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A grief-stricken man and woman—a searing Willem Dafoe and Cannes best actress winner Charlotte Gainsbourg—retreat to their cabin deep in the woods after the accidental death of their son, only to find terror and violence at the hands of nature and, ultimately, each other.
With Vampyr, Danish filmmaker Carl Theodor Dreyer’s brilliance at achieving mesmerizing atmosphere and austere, profoundly unsettling imagery was for once applied to the horror genre. Yet the result is nearly unclassifiable. Vampyr is one of cinema’s great nightmares.
Alfonso Cuarón made his mark on Mexican cinema with the lightning-quick Sólo con tu pareja. Don Juan–ish yuppie Tomás Tomás spends his nights juggling so many beautiful women that he can’t keep their names straight—until a spurned nurse gives him a taste of his own medicine.
With Solaris, the legendary Russian filmmaker Andrei Tarkovsky created a brilliantly original science-fiction epic that challenges our conceptions about love, truth, and humanity itself.
Epic in scale yet meticulously observed, Short Cuts interweaves the stories of twenty-two characters as they struggle to find solace and meaning in contemporary Los Angeles.
Considered one of the greatest films ever made, The Rules of the Game (La règle du jeu), by Jean Renoir, is a scathing critique of corrupt French society cloaked in a comedy of manners.
Set during Scotland’s national garbage strike of the mid-1970s, Lynne Ramsay’s Ratcatcher explores the experiences of a poor adolescent boy as he struggles to reconcile his dreams and his guilt with the abjection that surrounds him.
A riveting psychological thriller that investigates the nature of truth and the meaning of justice Rashomon is widely considered one of the greatest films ever made.
Bruno Ganz is Damiel, an angel perched atop buildings high over Berlin who can hear the thoughts—fears, hopes, dreams—of all the people living below. Wings of Desire forever made the name Wim Wenders synonymous with film art.
New German Cinema pioneer Wim Wenders (Wings of Desire) brings his keen eye for landscape to the American Southwest in Paris, Texas, a profoundly moving character study written by Pulitzer Prize–winning playwright Sam Shepard.
Federico Fellini’s wife Giulietta Masina plays Gelsomina, a naive girl sold into the employ of a brutal strongman in a traveling circus, in this poetic fable of love and cruelty, winner of the 1956 Academy Award for Best Foreign Film.
In this adaptation of William S. Burroughs’s hallucinatory, once-thought-unfilmable novel Naked Lunch, directed by David Cronenberg, a part-time exterminator and full-time drug addict named Bill Lee (Peter Weller) plunges into the nightmarish Interzone.
River Phoenix and Keanu Reeves star in this haunting tale from Gus Van Sant about two young street hustlers: Mike Waters, a sensitive narcoleptic who dreams of the mother who abandoned him, and Scott Favor, the wayward son of the mayor of Portland and the object of Mike’s desire.
A romantic deadbeat has a wayward crush on a handsome Mexican immigrant in Mala Noche, Gus Van Sant’s important prelude to the New Queer Cinema of the nineties and a fascinating capsule from a period and place that continues to haunt its director’s work.
Peter Lorre stars as serial killer Hans Beckert in Fritz Lang’s harrowing masterwork M, a suspenseful panorama of private madness and public hysteria that to this day remains the blueprint for the psychological thriller.
Ernest Hemingway’s simple but gripping short tale “The Killers” is a model of economical storytelling. Two directors adapted it into unforgettably virile features.
SamsonDannetta: “The greatest "urban" film of all time and also unfortunately extremely overlooked”
SamsonDannetta: “trololol I love John Lurie - Tom Waits and Lurie in Down By Law pretty much define badass. ”
British director Andrea Arnold won the Cannes Jury Prize for the intense and invigorating Fish Tank, about a fifteen-year-old girl, Mia (electrifying newcomer Katie Jarvis), who lives with her mother and sister in the housing projects of Essex.
Lars von Trier’s stunning debut film, influenced equally by Hitchcock and science fiction, is the story of Fisher, an exiled ex-cop who returns to his old beat to catch a serial killer with a taste for young girls.
Lars von Trier’s hypnotic Europa is a fever dream in which American pacifist Leopold Kessler stumbles into a job as a sleeping-car conductor for the Zentropa railways in a Kafkaesque 1945 postwar Frankfurt. Europa is one of the great Danish filmmaker’s weirdest and most wonderful works.
SamsonDannetta: “this movies is seriously fucked up, like beyond Antichrist fucked up. But i love it. ”
Hailed as one of the finest films ever made, Jules and Jim charts, over twenty-five years, the relationship between two friends and the object of their mutual obsession.
Told through the eyes of François Truffaut’s cinematic counterpart, Antoine Doinel, The 400 Blows sensitively re-creates the trials of Truffaut’s own childhood, unsentimentally portraying aloof parents, oppressive teachers, and petty crime.
Director Jim Jarmusch followed up his brilliant breakout film Stranger Than Paradise with another, equally beloved portrait of loners and misfits in the American landscape
With his customary restraint and ruthless attention to detail, director Jean-Pierre Melville follows the parallel tracks of French underworld criminal Gu (Lino Ventura), escaped from prison and roped into one last robbery, and the suave inspector, Blot (Paul Meurisse), relentlessly seeking him.
America, 1976. The last day of school. Bongs blaze, bell-bottoms ring, and rock and roll rocks. Among the best teen films ever made, Richard Linklater’s Dazed and Confused eavesdrops on a group of seniors-to-be and incoming freshmen.