What are dual-format editions?
Dual-format editions include both Blu-ray and DVD versions of a film in a single package. All supplements are available across both formats.
A free way to build your virtual collection, make lists, and share them. It’s your new home on Criterion.com.
Learn More »
Federico Fellini satirizes his youth in this carnivalesque portrait of provincial Italy in the fascist period. The Academy Award–winning Amarcord remains one of cinema’s enduring treasures.
The spectacular visions of enchantment, desire, and death in Beauty and the Beast (La Belle et la Bête) have become timeless icons of cinematic wonder.
Chow Yun-fat stars as a killer with a conscience in John Woo’s exquisite dissection of morals in a corrupt society. Replete with balletic, slow-motion gun battles on the streets of Hong Kong, The Killer mixes genres from both the East and the West.
A young sister and brother are abandoned in the harsh Australian outback and must learn to cope in the natural world, without their usual comforts, in this hypnotic masterpiece from Nicolas Roeg.
Pier Paolo Pasolini’s notorious transposition of the Marquis de Sade’s eighteenth-century opus of torture and degradation to Fascist Italy in 1944 remains one of the most passionately debated films of all time,
The setup is pure pulp: A former prostitute (a crackerjack Constance Towers) relocates to a buttoned-down suburb, determined to fit in with mainstream society.
Seeking a Pulitzer Prize, reporter Johnny Barrett (Peter Breck) has himself committed to a mental hospital to investigate a murder. As he closes in on the killer, insanity closes in on him. Sam Fuller’s Shock Corridor masterfully charts the uneasy terrain between sanity and madness.
Adapting Ed McBain’s detective novel King’s Ransom, Kurosawa moves effortlessly from compelling race-against-time thriller to exacting social commentary, creating a diabolical treatise on contemporary Japanese society.
One of the great translations of literature into film, David Lean’s Great Expectations brings Charles Dickens’s masterpiece to robust on-screen life.
Before Psycho, Peeping Tom, and Repulsion, there was Diabolique, a heart-grabbing benchmark in horror filmmaking, featuring outstanding performances by Simone Signoret, Véra Clouzot, and Paul Meurisse.
Four desperate men sign on for a suicide mission to drive trucks loaded with nitroglycerin over a treacherous mountain route—a white-knuckle ride from France’s legendary master of suspense, Henri-Georges Clouzot.
Middle-aged Mr. Badii drives through the hilly outskirts of Tehran, searching for someone to rescue or bury him, in Iranian auteur Abbas Kiarostami’s emotionally complex meditation on life and death.
Winner of both the Academy Award for best foreign-language film and the Cannes Film Festival’s Palme d’Or, Marcel Camus’ Black Orpheus (Orfeu negro) brings the ancient Greek myth of Orpheus and Eurydice to the twentieth-century madness of Carnival in Rio de Janeiro.
Al Reinert’s visually dazzling documentary For All Mankind is the story of the twenty-four men who traveled to the moon—told in their words, in their voices, using the images of their experiences.
In this unsettling drama from Italian filmmaker Liliana Cavani, a concentration camp survivor (Charlotte Rampling) discovers her former torturer and lover (Dirk Bogarde) working as a porter at a hotel in postwar Vienna.
Drew Phillips: “Few films have ever had me openly weeping in them, but nearly all of them have been Bergmans. Ullman and Bergman are fueled by raw emotion”
By turns charming and inventive, René Clair’s lyrical masterpiece about the journey of a winning lottery ticket had a profound impact on not only the Marx Brothers and Charlie Chaplin but the American musical as a whole.
W. C. Fields’s prolific career placed him at the forefront of slapstick comedy. Gathered here are six gems that feature the comic genius at his peak.
Winner of four Academy Awards, including Best Picture and Best Actor, Sir Laurence Olivier’s Hamlet continues to be the most compelling version of Shakespeare’s beloved tragedy.
A stylish paean to female destructiveness, De Palma’s first foray into horror voyeurism is a stunning amalgam of split-screen effects, bloody birthday cakes, and a chilling score by frequent Hitchcock collaborator Bernard Herrmann.
