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A hallucinatory biopic that breaks all cinematic conventions, Alex Cox’s Walker tells the story of nineteenth-century American adventurer William Walker (Ed Harris), who became a soldier of fortune and dictator of Nicaragua.
In the midsixties, the maverick American director Monte Hellman conceived of two westerns at the same time. Dreamlike and gritty by turns, these films would prove their maker’s adeptness at brilliantly deconstructing genre.
Launching us from a grave past to a space-age future, these two thrilling double features, from producers Richard and Alex Gordon, spin classic tales of hair-raising homicidal mania and intrepid, death-defying exploration.
This Cannes-award-winning romantic comedy channels the spirit of classic Hollywood and the whimsy of Jacques Tati into an idiosyncratic ode to the delirium of new romance.
Shot in Super 16 mm and featuring a quartet of nuanced, understated performances, this comic and poignant drama, peppered with autobiographical elements, deftly captures the heartache and confusion of a fracturing family.
After a chance meeting on a train platform, a married doctor (Trevor Howard) and a suburban housewife (Celia Johnson) begin a muted but passionate, and ultimately doomed, love affair.
In Kaneto Shindo’s chilling folktale, a mother and her daughter-in-law eke out a desperate existence in the lonely marshes of war-torn medieval Japan. When a neighbor returns from the skirmishes, lust, jealousy, and rage—and a horrifying fate at the hands of an ominous, ill-gotten demon mask—ensue.
This affectionate farce from François Truffaut about the joys and strife of moviemaking is one of his most beloved films.
The colossally popular Zatoichi films make up the longest-running action series in Japanese history and created one of the screen’s great heroes: an itinerant blind masseur who also happens to be a lightning-fast swordsman.
27 DiscsOut of Print
Jean Gabin stars as an army deserter looking for another chance to make good on life in Marcel Carné’s stark portrayal of an underworld of lonely souls wrestling with their own destinies. Port of Shadows is a quintessential example of poetic realism from the golden age of French cinema.
A surreal fever dream, or perhaps a nightmare, Last Year at Marienbad, written by the radical master of the New Novel, Alain Robbe-Grillet, gorgeously fuses the past with the present in telling its ambiguous tale of a man and a woman who may or may not have met a year ago.
Jeremy Irons gives a tour-de-force performance as identical twin gynecologists—suave Elliot and sensitive Beverly, bipolar sides of one personality—who descend into a whirlpool of sexual confusion, drugs, and madness in David Cronenberg’s chilling tale.
Nicholas D.: “I mainly want this so that I can lend/show it to my friends who haven't seen this beautiful gem.”
Hiroshi Teshigahara found his spiritual partner in novelist and screenwriter Kobo Abe, with whom he collaborated on these Kafkaesque portraits of identities in peril, films that captivated mainstream audiences while also touching the edges of the Japanese avant-garde.