What are dual-format editions?
Dual-format editions include both Blu-ray and DVD versions of a film in a single package. All supplements are available across both formats.
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With its parade of oddball characters, quotable, Oscar-nominated script, and eclectic soundtrack of vintage obscurities, Ghost World is one of the twenty-first century’s most fiercely beloved comedies.
This collector’s set gathers six important restorations from the Film Foundation’s World Cinema Project, which was established by Martin Scorsese in 2007 to preserve and present masterpieces from around the globe.
This revelatory documentary is one of the most beloved music documentaries of the 1990s, and an infectious ode to a neglected corner of Cuba’s prerevolutionary heritage.
The sweet, sexy, and surreal Tampopo is a lavishly inclusive paean to the sensual joys of nourishment, and one of the most mouthwatering examples of food on film ever made.
George Stevens’s Woman of the Year, conceived to build on the smashing comeback Katharine Hepburn had made in The Philadelphia Story, is a dazzling, funny, and rueful observation of what it takes for men and women to get along—both in the workplace and outside of it.
The success of Erik Skjoldbjærg’s chilling procedural anticipated the international hunger for Scandinavian noirs and serial- killer fictions, and the film features one of Skarsgård’s greatest performances.
Autumn Sonata was the only collaboration between cinema’s two great Bergmans: Ingmar, the iconic director of The Seventh Seal, and Ingrid, the monumental star of Casablanca.
In this unsettling drama from Italian filmmaker Liliana Cavani, a concentration camp survivor (Charlotte Rampling) discovers her former torturer and lover (Dirk Bogarde) working as a porter at a hotel in postwar Vienna.
A countercultural masterpiece about the act of seeing and the art of image making, Blow-Up takes the form of a psychological mystery, starring David Hemmings as a fashion photographer who unknowingly captures a death on film after following two lovers in a park.
John Waters’ gloriously grotesque second feature is replete with all manner of depravity, from robbery to murder to one of cinema’s most memorably blasphemous moments.
This satire, both deeply melancholy and hilarious, is the culmination of Hal Ashby’s remarkable string of films in the 1970s, and a carefully modulated examination of the ideals, anxieties, and media-fueled delusions that shaped American culture during that decade.
Andrew Haigh carries the tradition of British realist cinema to artful new heights in this exquisitely calibrated film, which features Charlotte Rampling and Tom Courtenay as an English couple on the eve of an anniversary celebration.
When a mysterious stranger muscles into two rival yakuza gangs, Tokyo’s underworld explodes with violence. Youth of the Beast was a breakthrough for director Seijun Suzuki, introducing the flamboyant colors, hallucinatory images, and striking compositions that would become his trademark.
High schooler Kiroku Nanbu yearns for the prim, Catholic Michiko, but her only desire is to reform Kiroku’s sinful tendencies. Hormones raging, Kiroku channels his unsatisfied lust into the only outlet available: savage, crazed violence.
In the shady black markets and bombed-out hovels of post–World War II Tokyo, a band of prostitutes eke out an existence, maintaining tenuous friendships and a semblance of order. But when a renegade ex-soldier stumbles into their midst, lusts and loyalties clash, with tragic results.
Spare and unsentimental but deeply imbued with a heart-rending tenderness, The Kid with a Bike is an arresting work from the great Belgian directors Jean-Pierre and Luc Dardenne, masters of the empathetic action film.
The cornerstone of director Richard Linklater’s career‑long exploration of cinematic time, this celebrated three-part romance captures a relationship as it begins, begins again, deepens, and strains over the course of almost two decades.
Melding melodrama with screwball farce, this Academy Award–nominated black comedy was Pedro Almodóvar’s international breakthrough and secured his place at the vanguard of modern Spanish cinema.
Melodrama casts noirish shadows in this portrait of maternal sacrifice from Hollywood master Michael Curtiz, featuring an iconic performance by Joan Crawford.
A Poem Is a Naked Person is a work of rough beauty that serves as testament to Les Blank’s cinematic daring and Leon Russell’s immense musical talents.
