What are dual-format editions?
Dual-format editions include both Blu-ray and DVD versions of a film in a single package. All supplements are available across both formats.
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Allowing us to watch people age on film with documentary realism while gripping us in a fictional narrative of exquisite everydayness, Boyhood has a power that only the art of cinema could harness.
Bette Midler exploded onto the screen with her take-no-prisoners performance in this quintessential film about fame and addiction from director Mark Rydell.
Transgressive and outrageous, this big-studio version of a debaucherous midnight movie is an addictively entertaining romp from one of cinema’s great outsider artists.
This singular vision of early seventeenth-century America from Terrence Malick is a work of astounding elemental beauty, a poetic meditation on nature, violence, love, and civilization.
One of RKO Pictures’s most successful movies of the 1940s, Cat People raised the creature feature to new heights of sophistication and mystery.
Blending elements from pulp fiction and low-budget horror flicks, Blood Simple reinvented the film noir for a new generation, marking the arrival of a filmmaking ensemble that would transform the American independent cinema scene.
The rare film that takes aim at the frenzy of the McCarthy era while also being suffused with its Cold War paranoia, The Manchurian Candidate remains potent, shocking American moviemaking.
Marc Kevin Hall: “I was lucky enough to see this a couple of years ago in a screening hosted by Les Blank. It was terrific, even if you ignore its potent mythology.”
One of the most beloved American films of all time, The Graduate earned Mike Nichols a best director Oscar, brought the music of Simon & Garfunkel to a wider audience, and introduced the world to a young actor named Dustin Hoffman.
Marc Kevin Hall: “I have the older Criterion edition, but I enjoy this film enough to want it on Blu-Ray, too.”
Nothing else has ever looked or felt like director René Laloux’s animated marvel Fantastic Planet, a politically minded and visually inventive work of science fiction.
Stanley Kubrick’s painfully funny take on Cold War anxiety is one of the fiercest satires of human folly ever to come out of Hollywood.
Based on a shocking true story and shot in documentary-style black and white, The Honeymoon Killers is a stark portrayal of the desperate lengths to which a lonely heart will go to find true love.
This smash road comedy from Oscar-winning director Alfonso Cuarón is a funny and moving look at human desire.
The success of Erik Skjoldbjærg’s chilling procedural anticipated the international hunger for Scandinavian noirs and serial- killer fictions, and the film features one of Skarsgård’s greatest performances.
A Hard Day’s Night, in which the bandmates play cheeky comic versions of themselves, captured the astonishing moment when they officially became the singular, irreverent idols of their generation and changed music forever.
A startling and courageous film, Peter Davis’s landmark 1974 documentary Hearts and Minds unflinchingly confronted the United States’ involvement in Vietnam at the height of the controversy that surrounded it.
As nervy as it is hilarious, this screwball masterpiece from Ernst Lubitsch stars Jack Benny and, in her final screen appearance, Carole Lombard as husband-and-wife thespians in Nazi-occupied Warsaw who become caught up in a dangerous spy plot.
Marc Kevin Hall: “This movie freaked me out when I saw it on TV back in my youth. I can't wait to see this again.”
Marc Kevin Hall: “I have the DVD version, but in my greed I want to replace it with the Blu-ray.”
In the hands of the renowned experimental theater director Peter Brook, William Golding’s legendary novel about the primitivism lurking beneath civilization becomes a film as raw and ragged as the lost boys at its center.
Marc Kevin Hall: “Del Toro is one of my favorite fantasy filmmakers, particularly when he goes into deeply personal territory.”
A landmark collaboration between writer H. G. Wells, producer Alexander Korda, and designer and director William Cameron Menzies, Things to Come is a science fiction film like no other, a prescient political work that predicts a century of turmoil and progress.
A hallucinatory biopic that breaks all cinematic conventions, Alex Cox’s Walker tells the story of nineteenth-century American adventurer William Walker (Ed Harris), who became a soldier of fortune and dictator of Nicaragua.
With this new director’s cut, Ang Lee reconstructs his original vision for Ride with the Devil, a harrowing, unorthodox Civil War epic, starring Tobey Maguire and Jeffrey Wright.
In the enthralling Blow Out, brilliantly crafted by Brian De Palma, John Travolta gives one of his greatest performances, as a movie sound-effects man who believes he has accidentally recorded a political assassination.
Badlands announced the arrival of a major talent: Terrence Malick. His impressionistic take on the notorious Charles Starkweather killing spree of the late 1950s uses a serial-killer narrative as a springboard for an oblique teenage romance.
Marc Kevin Hall: “This actually scared me when I was a wee lad, watching it on the late night Creature Feature.”
A mix of hilarious, anything-goes slapstick and biting satire of me-generation self-indulgence, Eating Raoul marked the end of the sexual revolution with a thwack.
Marc Kevin Hall: “I'm completely unfamiliar with this director's work, but these sound fascinating.”
In Paul Morrissey’s brash mixture of humor, horror, and sex, Blood for Dracula, the infamous count searches Italy for virgin blood.
Maverick filmmaker Paul Morrissey’s Flesh for Frankenstein reevaluates the horror film, infusing it with satiric wit and sexuality. Morrissey’s tale of the mad Baron Frankenstein and his perverse creative urges was heavily edited upon initial release; this is the restored director’s cut.
Fletcher Munson has a doppelgänger in dentist Dr. Jeffrey Korchek. Steven Soderbergh presents a deranged comedy of confused identity, doublespeak, and white-knuckled corporate intrigue, confirming his status as one of America’s most daring and unpredictable filmmakers.
With an innovative color-coded cinematic treatment to distinguish his interwoven stories, Steven Soderbergh embroils viewers in the lives of a newly appointed drug czar and his family, a West Coast kingpin’s wife, a key informant, and police officers on both sides of the U.S.-Mexico border.
Godzilla is the roaring granddaddy of all monster movies. It’s also a remarkably humane and melancholy drama made in Japan at a time when the country was still reeling from nuclear attack and H-bomb testing.
Marc Kevin Hall: “Yeah, out of print, I know. But a guy can dream, can't he?”