Michelangelo Antonioni invented a new film grammar with this masterwork.
In one of Sturges’s most clever and beloved romantic comedies, a conniving father and daughter meet up with the heir to a brewery fortune—a wealthy but naïve snake enthusiast—and attempt to bamboozle him at a cruise ship card table.
An inspired rendering of Jim Thompson’s pulp novel Pop. 1280, Bertrand Tavernier’s Coup de torchon (Clean Slate) deftly transplants the story of an inept police chief turned heartless killer and his scrappy mistress from the American South to French West Africa.
Bob Hoskins (who snagged an Oscar nomination for his performance) plays George, a small-time loser employed as a chauffeur to an enigmatic, high-class call girl in writer-director Neil Jordan’s brilliant, noir-infused love story.
The Hidden Fortress delivers Kurosawa’s trademark deft blend of wry humor, breathtaking action, and compassionate humanity.
Drew Phillips: “Can someone tell my why all of my favorites are OOP? I think Studio Canal is conspiring against me...”
Poetic realism reached sublime heights with Children of Paradise, widely considered one of the greatest French films of all time.
In Peter Weir’s The Last Wave, Richard Chamberlain stars as Australian lawyer David Burton, who takes on the defense of a group of aborigines accused of killing one of their own.
A tender and humorous look at a young woman’s journey from the first pangs of romance to its inevitable disappointments, Loves of a Blonde immediately became a classic of the Czech New Wave and earned Milos Forman the first of his Academy Award nominations.
A milestone in Russian cinema, Grigori Chukhrai’s Ballad of a Soldier follows Alyosha as he journeys home once he is granted a visit with his mother after single-handedly fending off two enemy tanks.
Giulietta Masina plays a betrayed wife whose inability to come to terms with reality leads her along a hallucinatory journey of self-discovery in Fellini’s first color feature, a kaleidoscope of dreams, spirits, and memories.
A startling and courageous film, Peter Davis’s landmark 1974 documentary Hearts and Minds unflinchingly confronted the United States’ involvement in Vietnam at the height of the controversy that surrounded it.
One of the all-time comedy classics, René Clair’s À nous la liberté tells the story of Louis, an escaped convict who becomes a wealthy industrialist. Unfortunately, his past returns (in the form of old jail pal Emile) to upset his carefully laid plans.
In René Clair’s irrepressibly romantic portrait of the crowded tenements of Paris, a street singer and a gangster vie for the love of a beautiful young woman. An international sensation upon its release, Under the Roofs of Paris is an exhilarating celebration of filmmaking.
When thief Gaston Monescu (Herbert Marshall) meets his true love in pickpocket Lily (Miriam Hopkins), they embark on a scam to rob lovely perfume company executive Mariette Colet (Kay Francis). Legendary director Ernst Lubitsch’s masterful touch is in full flower in Trouble in Paradise.
In Jean-Luc Godard’s subversive Contempt, Michel Piccoli is a screenwriter torn between the demands of a proud European director, a crude, arrogant American producer, and his disillusioned wife, Camille (Brigitte Bardot), as he attempts to doctor the script for a new film version of The Odyssey.
Pépé le moko is a wanted man: women long for him, rivals hope to destroy him, and the law is breathing down his neck at every turn. On the lam, Pépé is safe from the clutches of the police, until a Parisian playgirl compels him to risk his life. Pépé le moko is a landmark of poetic realism.
I Am Curious—Yellow, one of the most controversial films of all time, is presented here for the first time with its companion piece, I Am Curious—Blue. This landmark document of Swedish society during the sexual revolution has been declared both obscene and revolutionary.
A startling tale of heartbreak and violence set against the backdrop of bloody revolution, Volker Schlöndorff’s Coup de grâce is a powerful film that explores the interrelation of private passion and political commitment.
A cornerstone of the French New Wave, the first feature from Alain Resnais is one of the most influential films of all time.
An American housewife (Jennifer Jones) vacationing in Italy reluctantly decides to put an end to her brief affair with an Italian academic (Montgomery Clift) in this troubled collaboration between director Vittorio De Sica and producer David O. Selznick.