Based on a shocking true story and shot in documentary-style black and white, The Honeymoon Killers is a stark portrayal of the desperate lengths to which a lonely heart will go to find true love.
La promesse is the breakthrough feature from Luc and Jean-Pierre Dardenne, who would go on to become a force in world filmmaking. This is a brilliantly economical and observant tale of a boy’s troubled moral awakening.
Fat Girl is not only a portrayal of female adolescent sexuality and the complicated bond between siblings but also a shocking assertion by the always controversial Catherine Breillat that violent oppression exists at the core of male-female relations.
The Beastie Boys are among the most influential groups of the last two decades. As their music has opened hip-hop to a wider audience and changed the parameters of its sound, their ambitious music videos have carried the medium to new levels of artistic expression.
The spectacular visions of enchantment, desire, and death in Beauty and the Beast (La Belle et la Bête) have become timeless icons of cinematic wonder.
Winner of the Palme d’Or at Cannes in 1978, The Tree of Wooden Clogs is intimate in scale but epic in scope—a towering, heart-stirring work of humanist filmmaking.
Cultures and families clash in Mira Nair’s exuberant Monsoon Wedding, a mix of comedy and chaotic melodrama concerning the preparations for the arranged marriage of a modern upper-middle-class Indian family’s only daughter.
At once a wuxia film, the tale of a spiritual quest, and a study in human nature, A Touch of Zen is an unparalleled work in Hu’s formidable career and an epic of the highest order.
Swedish master Jan Troell, director of the beloved classics The Emigrants and The New Land, returns triumphantly with Everlasting Moments, a vivid, heartrending story of a woman liberated through art at the beginning of the twentieth century.
In his one-of-a-kind fiction/documentary hybrid Symbiopsychotaxiplasm Take One, director William Greaves presides over a beleaguered film crew in New York’s Central Park, leaving them to try to figure out what kind of movie they’re making.
One of the fastest, funniest, and most quotable films ever made, His Girl Friday is an immortal mix of hard-boiled newsroom setting with remarriage comedy.
A lottery win leads not to financial and emotional freedom but to social captivity, in this wildly cynical classic about love and exploitation by Rainer Werner Fassbinder.
The feature debut of the most internationally renowned African director of the twentieth century, Black Girl is a harrowing human drama as well as a radical political statement—and one of the essential films of the 1960s.
An uncommonly naturalistic view of a seamy underworld, this gritty crime classic painstakingly depicts the calm professionalism and toughness of its gangster heroes while evincing a remarkable depth of compassion for their all-too-human fragility.
A character study of a career criminal at the end of his rope, this rugged noir from Claude Sautet is a thrilling highlight of sixties French cinema, starring Lino Ventura and Jean-Paul Belmondo.
A young provincial in search of adventure stumbles into the subterranean world of sadomasochism when he is implicated in a burglary of a Paris apartment in Barbet Schroeder’s Maîtresse.
In Life During Wartime, independent filmmaker Todd Solondz explores contemporary American existence and the nature of forgiveness with his customary dry humor and queasy precision.
With its combination of psychological and body horror, The Brood laid the groundwork for many of the director’s films to come, but it stands on its own as a personal, singularly scary vision.
A scientist’s thoughts materialize as an army of invisible brain-shaped monsters (complete with spinal-cord tails!) who terrorize an American military base in this nightmarish chiller, directed by Arthur Crabtree.
Drawing inspiration from a rich variety of sources, from Alfred Hitchcock to Francisco de Goya, these gothic-infused stories collected here—populated by vampires, ghosts, and a fairy-tale princess—make evident why del Toro is considered the master cinematic fabulist of our time.
Dazzlingly acted by Alan Bates, Maggie Smith, Anthony Higgins, and Isabelle Adjani, Quartet is the story of a girl who, adrift with her feckless husband amidst the literati of glittering Paris in the 1920s, becomes entrapped by a rich and sybaritic English couple.
