What are dual-format editions?
Dual-format editions include both Blu-ray and DVD versions of a film in a single package. All supplements are available across both formats.
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John Huston’s gritty crime classic painstakingly depicts the calm professionalism and toughness of its gangster heroes while evincing a remarkable depth of compassion for their all-too-human fragility.
Intimate and artful, this lovingly assembled portrait, narrated by actor Alicia Vikander, provides luminous insight into the life and career of an undiminished legend.
A character study of a career criminal at the end of his rope, this rugged noir from Claude Sautet is a thrilling highlight of sixties French cinema, starring Lino Ventura and Jean-Paul Belmondo.
A young provincial in search of adventure stumbles into the subterranean world of sadomasochism when he is implicated in a burglary of a Paris apartment in Barbet Schroeder’s Maîtresse.
In 1971, self-styled dictator General Idi Amin Dada took control of Uganda; director Barbet Schroeder turns his cameras on the dynamic, charming, and appallingly dangerous tyrant.
Shot in Super 16 mm and featuring a quartet of nuanced, understated performances, this comic and poignant drama, peppered with autobiographical elements, deftly captures the heartache and confusion of a fracturing family.
This Cannes-award-winning romantic comedy channels the spirit of classic Hollywood and the whimsy of Jacques Tati into an idiosyncratic ode to the delirium of new romance.
This is a western like no other, combining the mythological scope of that most American of genres with the searing naturalism of a performance by Marlon Brando—all suffused with Freudian overtones and masculine anxiety.
Unfolding in a series of eight mythic vignettes, this late work by Akira Kurosawa was inspired by the beloved director’s own nighttime visions, along with stories from Japanese folklore.
In Life During Wartime, independent filmmaker Todd Solondz explores contemporary American existence and the nature of forgiveness with his customary dry humor and queasy precision.
This mesmerizing debut by the great Swedish director Jan Troell is an epic bildungsroman and a multilayered representation of early twentieth-century Sweden.
Among the most praised and sought-after titles in all contemporary film, this singular masterpiece of Taiwanese cinema, directed by Edward Yang, finally comes to home video in the United States.
With its combination of psychological and body horror, The Brood laid the groundwork for many of the director’s films to come, but it stands on its own as a personal, singularly scary vision.
A scientist’s thoughts materialize as an army of invisible brain-shaped monsters (complete with spinal-cord tails!) who terrorize an American military base in this nightmarish chiller, directed by Arthur Crabtree.
Drawing inspiration from a rich variety of sources, from Alfred Hitchcock to Francisco de Goya, these gothic-infused stories collected here—populated by vampires, ghosts, and a fairy-tale princess—make evident why del Toro is considered the master cinematic fabulist of our time.
Allowing us to watch people age on film with documentary realism while gripping us in a fictional narrative of exquisite everydayness, Boyhood has a power that only the art of cinema could harness.
Dazzlingly acted by Alan Bates, Maggie Smith, Anthony Higgins, and Isabelle Adjani, Quartet is the story of a girl who, adrift with her feckless husband amidst the literati of glittering Paris in the 1920s, becomes entrapped by a rich and sybaritic English couple.
One of the great raconteurs of stage and screen, Spalding Gray, came together with one of cinema’s boldest image-makers, Oscar-winning director Steven Soderbergh, for Gray’s Anatomy, a spellbinding adaptation of Gray’s 1993 monologue of the same name.
Terence Stamp is Willie, a gangster’s henchman turned “supergrass” (informer) trying to live in peaceful hiding in a Spanish village. Sun-dappled bliss turns to nerve-racking suspense, however, when two hit men—played by John Hurt and Tim Roth—come a-calling to bring Willie back for execution.
This heartrending masterpiece by Kenji Mizoguchi about the give-and-take between life and art marked the first full realization of the hypnotic long takes and eloquent camera movements that would come to define the director’s films.
