrative as a springboard for an oblique teenage romance.
A breakout art-house smash in America, Edouard Molinaro’s La Cage aux Folles inspired a major Broadway musical and the blockbuster remake The Birdcage. But with its hilarious performances and ahead-of-its-time social message, there’s nothing like the audacious, dazzling original movie.
Assembled with visionary editing that makes dance come alive on-screen as never before, and overflowing with sublime footwork, All That Jazz pushes the musical genre to personal depths and virtuosic aesthetic heights.
John Ford takes on the legend of the O.K. Corral shoot-out in this multilayered, exceptionally well-constructed western, one of the director’s very best films.
It Happened One Night is among the most gracefully constructed and edited films of the early sound era, packed with clever situations and gags that have entered the Hollywood comedy pantheon.
This multilayered comedy from Sydney Pollack follows the elaborate deception of a down-on-his-luck New York actor who poses as a woman to get a soap opera gig.
A masterpiece from Nicolas Roeg, Don’t Look Now, adapted from a story by Daphne du Maurier, is a brilliantly disturbing tale of the supernatural.
Federico Fellini’s career achieved new levels of eccentricity and brilliance with this remarkable, controversial, extremely loose adaptation of Petronius’s classical Roman satire, written during the reign of Nero.
A work of meticulous journalism and gripping drama, it recounts the disturbing tale of Randall Dale Adams, a drifter who was charged with the murder of a Dallas police officer and sent to death row, despite evidence that he did not commit the crime.
With its combination of psychological and body horror, The Brood laid the groundwork for many of the director’s films to come, but it stands on its own as a personal, singularly scary vision.
A young woman (Meiko Kaji), trained from childhood as an assassin and hell-bent on revenge for the murders of her father and brother and the rape of her mother, hacks and slashes her way to gory satisfaction.
Wim Wenders pays loving homage to rough-and-tumble Hollywood film noir with The American Friend, a loose adaptation of Patricia Highsmith’s novel Ripley’s Game.
David Lynch’s seductive and scary vision of Los Angeles’s dream factory is one of the true masterpieces of the new millennium, a tale of love, jealousy, and revenge like no other.
A Hard Day’s Night, in which the bandmates play cheeky comic versions of themselves, captured the astonishing moment when they officially became the singular, irreverent idols of their generation and changed music forever.
No matter what genre he worked in, Howard Hawks played by his own rules, and never was this more evident than in his first western, the rowdy and whip-smart Red River.
It’s a Mad, Mad, Mad, Mad World, about a group of strangers fighting tooth and nail over buried treasure, is the most grandly harebrained movie ever made, a pileup of slapstick and borscht-belt-y one-liners performed by a nonpareil cast.
This cornerstone of 1970s American moviemaking from Robert Altman is a panoramic view of the country’s political and cultural landscapes, set in the nation’s music capital.
3 DiscsOut of Print
Following the ill-fated American comeback tour of an aging heavy-metal group, Rob Reiner’s cult phenomenon (and first “rockumentary”) This Is Spinal Tap has joined the ranks of the greatest comedies ever made.
Chow Yun-fat stars as a killer with a conscience in John Woo’s exquisite dissection of morals in a corrupt society. Replete with balletic, slow-motion gun battles on the streets of Hong Kong, The Killer mixes genres from both the East and the West.