One of the great raconteurs of stage and screen, Spalding Gray, came together with one of cinema’s boldest image-makers, Oscar-winning director Steven Soderbergh, for Gray’s Anatomy, a spellbinding adaptation of Gray’s 1993 monologue of the same name.
With its lewd abandon and sketch-comedy perversity, Makavejev’s cult staple Sweet Movie is a full-throated shriek in the face of bourgeois complacency and movie watching.
A trademark Cronenberg combination of the visceral and the cerebral, this phenomenally gruesome and provocative film about the expanses and limits of the human mind was the Canadian director’s breakout hit in the United States.
When Japanese New Wave bad boy Seijun Suzuki delivered this brutal, hilarious, and visually inspired masterpiece to the executives at his studio, he was promptly fired.
A full-throttle espionage thriller, starring Joel McCrea as a green Yank reporter sent to Europe to get the scoop on the imminent war, it’s wall-to-wall witty repartee, head-spinning plot twists, and brilliantly mounted suspense set pieces.
What seems at first to be a straightforward tale of two people—played by Oscar-winning actress Juliette Binoche and opera singer William Shimell—getting to know each other over the course of an afternoon gradually reveals itself as something richer, stranger, and trickier.
Seconds, directed by John Frankenheimer, concerns a middle-aged banker who, dissatisfied with his suburban existence, elects to undergo a strange and elaborate procedure that will grant him a new life.
After an ivory-hunting safari offends an African tribe, the colonialists are captured and hideously tortured. Only Cornel Wilde’s marksman is released, without clothes or weapons, to be hunted for sport. This stripped-to-the-bone narrative is a meditation on the notion of civilization.
The colorful, electrifying romance that took the Cannes Film Festival by storm courageously dives into a young woman’s experiences of first love and sexual awakening.
Two-bit hustler Harry Fabian (Richard Widmark) longs for “a life of ease and plenty.” Trailed by an inglorious history of go-nowhere schemes, he tries to hatch a lucrative plan with a famous wrestler.
Thieves’ Highway vividly depicts the perilous world of “long-haul boys,” who drive by night to bring their goods to the markets of America’s cities. Richard Conte stars as ex-G.I. Nick Garcos, a tyro trucker bent on satisfaction from the man responsible for crippling his father.
After making such American noir classics as Brute Force and The Naked City, the blacklisted director Jules Dassin went to Paris and embarked on his masterpiece: a twisting, turning tale of four ex-cons who hatch one last glorious robbery in the City of Light.
In Arnaud Desplechin’s beguiling A Christmas Tale, Catherine Deneuve brings her legendary poise to the role of Junon, matriarch of the troubled Vuillard family, who come together at Christmas after she learns she needs a bone marrow transplant from a blood relative.
A landmark collaboration between writer H. G. Wells, producer Alexander Korda, and designer and director William Cameron Menzies, Things to Come is a science fiction film like no other, a prescient political work that predicts a century of turmoil and progress.
Astonishingly photographed, and featuring unforgettable, cascading scores by Philip Glass, these are immersive sensory experiences that meditate on the havoc humankind’s obsession with technological advancement has wreaked on our world.
Brigitte Bardot stars as Juliette, an 18-year-old orphan whose unbridled appetite for pleasure shakes up all of St. Tropez; her sweet but naïve husband Michel (Jean-Louis Trintignant) endures beatings, insults, and mambo in his attempts to tame her wild ways.
In the late eighties, Aki Kaurismäki, a master of the deadpan, fashioned a waggish fish-out-of-water tale about a U.S. tour by “the worst rock-and-roll band in the world.”
Meet Big and Little Edie Beale—high-society dropouts, mother and daughter, reclusive cousins of Jackie O.—thriving together amid the decay and disorder of their ramshackle East Hampton mansion.
Federico Fellini’s wife Giulietta Masina plays Gelsomina, a naive girl sold into the employ of a brutal strongman in a traveling circus, in this poetic fable of love and cruelty, winner of the 1956 Academy Award for Best Foreign Film.