This masterwork by Krzysztof Kieślowski is one of the twentieth century’s greatest achievements in visual storytelling.
Blending elements from pulp fiction and low-budget horror flicks, Blood Simple reinvented the film noir for a new generation, marking the arrival of a filmmaking ensemble that would transform the American independent cinema scene.
One of RKO Pictures’s most successful movies of the 1940s, Cat People raised the creature feature to new heights of sophistication and mystery.
With its fascinating flawed characters, evocative cinematography by the great Vilmos Zsigmond, innovative overlapping dialogue, and haunting use of Leonard Cohen songs, McCabe & Mrs. Miller brilliantly deglamorized and revitalized the most American of genres.
The crowning achievement of Orson Welles’s extraordinary cinematic career, Chimes at Midnight was the culmination of the filmmaker’s lifelong obsession with Shakespeare’s ultimate rapscallion, Sir John Falstaff.
Orson Welles’s first color film and final completed fictional feature, The Immortal Story is a moving and wistful adaptation of a tale by Isak Dinesen.
With its unapologetic identification with social outcasts and its sensitive, modern approach to matters of sexuality and race, Richardson’s classic is a still startling benchmark work of realism.
With its lewd abandon and sketch-comedy perversity, Makavejev’s cult staple Sweet Movie is a full-throated shriek in the face of bourgeois complacency and movie watching.
Brought pristinely to the screen by Jonathan Demme, this compellingly abstract reimagining of Henrik Ibsen’s Bygmester Solness features Shawn (who also wrote the adaptation) as a visionary but tyrannical middle-aged architect haunted by figures from his past,
Rival theater companies compete to produce their own unique versions of Jane Austen’s childhood play Sir Charles Grandison in this delightful film from Merchant Ivory, featuring a brilliant ensemble cast, a witty screenplay by Ruth Prawer Jhabvala, and an inventive score by Richard Robbins.
Italian cinema dream team Sophia Loren and Marcello Mastroianni are cast against glamorous type and deliver two of the finest performances of their careers in this moving, quietly subversive drama from Ettore Scola.
A compulsive chicken thief turned newspaper reporter, Mr. Fox settles down with his family in a new foxhole in a beautiful tree—directly adjacent to three enormous poultry farms owned by three ferociously vicious farmers: Boggis, Bunce, and Bean. Mr. Fox simply cannot resist.
After a decade in the wilds of avant-garde and early video experimentation, Jean-Luc Godard returned to commercial cinema with this star-driven work of social commentary, while remaining defiantly intellectual and formally cutting-edge.
Errol Morris turns his camera on one of the most fascinating men in the world: the pioneering astrophysicist Stephen Hawking, afflicted by a debilitating motor neuron disease that has left him without a voice or the use of his limbs.
A trademark Cronenberg combination of the visceral and the cerebral, this phenomenally gruesome and provocative film about the expanses and limits of the human mind was the Canadian director’s breakout hit in the United States.
With a background in music hall and mime performance, Tati steadily built an ever-more-ambitious movie career that ultimately raised sight-gag comedy to the level of high art.
When Japanese New Wave bad boy Seijun Suzuki delivered this brutal, hilarious, and visually inspired masterpiece to the executives at his studio, he was promptly fired.
A full-throttle espionage thriller, starring Joel McCrea as a green Yank reporter sent to Europe to get the scoop on the imminent war, it’s wall-to-wall witty repartee, head-spinning plot twists, and brilliantly mounted suspense set pieces.
Featuring sensuous cinematography, a lush score, and an award-winning central performance by the great Toni Servillo, this transporting experience by the brilliant Italian director Paolo Sorrentino is a breathtaking Felliniesque tale of decadence and lost love.
What seems at first to be a straightforward tale of two people—played by Oscar-winning actress Juliette Binoche and opera singer William Shimell—getting to know each other over the course of an afternoon gradually reveals itself as something richer, stranger, and trickier.