Fassbinder’s The Marriage of Maria Braun, Lola, and Veronika Voss—the BRD (Bundesrepublik Deutschland) Trilogy—would garner him the international acclaim he had always yearned for and place his name foremost in the canon of New German Cinema.
Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family in controversial director Shohei Imamura’s comic treatment of voyeurism and incest.
In Richard III, director, producer, and star Laurence Olivier brings Shakespeare’s masterpiece of Machiavellian villainy to ravishing cinematic life
After a streak of bad luck tempts a hard-working farmer to bargain with the Devil, he enlists the aid of the legendary orator and politician Daniel Webster. William Dieterle’s stylish film features an unforgettable score by Bernard Herrmann and a truly diabolical performance from Walter Huston.
Considered one of the greatest films ever made, The Rules of the Game (La règle du jeu), by Jean Renoir, is a scathing critique of corrupt French society cloaked in a comedy of manners.
A young provincial in search of adventure stumbles into the subterranean world of sadomasochism when he is implicated in a burglary of a Paris apartment in Barbet Schroeder’s Maîtresse.
In Sam Fuller’s hardboiled classic, a petty crook and an unsuspecting woman find themselves on the run from Communists in a precarious gambit.
In a dusty California resort rown, a naïve Southern waif finds her role model in a fellow nurse, but her hero-worship evolves into something stranger and more sinister than either could have anticipated. Robert Altman’s dreamlike masterpiece careens from the humorous to the chilling to the surreal.
When a pickpocket steals a rookie detective’s gun on a hot, crowded bus, the cop goes undercover in a desperate attempt to right the wrong. Kurosawa’s thrilling noir probes the squalid world of postwar Japan and the nature of the criminal mind.
In Pier Paolo Pasolini’s neorealist take on society’s marginalized and dispossessed, Anna Magnani delivers a powerhouse performance as a middle-aged prostitute who attempts to extricate herself from her sordid past for the sake of her son.
Near the end of his long and celebrated career, master filmmaker Jean Renoir indulged his lifelong obsession with life-as-theater and directed three majestic films infatuated with the past, love, and artifice.
Jean Gabin stars as an army deserter looking for another chance to make good on life in Marcel Carné’s stark portrayal of an underworld of lonely souls wrestling with their own destinies. Port of Shadows is a quintessential example of poetic realism from the golden age of French cinema.
Based on the original play by Donald Freed and Arnold M. Stone, and starring Philip Baker Hall in a tour de force solo performance, Robert Altman’s Secret Honor is a searing interrogation of the Richard Nixon mystique and an audacious depiction of unchecked paranoia.
Fat Girl is not only a portrayal of female adolescent sexuality and the complicated bond between siblings but also a shocking assertion by the always controversial Catherine Breillat that violent oppression exists at the core of male-female relations.
Ingmar Bergman intended Fanny and Alexander as his swan song, and it is the legendary director’s warmest and most autobiographical film, a four-time Academy Award–winning triumph that combines his trademark melancholy and emotional intensity with immense joy and sensuality.
When a mysterious stranger muscles into two rival yakuza gangs, Tokyo’s underworld explodes with violence. Youth of the Beast was a breakthrough for director Seijun Suzuki, introducing the flamboyant colors, hallucinatory images, and striking compositions that would become his trademark.
High schooler Kiroku Nanbu yearns for the prim, Catholic Michiko, but her only desire is to reform Kiroku’s sinful tendencies. Hormones raging, Kiroku channels his unsatisfied lust into the only outlet available: savage, crazed violence.
In Bernardo Bertolucci’s stunning debut, the brutalized corpse of a Roman prostitute is found along the banks of the Tiber River. The police round up a handful of possible suspects and interrogate them, one by one, each account bringing them closer to the killer.
Two-bit hustler Harry Fabian (Richard Widmark) longs for “a life of ease and plenty.” Trailed by an inglorious history of go-nowhere schemes, he tries to hatch a lucrative plan with a famous wrestler.