Seconds, directed by John Frankenheimer, concerns a middle-aged banker who, dissatisfied with his suburban existence, elects to undergo a strange and elaborate procedure that will grant him a new life.
After an ivory-hunting safari offends an African tribe, the colonialists are captured and hideously tortured. Only Cornel Wilde’s marksman is released, without clothes or weapons, to be hunted for sport. This stripped-to-the-bone narrative is a meditation on the notion of civilization.
It’s 1968, and the whole world is watching. With the U.S. in social upheaval, famed cinematographer Haskell Wexler decided to make a film about what the hell was going on. Medium Cool, his debut feature, plunges us into the moment.
The colorful, electrifying romance that took the Cannes Film Festival by storm courageously dives into a young woman’s experiences of first love and sexual awakening.
A pulse-pounding political thriller, Greek expatriate director Costa-Gavras’s Z was one of the cinematic sensations of the late sixties, and is a technically audacious and emotionally gripping masterpiece.
Two-bit hustler Harry Fabian (Richard Widmark) longs for “a life of ease and plenty.” Trailed by an inglorious history of go-nowhere schemes, he tries to hatch a lucrative plan with a famous wrestler.
Thieves’ Highway vividly depicts the perilous world of “long-haul boys,” who drive by night to bring their goods to the markets of America’s cities. Richard Conte stars as ex-G.I. Nick Garcos, a tyro trucker bent on satisfaction from the man responsible for crippling his father.
In a beautifully understated performance, Redford is David Chappellet, a ruthlessly ambitious skier competing for Olympic gold with an underdog American team in Europe, and Gene Hackman provides tough support as the coach who tries to temper the upstart’s narcissistic drive for glory.
After making such American noir classics as Brute Force and The Naked City, the blacklisted director Jules Dassin went to Paris and embarked on his masterpiece: a twisting, turning tale of four ex-cons who hatch one last glorious robbery in the City of Light.
In Arnaud Desplechin’s beguiling A Christmas Tale, Catherine Deneuve brings her legendary poise to the role of Junon, matriarch of the troubled Vuillard family, who come together at Christmas after she learns she needs a bone marrow transplant from a blood relative.
The mission of the WCP is to preserve and present marginalized and infrequently screened films from regions generally ill equipped to preserve their own cinema history.
From the very beginning of his incandescent career, the New German Cinema enfant terrible Rainer Werner Fassbinder refused to play by the rules.
As hard-hitting as its title, Brute Force was the first of Jules Dassin’s forays into the crime genre, a prison melodrama that takes a critical look at American society as well, starring Burt Lancaster.
A landmark collaboration between writer H. G. Wells, producer Alexander Korda, and designer and director William Cameron Menzies, Things to Come is a science fiction film like no other, a prescient political work that predicts a century of turmoil and progress.
Astonishingly photographed, and featuring unforgettable, cascading scores by Philip Glass, these are immersive sensory experiences that meditate on the havoc humankind’s obsession with technological advancement has wreaked on our world.
With Jubilee, legendary British filmmaker Derek Jarman channeled political dissent and artistic daring into a revolutionary blend of history and fantasy, musical and cinematic experimentation, satire and anger, fashion and philosophy.
Brigitte Bardot stars as Juliette, an 18-year-old orphan whose unbridled appetite for pleasure shakes up all of St. Tropez; her sweet but naïve husband Michel (Jean-Louis Trintignant) endures beatings, insults, and mambo in his attempts to tame her wild ways.
Four unnamed people who look and sound a lot like Albert Einstein, Marilyn Monroe, Joe DiMaggio, and Joseph McCarthy converge in one New York City hotel room for this compelling, visually inventive adaptation of Terry Johnson’s play, from director Nicolas Roeg.
Gérard Depardieu and Catherine Deneuve star as members of a French theater company living under the German occupation during World War II in François Truffaut’s gripping character study. Equal parts romance, historical tragedy, and even comedy, this is Truffaut’s tribute to art overcoming adversity.